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Marie   By: (1850-1943)

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In Laura Elizabeth Howe Richards’ novel "Marie," readers are transported to a time and place where determination and resilience overcome adversity. Set in the late 19th century, the story follows the eponymous protagonist Marie, a young girl who is orphaned at a tender age. Despite facing numerous hardships, Marie’s fierce spirit and unwavering determination shine through, making her a relatable and inspiring character.

One of the strengths of this novel lies in Richards’ ability to create vivid and authentic characters. From Marie herself, with her endearing innocence and unwavering optimism, to the supporting cast, every character feels genuine and plays a crucial role in driving the narrative forward. They each have their flaws and vulnerabilities, making their triumphs and growth all the more rewarding to witness.

Richards’ prose is another notable feature of "Marie." Her writing style effortlessly transports readers to the bustling streets of Boston and the idyllic Maine countryside. The author paints vibrant pictures with her words, immersing readers in the sights, sounds, and smells of Marie’s surroundings. This attention to detail not only enhances the immersive reading experience, but also provides invaluable historical context.

Furthermore, the themes explored in "Marie" are both timeless and thought-provoking. From the importance of family bonds to the power of friendship and perseverance, the novel offers valuable lessons applicable to readers of all ages. Marie’s journey from destitution to finding her place in the world will resonate with anyone who has faced adversity and emerged stronger from it.

However, one aspect that might leave readers wanting more is the pacing of the story. At times, the plot unfolds slowly, focusing on mundane details that may not always contribute significantly to the overall narrative. This slowed pace might test the patience of some readers, although it does give a realistic portrayal of Marie’s day-to-day struggles.

Overall, "Marie" is a beautifully written and engaging novel that captures the reader's imagination from the very first page. Through its memorable characters, vivid descriptions, and universal themes, Laura Elizabeth Howe Richards brings to life a remarkable story of resilience and triumph. Although the pacing may be a bit slow for some, the depth of the characters and the timeless messages conveyed make it a worthwhile read for lovers of historical fiction or anyone in search of an inspiring tale.

First Page:

MARIE

BY

LAURA E. RICHARDS

AUTHOR OF "CAPTAIN JANUARY," "MELODY," "QUEEN HILDEGARDE," "NARCISSA," ETC.

1894

TO

E. T. T.

CONTENTS.

CHAPTER

I. MARIE II. "D'ARTHENAY, TENEZ FOI!" III. ABBY ROCK IV. POSSESSION V. COURTSHIP VI. WEDLOCK VII. LOOKING BACK VIII. A FLOWER IN THE SNOW IX. MADAME X. DE ARTHENAY'S VIGIL XI. VITA NUOVA

MARIE.

CHAPTER I.

MARIE.

Marie was tired. She had been walking nearly the whole day, and now the sun was low in the west, and long level rays of yellow light were spreading over the country, striking the windows of a farmhouse here and there into sudden flame, or resting more softly on tree tops and hanging slopes. They were like fiddle bows, Marie thought; and at the thought she held closer something that she carried in her arms, and murmured over it a little, as a mother coos over her baby. It seemed a long time since she had run away from the troupe : she would forget all about them soon, she thought, and their ugly faces. She shivered slightly as she recalled the face of "Le Boss" as it was last bent upon her, frowning and dark, and as ugly as a hundred devils, she was quite sure. Ah, he would take away her violin Le Boss! he would give it to his own girl, whom she, Marie, had taught till she could play a very little, enough to keep the birds from flying away when they saw her, as they otherwise might; she was to have the violin, the Lady, one's own heart and life, and Marie was to have a fiddle that he had picked up anywhere, found on an ash heap, most likely! Ah, and now he had lost the Lady and Marie too, and who would play for him this evening, and draw the children out of the houses? he ! let some one tell Marie that! It had not been hard, the running away, for no one would ever have thought of Marie's daring to do such a thing... Continue reading book >>




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