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Specimens of Greek Tragedy — Aeschylus and Sophocles   By: (1823-1910)

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Specimens of Greek Tragedy — Aeschylus and Sophocles by Goldwin Smith is a remarkable literary compilation that offers readers a glimpse into the unparalleled world of Greek tragedy. In this engaging collection, Smith presents a carefully curated selection of works from two of the genre's most celebrated playwrights, Aeschylus and Sophocles.

The book skillfully integrates a thought-provoking introduction, captivating translations, and insightful commentary, making it an invaluable resource for both academic and casual readers. Smith's expertise as a scholar shines throughout the volume, as he flawlessly navigates the complex nuances of Greek drama and showcases his deep understanding of the playwrights' intentions.

What distinguishes this anthology is the meticulous translation of Aeschylus and Sophocles' original texts. Smith's translations, while preserving the essence of the ancient Greek language, manage to effortlessly communicate the profound emotions, intricate dialogues, and poetic beauty of the original works. His interpretation breathes new life into these timeless tragedies, providing readers with an authentic experience of the plays as they were intended to be enjoyed.

The inclusion of Smith's insightful commentary further enhances the reading experience. His analysis not only sheds light on the historical and cultural context of the plays but also delves into the themes, symbols, and literary techniques employed by the playwrights. This added layer of interpretation allows readers to connect at a deeper level with the texts and unravel the rich symbolism and meaning embedded within.

One of the book's most compelling features is the selection of plays itself. Smith astutely cherry-picks a diverse range of Aeschylus and Sophocles' works, showcasing their unique styles and thematic nuances. From Aeschylus' profoundly tragic "Agamemnon" to Sophocles' introspective and morally complex "Oedipus Rex," the chosen plays offer a comprehensive representation of the genius of these playwrights.

While readers with a background in classical literature will undoubtedly appreciate the depth of analysis and linguistic prowess exhibited in this anthology, Smith's elegant writing style and accessible explanations ensure that even those less familiar with Greek tragedy can engage with the material. Every page of this volume oozes with scholarly erudition yet remains highly approachable, making it an excellent choice for both students and enthusiasts alike.

In conclusion, Specimens of Greek Tragedy — Aeschylus and Sophocles by Goldwin Smith is an exceptional compilation that masterfully captures the essence of Greek tragedy. With its meticulous translation, insightful commentary, and astute selection of plays, this anthology offers readers an immersive experience into the captivating world of two of the greatest playwrights in history. Whether one is a devoted lover of ancient Greek literature or a curious newcomer, this book is an indispensable addition to any library.

First Page:

This eBook was produced by Juliet Sutherland, William Koven, Charles Franks and the Online Distributed Proofreading Team

SPECIMENS OF GREEK TRAGEDY

Translated By

GOLDWIN SMITH, D.C.L.

AESCHYLUS AND SOPHOCLES

1893

PREFACE.

Greek drama, forerunner of ours, had its origin in the festival of Dionysus, god of wine, which was celebrated with dance, song, and recitative. The recitative, being in character, was improved into the Drama, the chief author of the improvement, tradition says, being Thespis. But the dance and song were retained, and became the Chorus, that peculiar feature of the Greek play. This seems to be the general account of the matter, and especially of the combination of the lyric with the dramatic element, so far as we can see through the mist of an unrecorded age.

Thirlwall, still perhaps the soundest and most judicious, though not the most vivid or enthusiastic, historian of Greece, traces the origin of the Drama to "the great choral compositions uniting the attractions of music and action to those of a lofty poetry, which formed the favourite entertainment of the Dorian cities." This, he says, appears to have been the germ out of which, by the introduction of a new element, the recitation of a performer who assumed a character and perhaps from the first shifted his mask, so as to exhibit the outlines of a simple story in a few scenes parted by the intervening song of the Chorus, Thespis and his successors unfolded the Attic Tragedy... Continue reading book >>




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