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The Tales of Hoffmann Les contes d'Hoffmann   By:

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The Tales of Hoffmann, also known as Les contes d'Hoffmann, is a remarkable opera by Jacques Offenbach that brilliantly weaves together three fantastical tales, capturing the essence of Romanticism and enchanting audiences with its musical and dramatic prowess.

From the very opening notes, the beauty and complexity of the music take hold, transporting listeners into a world of imagination and intrigue. Offenbach's score is a masterstroke of innovation, blending elements of opera, operetta, and even vaudeville to create a unique and captivating sonic experience. The use of leitmotifs, recurring musical themes associated with specific characters or ideas, adds depth to the storytelling and elevates the emotional impact of the piece.

One of the most remarkable aspects of The Tales of Hoffmann is its ability to seamlessly transition between different genres and moods. Each tale presents a distinct atmosphere, from the melancholic and hauntingly beautiful "Tale of Olympia," to the suspenseful and eerie "Tale of Antonia," and finally, the seductive and flamboyant "Tale of Giulietta." Offenbach's ability to evoke a range of emotions through his music is truly astounding, keeping the audience captivated and emotionally invested throughout the entire performance.

The opera's libretto, based on the plays of E.T.A. Hoffmann, is a treasure trove of colorful characters and imaginative storytelling. Hoffmann himself serves as both the protagonist and narrator, serving as the thread that ties these tales together. His quest for love and artistic fulfillment, despite encountering various obstacles and temptations, resonates with the audience on a deeply human level.

The performances in this particular rendition of The Tales of Hoffmann are nothing short of exceptional. The singers fully embody their characters, delivering powerful and emotive performances that breathe life into the music and libretto. The chemistry among the cast members is palpable, adding an extra layer of authenticity to the relationships portrayed on stage.

The production design and staging of the opera are equally noteworthy. The sets and costumes are visually stunning, transporting the audience to each unique setting with ease. The use of lighting and special effects further enhances the magic and mystique of the production, creating an immersive experience that leaves a lasting impression.

Overall, The Tales of Hoffmann is a masterful opera that seamlessly blends innovation, emotion, and imagination. Jacques Offenbach's rich and diverse score, coupled with a captivating libretto and outstanding performances, make this a must-see production for opera enthusiasts and newcomers alike. It is a testament to the enduring power of music and storytelling, leaving a lasting impression that lingers long after the final notes have played.

First Page:

[Transcriber's note: This file contains both the English and French versions of this edition of Les Contes d'Hoffman. Both the English and the French texts are known to have a significant number of errors, misprints, and inconsistencies. They are here presented without correction. In this text, the "[oe]" marking represents the oe ligature.]

NEW VERSION OF

Les Contes d'Hoffmann (THE TALES OF HOFFMAN)

OPERA IN FOUR ACTS

With an original and novel first Act and other important changes

Book by JULES BARBIER

MUSIC BY J. OFFENBACH

New English version by CHARLES ALFRED BYRNE

As performed, for the first time in America at the MANHATTAN OPERA HOUSE, UNDER THE DIRECTION OF OSCAR HAMMERSTEIN.

ENGLISH VERSION, 1907, BY STEINWAY & SONS.

CHARLES E. BURDEN, PUBLISHER, STEINWAY HALL 107 109 EAST 14TH STREET NEW YORK.

DRAMATIS PERSONÆ.

HOFFMANN COUNSELOR LINDORF COPPELIUS DAPERTUTTO DOCTOR MIRACLE SPALANZANI CRESPEL ANDRES COCHENILLE FRANTZ LUTHER NATHANAEL HERMANN STELLA GIULIETTA OLYMPIA ANTONIA NICKLAUSSE THE MUSE A GHOST

ARGUMENT

ACT I.

In the first act, which is really a prologue, Hoffmann, a young poet, enters the tavern of Luther to meet his companions, and drinks to drown his sorrows. They think he is in love, but he answers, all that is past, and tells the story of his three loves... Continue reading book >>




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