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Romance   By: (1873-1939)

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Romance, written by Ford Madox Ford, is a masterful work of literature that delves into the complexities of human relationships. Set against the backdrop of World War I, this novel combines elements of romance, war, and psychological introspection, creating a captivating and thought-provoking reading experience.

The story unfolds through the eyes of Christopher Tietjens, a highly intelligent and introspective man caught in the chaotic and uncertain times of war. Tietjens is torn between his love for his beautiful but unfaithful wife, Sylvia, and the unwavering loyalty he feels towards the strong-willed suffragette, Valentine Wannop. This love triangle becomes a central focus of the novel, allowing Ford to explore the intricate dynamics of relationships amidst the chaos and destruction of war.

The author's writing style is rich and evocative, transporting readers to the war-torn landscapes of Europe and immersing them in the emotional turmoil of the characters. Ford's use of vivid descriptions and poignant imagery encapsulates the sense of despair and disillusionment prevalent during the war. Through his writing, he skillfully conveys the devastating impact of war on personal lives, raising profound questions about love, loyalty, and the nature of human connection.

One of the most impressive aspects of Romance is the depth and complexity of its characters. Tietjens is a deeply flawed yet sympathetic protagonist, torn between his duty and his desires. Sylvia, the enigmatic and manipulative wife, is presented with nuance and complexity, making her actions simultaneously difficult to understand yet somehow relatable. Valentine, on the other hand, embodies resilience and determination, offering a refreshing contrast to the other characters.

In addition to its exploration of human relationships, Romance also serves as a scathing critique of society and its conventions. Ford criticizes the rigid class system, gender norms, and the inequities women faced during the early 20th century. Through his characters, he raises important questions about social injustice and the price individuals pay for conforming to societal expectations.

However, it must be noted that Romance is not a book for the faint of heart. Ford's prose can be dense and at times challenging to follow, requiring patience and careful reading. The complexity of the narrative may also deter readers seeking a more straightforward love story.

Overall, Romance is a compelling novel that offers a nuanced exploration of human relationships, societal constraints, and the profound impact of war. Ford Madox Ford's writing transports readers to a tumultuous era, immersing them in the emotional lives of the characters. Although it may not be readily accessible to all readers, those who invest their time in this literary gem will be rewarded with a thought-provoking and deeply affecting reading experience.

First Page:

ROMANCE

By Joseph Conrad

and

F.M. Hueffer

COPYRIGHT, 1903, BY DOUBLEDAY, PAGE & COMPANY ALL RIGHTS RESERVED PRINTED IN THE UNITED STATES AT THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.

TO

ELSIE AND JESSIE

"C'est toi qui dors dans Vombre, O sacré Souvenir." If we could have remembrance now And see, as in the days to come We shall, what's venturous in these hours: The swift, intangible romance of fields at home, The gleams of sun, the showers, Our workaday contentments, or our powers To fare still forward through the uncharted haze Of present days. . . . For, looking back when years shall flow Upon this olden day that's now, We'll see, romantic in dimm'd hours, These memories of ours.

CONTENTS

PART FIRST The Quarry and the Beach

PART SECOND The Girl with the Lizard

PART THIRD Casa Riego

PART FOURTH Blade and Guitar

PART FIFTH The Lot of Man

PART FIRST THE QUARRY AND THE BEACH

ROMANCE

CHAPTER ONE

To yesterday and to to day I say my polite "vaya usted con Dios." What are these days to me? But that far off day of my romance, when from between the blue and white bales in Don Ramon's darkened storeroom, at Kingston, I saw the door open before the figure of an old man with the tired, long, white face, that day I am not likely to forget... Continue reading book >>




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