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Pieces of Eight Being the Authentic Narrative of a Treasure Discovered in the Bahama Islands in the Year 1903 By: Richard Le Gallienne (1866-1947) |
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PIECES OF EIGHT Being the Authentic Narrative of a Treasure Discovered in the Bahama
Islands in the Year 1903 Now First Given to the Public BY RICHARD LE GALLIENNE [Illustration] Frontispiece [Illustration: "'YOU YOUNG FOOL!' EXCLAIMED CHARLIE, 'THE WATER ROUND
HERE IS THICK WITH SHARKS!'"]
A.L. BURT COMPANY
Publishers New York Published by arrangement with Doubleday, Page & Company
Copyright, 1918, by DOUBLEDAY, PAGE & COMPANY All rights reserved, including that of translation into foreign
languages, including the Scandinavian COPYRIGHT, 1917, 1918, BY THE BUTTERICK PUBLISHING COMPANY
LIFE BEING OF THE NATURE BOTH OF A TREASURE HUNT AND A PIRATICAL
EXPEDITION, I DEDICATE THIS NARRATIVE TO THE FOLLOWING SAILING
COMPANIONS OF MINE ON THIS ENTERTAINING OLD PIRATE CRAFT WE CALL THE
EARTH, IN THE HOPE THAT EACH MAY FIND HIS TREASURE, AND, AT LEAST,
ESCAPE HANGING AT THE END OF THE TRIP TO WIT: HARRY DASH JOHNSON, SAM
NICHOLSON, BERT WILLSIE AND CHARLEY BETHEL, ALL ENGAGED IN ONE OR
ANOTHER OF THE PIRATICAL PROFESSIONS.
PROLOGUE
(The following MS., the authorship of which I am not at liberty to
divulge, came to me in a curious way. Being recently present at a
performance of "Treasure Island" at The Punch and Judy Theatre in New
York City, and, seated at the extreme right hand end of the front row of
the stalls so near to the ground floor box that its occupants were
within but a yard or two of me, and, therefore, very clearly to be
seen I, in common with my immediate neighbours, could not fail to
remark the very striking and beautiful woman who was the companion of a
distinguished military looking man on the youthful side of middle age. Still young, a little past thirty, maybe, she was unusually tall and
stately of figure, and from her curious golden skin and massive black
hair, one judged her to be a Creole, possibly a Jamaican. Her face,
which was rather heavily but finely moulded, wore an expression of
somewhat poetic melancholy, a little like that of a beautiful animal,
but readily lit up with a charming smile now and again at some sally of
her companion, with whom she seemed to be on affectionate terms, and
with whom, as the play proceeded, she exchanged glances and whispered
confidences such as two who have shared an experience together which
the play seems to bring to mind are seen sometimes to exchange in a
theatre. But there was one particular which especially accentuated the
singularity of her appearance and was responsible for drawing upon her
an interested observation seemed, indeed, even in her eyes to condone
it, for she, as well as her companion, was obviously conscious of
it the two strange looking gold ornaments which hung from her
delicately shaped ears. These continually challenged the eye, and piqued
the curiosity. Obviously they were two old coins, of thick gold, stamped
with an antique design. They were Spanish doubloons! As, in common with the rest of the audience, I looked at this
picturesque pair, my eyes forsook the lady of the doubloons, and
fastened themselves with a half certainty of recognition upon her
companion. Why! surely it was , an old dare devil comrade of
mine, whose disappearance from New York some ten years before had been
the talk of the two or three clubs to which we both belonged. A curious
blending of soldier, poet, and mining engineer, he had been popular with
all of us, and when he had disappeared without warning we were sure that
he was off on some Knight errant business to Mexico or the Moon! He was, indeed, wearing that disguise of Time, which we all come
involuntarily to wear an unfamiliar greyness of his hair at the
temples, and a moustache that would soon be a distinguished white; yet
the disguise was not sufficient to conceal the youthful vigour of his
personality from one who had known him so well as I. The more I looked
at him, the more certain I grew that it was he, and I determined to go
round to his box at the conclusion of the second act... Continue reading book >>
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