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Possession A Peep-Show in Paradise   By: (1865-1959)

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Possession: A Peep-Show in Paradise by Laurence Housman is a thought-provoking and beautifully written novel that delves into the complexities of human desires, relationships, and the boundaries between fantasy and reality. Housman's poetic and lyrical writing style draws the reader in from the very beginning, creating a sensual and alluring atmosphere that perfectly mirrors the themes explored in the story.

The novel revolves around two main characters, Anne and Ralph, who embark on a journey to explore the depths of their forbidden desires while bound by the restraints of societal expectations. Housman expertly captures the internal conflicts and moral dilemmas experienced by these characters, as they struggle to reconcile their own desires with the expectations placed upon them. Through their exploration of a peep-show in paradise, the author explores the theme of possession, both in a physical and metaphorical sense.

What truly sets Possession apart is Housman's exploration of the blurred lines between fantasy and reality. As Anne and Ralph immerse themselves in the world of the peep-show, they are confronted with their deepest desires and are forced to question the nature of these desires. The author masterfully intertwines moments of surrealism with moments of stark reality, creating a narrative that constantly keeps the reader guessing and reflecting on their own perceptions of desire and possession.

Housman's characterization is another standout element of this novel. Anne and Ralph are complex, multi-dimensional characters who evolve and grow throughout the story. Their internal struggles and conflicting emotions are portrayed with great depth and sensitivity, allowing readers to truly empathize with their journeys. Supporting characters are equally well-developed, adding further layers to the narrative and enhancing the overall richness of the story.

Moreover, Housman's exploration of themes such as sexual liberation, societal norms, and the consequences of indulging in forbidden desires is inherently thought-provoking. The author prompts the reader to question their own beliefs and preconceptions, challenging societal norms and highlighting the importance of personal freedom and autonomy.

Although the pace of the novel may be slower at times due to Housman's intricate detailing and introspective prose, it ultimately serves to deepen the reader's connection to the characters and the themes at hand. The language used by the author is poetic and evocative, painting vivid images and creating an immersive reading experience.

In conclusion, Possession: A Peep-Show in Paradise by Laurence Housman is a mesmerizing and thought-provoking tale that explores the depths of human desires, the boundaries between fantasy and reality, and the consequences of indulging in our darkest desires. With its lyrical prose, complex characters, and profound themes, this novel is sure to captivate readers looking for a deep and introspective exploration of human nature.

First Page:

Possession

Uniform with this Volume

Angels & Ministers: Three Plays of Victorian Shade & Character by Laurence Housman

Possession

A Peep Show in Paradise

by Laurence Housman

Jonathan Cape

Eleven Gower Street, London

First published in a limited edition of 500 numbered copies only for sale Oct. 1921. Popular Edition, Jan. 1922

All rights reserved

Introduction

THIS play originally intended to form part of Angels and Ministers was separated on an after thought as a concession to those who do not like to have their politics and their religion mixed. And, as the Victorian age was eminently successful in keeping the two apart, it is 'in keeping,' in another sense, with the Victorianism of the religion here portrayed that it should make its appearance under a separate cover.

As some of my critics seem anxious to trace the inspiration of these Victorian plays to an outside source, and are divided, as regards the historical section, between the Abraham Lincoln of Mr. John Drinkwater and the Queen Victoria of Mr. Lytton Strachey, may I assure them that my historical method of treating Kings and Queens 'intimately' was derived from my own play Pains and Penalties , published in 1911, and that my anthropomorphic theology is based upon the first book I ever wrote, Gods and their Makers , published in 1897... Continue reading book >>




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