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The Romance of Morien   By: (1850-1928)

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In The Romance of Morien, Jessie Laidlay Weston takes us on a captivating journey through the captivating world of medieval Welsh literature. This literary gem showcases Weston's profound understanding and interpretation of Arthurian legends, diving into lesser-known tales that often go unnoticed in the realm of Arthurian literature.

The unique aspect of this work lies in its focus on the character Morien, the biracial son of Sir Agloval, a black knight hailing from Africa. Weston skillfully highlights the theme of racial identity and explores the challenges faced by Morien as he navigates a world that often judges him solely based on his appearance. This exploration of racial dynamics adds a layer of depth and complexity to the novel, making it a thought-provoking read that transcends the conventional boundaries of Arthurian literature.

The vivid descriptions and eloquent prose bring the medieval setting to life, transporting readers to a world of chivalry, honor, and adventure. Weston’s meticulous attention to detail, especially in her retelling of the various quests Morien undertakes, creates a sense of exhilaration and tension that will keep readers glued to the pages.

One of the aspects that truly elevates this book is Weston's ability to bring out the inner struggles and conflicts of her characters. Morien's inner battle with his identity and the constant grappling between his African roots and his knightly upbringing are portrayed with sensitivity and authenticity. This portrayal not only adds layers to Morien's character but also allows for introspection on crucial themes such as self-acceptance and the complexities of racial and cultural heritage.

Another commendable aspect of The Romance of Morien is Weston's seamless incorporation of historical and cultural elements. Through her well-researched references to Welsh mythology and medieval poetry, she paints a rich tapestry of the Arthurian world, exposing readers to the lesser-known aspects of this legendary lore. Her commitment to authenticity shines through, making the narrative both informative and fulfilling for those with a penchant for history.

However, at times, the multiple storylines can become overwhelming, with some characters and events feeling less developed compared to others. This slight disparity in narrative focus may leave readers wanting more, but it does not detract significantly from the overall enjoyment of the book.

In conclusion, The Romance of Morien is a remarkable addition to Arthurian literature, shedding light on an unsung hero and exploring themes of identity and acceptance with grace and resonance. Weston's impeccable research and engaging storytelling prowess make this novel a must-read for lovers of medieval literature, as well as those interested in thought-provoking narratives that delve into complex themes.

First Page:

ARTHURIAN ROMANCES

Unrepresented in Malory's "Morte d'Arthur"

No. IV.

MORIEN ARTHURIAN ROMANCES

UNREPRESENTED IN MALORY'S "MORTE D'ARTHUR"

I. SIR GAWAIN AND THE GREEN KNIGHT.

A Middle English Romance retold in Modern Prose, with Introduction and Notes, by JESSIE L. WESTON. With Designs by M. M. CRAWFORD. 1898. 2s. net.

II. TRISTAN AND ISEULT.

Rendered into English from the German of Gottfried of Strassburg by JESSIE L. WESTON. With Designs by CAROLINE WATTS. Two vols. 1899. 4s. net.

III. GUINGAMOR, LANVAL, TYOLET, LE BISCLAVERET.

Four Lays rendered into English Prose from the French of Marie de France and others by JESSIE L. WESTON. With Designs by CAROLINE WATTS. 1900. 2s. net. [Illustration: They deemed they had seen the Foul Fiend himself]

MORIEN

A Metrical Romance rendered into English prose from the Mediæval Dutch by Jessie L. Weston, with designs by Caroline Watts. Preface

The metrical romance of which the following pages offer a prose translation is contained in the mediæval Dutch version of the Lancelot , where it occupies upwards of five thousand lines, forming the conclusion of the first existing volume of that compilation. So far as our present knowledge extends, it is found nowhere else.

Nor do we know the date of the original poem, or the name of the author... Continue reading book >>




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