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The Making of Mona   By: (1866-1924)

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The Making of Mona by Mabel Quiller-Couch is an exceptional piece of historical fiction that seamlessly weaves together art, passion, and societal expectations. Set in the vibrant art scene of late 19th century Paris, this novel takes readers on a captivating journey following the life of Mona, a young woman struggling to find her true identity and artistic voice.

One of the strongest aspects of The Making of Mona is Quiller-Couch's ability to transport the reader to the artistic world of Paris during a time of great change. The novel's vivid descriptions and attention to detail create a sensory experience, making the bustling streets and buzzing artist studios come alive. Through the author's well-researched historical background, it is evident that Quiller-Couch possesses a deep understanding and appreciation for the art and culture of this era, which enriches the narrative with authenticity and depth.

Mona, the book's central character, is both relatable and inspiring. As readers accompany her on her journey, they witness her growth and transformation from a young, timid girl into a fierce and determined artist. Quiller-Couch skillfully delves into Mona's internal struggles as she grapples with societal expectations and the challenges faced by women in the art world of that time. This thoughtful exploration of gender norms adds an important layer to the story, offering a feminist perspective and highlighting the barriers women artists had to overcome to express themselves.

The supporting characters in The Making of Mona are equally well-developed and complex. From fellow artists to the loved ones who play significant roles in Mona's life, each character brings depth and nuance to the story. The relationships formed between Mona and these individuals are believable and deeply felt, adding emotional weight to the narrative.

Furthermore, Quiller-Couch's prose is eloquent and evocative, making every page a pleasure to read. Her writing skillfully captures the emotions and desires that drive Mona, immersing the reader in her struggles, triumphs, and moments of self-discovery. The narrative flows seamlessly, seamlessly carrying the reader along a compelling storyline full of tension, passion, and resilience.

The Making of Mona is a novel that will appeal to those with an interest in art, history, and the timeless pursuit of personal fulfillment. Quiller-Couch masterfully combines artistic exploration, societal critique, and captivating storytelling to create an unforgettable reading experience. This book is a testament to the power of art and the strength of the human spirit, urging readers to embrace their passions and forge their own paths, regardless of the challenges they may face.

Overall, The Making of Mona is a beautifully crafted novel that transports readers to a bygone era, while delivering a timeless message. Mabel Quiller-Couch's storytelling prowess, coupled with rich historical detail and intriguing characters, makes this book a must-read for fans of historical fiction and art enthusiasts alike.

First Page:


BY MABEL QUILLER COUCH. (Author of 'Troublesome Ursula,' 'A Pair of Red Polls,' 'Kitty Trenire,' 'The Carroll Girls', Etc., Etc.)



[Illustration: Granny stood staring at her broken treasures.]


The kettle sat on the hob, and Mona sat on the floor, both as idle as idle could be.

"I will just wait till the kettle begins to sing," thought Mona; and became absorbed in her book again.

After a while the kettle, at any rate, seemed to repent of its laziness, for it began to hum softly, and then to hum loudly, and then to sing, but Mona was completely lost in the story she was reading, and had no mind for repentance or anything else. She did not hear the kettle's song, nor even the rattling of its cover when it boiled, though it seemed to be trying in every way to attract her attention. It went on trying, too, until at last it had no power to try any longer, for the fire had died low, and the kettle grew so chilly it had not even the heart to 'hum,' but sat on the black, gloomy looking stove, looking black and gloomy too, and, if kettles have any power to think, it was probably thinking that poor old granny Barnes' tea would be scarcely worth drinking when she came home presently, tired and hungry, from her walk to Milbrook, for Mona, even if she realised that the water had boiled, would never dream of emptying it away and filling the kettle afresh, as she should do... Continue reading book >>

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