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The Poetical Works of John Dryden, Volume 2 With Life, Critical Dissertation, and Explanatory Notes By: John Dryden (1631-1700) |
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OF JOHN DRYDEN.
With Life, Critical Dissertation, and Explanatory Notes, BY THE REV. GEORGE GILFILLAN. VOL. II. M. DCCC. LV. CRITICAL ESTIMATE OF THE GENIUS AND POETICAL WORKS OF JOHN DRYDEN.
In our Life of Dryden we promised to say something about the question,
how far is a poet, particularly in the moral tendency and taste of his
writings, to be tried and either condemned or justified by the
character and spirit of his age? To a rapid consideration of this
question we now proceed, before examining the constituent elements or
the varied fruits of the poet's genius. And here, unquestionably, there are extremes, which every critic should
avoid. Some imagine that a writer of a former century should be tried,
either by the standard which prevails in the cultured and civilised
nineteenth, or by the exposition of moral principles and practice which
is to be found in the Scriptures. Now, it is obviously, so far as taste
is concerned, as unjust to judge a book written in the style and manner
of one age by the merely arbitrary and conventional rules established in
another, as to judge the dress of our ancestors by the fashions of the
present day. And in respect of morality, it is as unfair to visit with
the same measure of condemnation offences against decorum or decency,
committed by writers living before or living after the promulgation of
the Christian code, as it would be to class the Satyrs, Priapi, and
Bacchantes of an antique sculptor, with their imitations, by inferior
and coarser artists, in later times. There must be a certain measure of
allowance made for the errors of Genius when it was working as the
galley slave of its tradition and period, and when it had not yet
received the Divine Light which, shining into the world from above, has
supplied men with higher æsthetic as well as spiritual models of
principles, and revealed man's body to be the temple of the Holy Ghost.
To look for our modern philanthropy in that "Greek Gazette," the Iliad
of Homer to expect that reverence for the Supreme Being which the Bible
has taught us in the Metamorphoses of Ovid or to seek that refinement
of manners and language which has only of late prevailed amongst us, in
the plays of Aristophanes and Plautus were very foolish and very vain.
In ages not so ancient, and which have revolved since the dawn of
Christianity, a certain coarseness of thought and language has been
prevalent; and for it still larger allowance should be made, because it
has been applied to simplicity rather than to sensuality to rustic
barbarism, not to civilised corruption and carries along with it a
rough raciness, and a reference to the sturdy aboriginal beast just as
acorns in the trough suggest the immemorial forests where they grew, and
the rich greenswards on which they fell. In two cases, it thus appears, should the severest censor be prepared to
modify his condemnation of the bad taste or the impurity to be found in
writers of genius first, in that of a civilization, perfect in its
kind, but destitute of the refining and sublimating element which a
revelation only can supply; and, secondly, in that of those ages in
which the lights of knowledge and religion are contending with the gloom
of barbarian rudeness. Perhaps there are still two other cases capable
of palliation that of a mind so constituted as to be nothing, if not a
mirror of its age, and faithfully and irresistibly reflecting even its
vices and pollutions; or that of a mind morbidly in love with the
morbidities and the vile passages of human nature. But suppose the case
of a writer, sitting under the full blaze of Gospel truth, professedly a
believer in the Gospel, and intimately acquainted with its oracles,
living in a late and dissipated, not a rude and simple age possessed of
varied and splendid talents, which qualified him to make as well as to
mirror, and with a taste naturally sound and manly, who should yet seek
to shock the feelings of the pious, to gratify the low tendencies, and
fire to frenzy the evil passions of his period he is not to be shielded
by the apology that he has only conformed to the bad age on which he was
so unfortunate as to fall... Continue reading book >>
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