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Our Stage and Its Critics By "E.F.S." of "The Westminster Gazette"   By: (1860-1932)

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In "Our Stage and Its Critics" by Edward Fordham Spence, the author delves into the world of theater criticism through a unique lens. As a revered critic himself, renowned for his insightful commentary in "The Westminster Gazette," Spence offers a thought-provoking and comprehensive analysis of the relationship between theater and its critics.

Through a series of essays and articles, Spence showcases his vast knowledge and experience, presenting a detailed account of the highs and lows of theater criticism. He skillfully explores various aspects that intertwine with this intriguing art form, including the impact of critics on theater productions, the changing dynamics of criticism over time, and the ever-evolving nature of theatrical performances.

The book's primary strength lies in Spence's ability to provide a balanced perspective on the topic. He acknowledges the power wielded by critics and their influence on the success or failure of a play, while also emphasizing the need for constructive criticism rather than harsh judgment. Spence's insights into the responsibilities and ethical considerations of a theater critic are particularly enlightening, as he navigates the fine line between honest appraisal and personal attack.

One of the standout features of "Our Stage and Its Critics" is Spence's inclusion of real-world examples and anecdotes. These engaging narratives bring his arguments to life and make the book accessible to both theater enthusiasts and those less familiar with the subject. Additionally, Spence's writing style is persuasive and engaging, luring readers into his exploration of the intricate relationship between theater and the critics who shape it.

If there is one drawback to this work, it would be that Spence occasionally delves into tangential topics, which can distract readers from the main theme. However, this minor flaw does not diminish the overall impact of the book, as the author's main arguments remain coherent and cohesive throughout.

"Our Stage and Its Critics" is an invaluable resource for theater practitioners, critics, and anyone interested in the world of theater. Spence's wisdom and expertise shine through in his examination of the often overlooked role critics play in the development and evolution of the performing arts. Through his eloquent and thought-provoking prose, he invites readers to reflect on the profound impact that well-informed criticism can have on the artistic landscape.

In conclusion, Edward Fordham Spence's "Our Stage and Its Critics" is a compelling and insightful exploration of the intricate relationship between theater and criticism. Spence's vast knowledge and balanced perspective offer readers a unique glimpse into the world of theater criticism, making this book an essential read for anyone passionate about the performing arts.

First Page:

OUR STAGE AND ITS CRITICS

BY

"E.F.S."

OF "THE WESTMINSTER GAZETTE"

1910

PREFACE

Whilst reading the proof sheets of these articles I have been oppressed by the thought that they give a gloomy idea about the state of our Stage. Yet I am naturally sanguine. Indeed, no one taking a deep interest in our drama could have written for a score or so of years about it unless of a naturally sanguine temperament. There has been great progress during my time, yet we still are far from possessing a modern national drama creditable to us. Some imagine that the British have no inborn genius for writing drama, or acting it, and look upon those dramatists and players whose greatness cannot be denied as mere exceptions to a rule. Without alleging that at the moment we have a Shakespeare, a Garrick or a Siddons, I assert confidently that we own dramatists and players able, if rightly used, to make our theatre worthy of our country and also that the misuse of them is appalling. For very many years the history of the English stage has been chiefly a record of waste, of gross commercialism and of honest efforts ruined by adherence to mischievous traditions: the Scottish and Irish stage have been mere reflections of our own.

At the moment Ireland is making a brave and remarkably successful effort at emancipation, and during the last few years has laid the foundations of a National Theatre and built a good deal upon them... Continue reading book >>




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