Second Edition of A Discovery Concerning Ghosts With a Rap at the "Spirit-Rappers"   By: George Cruikshank (1792-1878)

In the Second Edition of A Discovery Concerning Ghosts With a Rap at the "Spirit-Rappers" by George Cruikshank, readers are presented with a thought-provoking exploration of the supernatural realm and a scathing critique of the rising phenomenon of séances and spiritualism during the Victorian era.

Cruikshank, a renowned British caricaturist and social satirist, delves into the subject of ghosts with both wit and skepticism. This edition serves as a continuation of his previous work on the topic, providing readers with updated insights and additional illustrations that bring his points to life.

One of the book's notable strengths is its keen analysis of the history and cultural significance of ghosts. Cruikshank takes the readers on a journey through various civilizations, highlighting the diverse beliefs and practices surrounding the spirit world. From ancient Egyptians to medieval Europeans, he reveals how the idea of ghosts has manifested differently across time and space, ultimately shedding light on the human fascination with the afterlife.

Furthermore, Cruikshank raises pertinent questions about the authenticity of spiritualist gatherings and their alleged communication with the dead. He employs his signature wit and caricatures to mock the practitioners, "spirit-rappers," and expose the potential fraudulence underlying their claims. Through his illustrations, he humorously critiques their use of elaborate props, contrived effects, and gullible attendees, all of which serve to deceive rather than truly establish a connection with the spiritual realm.

While Cruikshank's skepticism is evident throughout the book, he maintains a fair and balanced approach. He acknowledges that there is a profound longing within humans to comprehend the mysteries of life beyond death, and he respects the genuine beliefs of those who turn to spiritualism in search of solace or answers. This empathetic stance distinguishes his work from mere mockery, allowing readers to appreciate the nuances of this complex subject matter.

Nevertheless, the book does have a few drawbacks. At times, Cruikshank's writing can feel dense and overly detailed, making it challenging for casual readers to engage fully with the material. Additionally, given the context of this being the second edition, some readers may feel that the content lacks significant updates or fresh perspectives from the first edition.

In conclusion, the Second Edition of A Discovery Concerning Ghosts With a Rap at the "Spirit-Rappers" by George Cruikshank presents a captivating examination of the supernatural realm, grips readers with biting satire, and challenges the rise of spiritualism during the Victorian era. Despite some minor flaws, Cruikshank's insights and illustrations provide valuable commentary on a phenomenon that continues to captivate and mystify people to this day.

First Page:

I think it a duty to inform the Public that I have a Nephew whose Christian name is PERCY. He is employed by a person of the name of "READ," a Publisher, of Johnson's Court, Fleet Street; who, in Advertising any work executed by my Nephew , announces it as by " Cruikshank ," instead of (as it ought to be) illustrated by "PERCY CRUIKSHANK." And having been informed by numerous persons that they have purchased these publications under the impression that they were works executed by me, I hereby caution the Public against buying any work as mine with the name of READ, of Johnson's Court, upon it as Publisher. I never did anything for that person , and never shall; and I beg the Public to understand that these observations are not directed against my Nephew , to whom I wish every good, but that they are against the said READ, who, by leaving out my Nephew's Christian name, PERCY, deprives him of whatever credit he may deserve for his literary and artistic productions, and thereby creating a confusion of persons, which, if not done for the purpose of DECEIVING THE PUBLIC, appears to be very much like it... Continue reading book >>