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Polyeucte   By: (1606-1684)

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Polyeucte, a play written by Pierre Corneille, is a powerful and thought-provoking theatrical masterpiece. Set in sixth-century Armenia during a period of religious unrest and political instability, this play explores themes of faith, love, and martyrdom with exceptional intensity.

The story follows the protagonist, Polyeucte, a nobleman who undergoes an extraordinary transformation after converting to Christianity. As he embraces his newfound faith, Polyeucte finds himself torn between his duty to his family and his unwavering commitment to his beliefs. This internal struggle forms the backbone of the narrative and offers a deep exploration of the complexities of human nature.

Corneille's skillful portrayal of the characters adds depth and complexity to the plot. Polyeucte stands out as a captivating and morally upright protagonist. His profound conviction in the face of adversity makes him an admirable figure, while also challenging the audience to question their own beliefs and values. In contrast to the steadfast Polyeucte, his wife Pauline embodies the conflict between loyalty to her husband and her devotion to the ancient Roman gods. This internal turmoil creates a compelling dynamic between the two characters and raises thought-provoking questions about the nature of love and faith.

What sets Polyeucte apart from other plays is Corneille's masterful use of language and poetry. The play features an eloquent and poignant dialogue that stirs deep emotions within the reader or audience member. From impassioned monologues to intense confrontations, each line is carefully crafted to leave a lasting impact. Corneille's verse not only adds beauty to the play but also enhances the themes and emotions, creating a truly immersive experience for the reader or viewer.

Moreover, Polyeucte offers a rich exploration of religious themes. The clash between Christianity and the pagan traditions of ancient Rome serves as a backdrop for a profound examination of faith, religious freedom, and sacrifice. Corneille goes beyond simply presenting conflicting beliefs; he delves into the complexities of personal convictions and the consequences that arise when one chooses to stand up for their faith. This exploration of religious conflict offers a timeless appeal and encourages introspection in the reader.

In conclusion, Polyeucte is a remarkable play that combines powerful character development, beautiful language, and deep philosophical themes. Pierre Corneille's masterful storytelling takes readers or audiences on an emotional journey, challenging them to question their own beliefs and values. Whether read or watched on stage, Polyeucte leaves a lasting impression and stands as a testament to the enduring power of both faith and art.

First Page:

POLYEUCTE

By Pierre Corneille

Translated by Thomas Constable

INTRODUCTORY NOTE

Pierre Corneille was born in Rouen in 1606, the son of an official; was educated by the Jesuits, and practised unsuccessfully as a lawyer. His dramatic career began with the comedy of "Melite," but it was by his "Medee" that he first proved his tragic genius. "The Cid" appeared in 1636, and a series of masterpieces followed "Horace," "Cinna," "Polyeucte," "Le Menteur." After a failure in "Pertharite" he retired from the stage, deeply hurt by the disapproval of his audience. Six years later he resumed play writing with "OEdipe" and continued till 1674, producing in all some thirty plays. Though he earned a great reputation, he was poorly paid; and a proud and sensitive nature laid him open to considerable suffering. He died in 1684.

The works of Corneille represent most fully the ideal of French so called "classical" tragedy. The laws to which this type of tragedy sought to conform were not so much truth to nature as the principles which the critics had derived from a somewhat inadequate interpretation of Aristotle and of the practise of the Greek tragedians. These principles concentrated the interest of the play upon a single central situation, in order to emphasize which, subordinate characters and complicating under plots were avoided as much as possible... Continue reading book >>




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