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The Lords of the Ghostland A History of the Ideal   By: (1855-1921)

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Saltus is a master of weaving historical fact and fiction together seamlessly, and "The Lords of the Ghostland" is no exception. In this intricate and compelling account, he presents a captivating history of the ideal and its evolution throughout the ages.

Saltus's prose is elegant and evocative, transporting the reader through various civilizations and ideologies. He delves deep into the essence of what defines an ideal, exploring its influence on art, religion, and philosophy. Through meticulously researched details and mesmerizing storytelling, he brings to life the rise and fall of different worldviews, shedding light on their strengths and weaknesses.

What sets this book apart is Saltus's ability to interweave fictional narratives within the framework of real events. Characters like the enigmatic Hermes Trismegistus and the visionary Empedocles are seamlessly integrated into the historical fabric, giving a human face to the abstract concepts being discussed. Their stories provide a deeper understanding of the complex and often contradictory nature of human aspirations.

Moreover, Saltus's exploration of the darker aspects of the ideal adds a layer of complexity to the narrative. He does not shy away from examining how the quest for an ideal can lead to fanaticism, oppression, and even violence. By bringing attention to these dualities, he compels readers to reflect on the consequences and responsibilities that come with pursuing lofty ideals.

"The Lords of the Ghostland" is an ambitious and thought-provoking work that challenges readers to contemplate the role of ideals in shaping human history. Saltus's rich prose, meticulous research, and skilled storytelling make for an engrossing read. This book is a testament to his unique ability to bridge the gap between fact and fiction, creating a captivating narrative that leaves a lasting impression.

First Page:

Transcriber's Note: Footnotes are placed at the end of the relevant paragraph. In Chapters I and II, the printed "Mitra" was changed to "Mithra" to match other occurrences in the text, which predominate. In Chapter II, the notation [)a] represents the letter a with breve. Also, an instance in the original text of the word "JHVH" in the Hebrew alphabet has been changed to the Roman.

THE LORDS OF THE GHOSTLAND

A History of the Ideal

By EDGAR SALTUS

"Errons, les doigts unis, dans l'Alhambra du songe." Renée Vivien

NEW YORK MITCHELL KENNERLEY MCMVII

COPYRIGHT, 1907 BY EDGAR SALTUS

The Plimpton Press Norwood Mass. USA.

By Mr. Saltus

HISTORIA AMORIS IMPERIAL PURPLE MARY MAGDALEN THE POMPS OF SATAN THE PERFUME OF EROS VANITY SQUARE

THE LORDS OF THE GHOSTLAND

I Brahma 7

II Ormuzd 39

III Amon Râ 60

IV Bel Marduk 81

V Jehovah 109

VI Zeus 140

VII Jupiter 166

VIII The Nec Plus Ultra 189

THE LORDS OF THE GHOSTLAND

I

BRAHMA

The ideal is the essence of poetry. In the virginal innocence of the world, poetry was a term that meant discourse of the gods... Continue reading book >>




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