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Maxim Gorki   By: (1873-1940)

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In Hans Ostwald's biographical work "Maxim Gorki," readers are presented with a comprehensive exploration of the life and achievements of one of Russia's most influential literary figures. Captivating and well-researched, Ostwald's book sheds light on the complex persona of Gorki, showcasing his remarkable journey from a poverty-stricken childhood to becoming a renowned writer and leading figure in the Russian literary world.

Ostwald's writing style seamlessly weaves together historical events, personal anecdotes, and literary analysis to create a compelling narrative. The author delves deep into Gorki's tumultuous relationships with other prominent figures, such as Leo Tolstoy and Vladimir Lenin, offering readers a glimpse into the remarkable intellectual and political circles of early 20th century Russia. Through meticulous research and access to previously unpublished materials, Ostwald paints a vivid picture of Gorki's life, allowing readers to appreciate the struggles and triumphs that shaped his literary career and political convictions.

One of the book's standout features is the way in which the author delves into Gorki's literary works, providing valuable insights into their themes, symbolism, and social critiques. Ostwald's analysis serves as an excellent companion for both readers familiar with Gorki's writing and those discovering it for the first time. By contextualizing Gorki's works within the socio-political climate of the time, the book offers a deeper understanding of their significance and impact.

Moreover, Ostwald expertly captures the essence of Gorki's character, presenting him as a vibrant and visionary individual who challenged the status quo and sought to elevate the voices of the marginalized. The book's portrayal of Gorki's passion for social justice and his commitment to giving voice to the oppressed resonates powerfully, highlighting the humanistic values that underpin his works.

However, readers may find that the book occasionally delves too deeply into scholarly analysis, potentially overwhelming those seeking a more accessible introduction to Gorki's life and works. Additionally, the structure can be somewhat disjointed, with the narrative occasionally jumping between various periods and themes without a clear chronological flow. While this might hinder the flow of the storytelling, it does not detract from the overall strength of the book.

Ultimately, "Maxim Gorki" by Hans Ostwald is a valuable contribution to the understanding and appreciation of one of Russia's literary giants. Through meticulous research, insightful analysis, and a genuine admiration for Gorki's legacy, Ostwald presents readers with a rich and mesmerizing portrait of a truly remarkable figure. Whether already a fan or a newcomer to Gorki's works, this biography provides an engrossing exploration of his life, ideals, and literary achievements.

First Page:

MAXIM GORKI

by

HANS OSTWALD

Translated by Frances A. Welby

[Frontispiece: MAXIM GORKI]

William Heinemann 1905

INTRODUCTION

It cannot be denied that the academic expression "Literature" is an ill favoured word. It involuntarily calls up the Antithesis of Life, of Personal Experience, of the Simple Expression of Thought and Feeling. With what scorn does Verlaine exclaim in his Poems:

"And the Rest is only Literature."

The word is not employed here in Verlaine's sense. The Impersonal is to be excluded from this Collection. Notwithstanding its solid basis, the modern mode of the Essay gives full play of personal freedom in the handling of its matter.

In writing an entire History of Literature, one is unable to take equal interest in all its details. Much is included because it belongs there, but has to be described and criticised of necessity, not desire. While the Author concentrates himself con amore upon the parts which, in accordance with his temperament, attract his sympathies, or rivet his attention by their characteristic types, he accepts the rest as unavoidable stuffing, in order to escape the reproach of ignorance or defect. In the Essay there is no padding. Nothing is put in from external considerations. The Author here admits no temporising with his subject... Continue reading book >>




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