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This is not a Story   By: (1713-1784)

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Denis Diderot's book, This is not a Story, is a remarkable piece of literary work that challenges the conventional notions of storytelling. From the very beginning, Diderot captures the reader's attention by presenting a narrative that defies the expectations of a typical novel.

The book, consisting of a collection of fragmented thoughts and dialogues, takes us on a journey of introspection and self-discovery. Diderot skillfully weaves together various episodes, anecdotes, and philosophical musings, creating a rich and thought-provoking tapestry that is both intellectually stimulating and emotionally engaging.

At the heart of the book is the exploration of human nature and the complexities of individual identity. Diderot masterfully dissects the human psyche, delving into the depths of our desires, fears, and insecurities. Through his characters, he exposes the subtle nuances of human behavior and provides profound insights into the human condition.

What sets This is not a Story apart is its unconventional structure. The book lacks a clear linear narrative, opting instead for a collage of fragments. This fragmented style might initially seem disorienting, but as the reader immerses themselves in the text, they begin to uncover hidden connections and patterns. This non-linear approach adds to the book's allure, challenging the reader to actively participate in the construction of meaning and interpretation.

Moreover, Diderot's writing style is exquisite, showcasing his mastery of language and philosophical acumen. His prose is lucid and precise, effortlessly transporting the reader into the intricate world he has created. From his philosophical digressions to his vivid descriptions of the human psyche, Diderot's words resonate long after the book is closed.

This is not a Story exemplifies the power of literature to expand our understanding of the world and ourselves. It forces us to question the very nature of storytelling and invites us to reflect on our own existence. Diderot's ability to capture the complexities of the human experience in such a concise and profound manner is nothing short of extraordinary.

While This is not a Story may not appeal to those seeking a conventional narrative or clear resolution, it is a must-read for anyone fascinated by philosophical exploration and human psychology. Diderot's book challenges our notions of storytelling and pushes the boundaries of what literature can achieve. It is a testament to the power of art to provoke thought, ignite imagination, and transcend traditional boundaries.

First Page:

This Is Not a Story (written around 1772 published in 1798)

Original French title: Ceci n'est pas un conte

By Denis Diderot

Translation into English by Peter Phalen

Copyright (2010) by Peter Phalen This work is licensed for non commecial use under the Creative Commons Attribution Noncommercial ShareAlike 3.0 license.

This story is found in Grimm´s Correspondence, dated April 1773, but that version is incomplete. The history of Tanié and la Reymer is missing, as is the end of the history of Mademoiselle de La Chaux.

M. A. A. Barbier (Dictionary of the Anonymous) suggested that Diderot´s memory must have failed him when he attributed translations of "Hume´s First Essays on Metaphysics" [p. 321] and the Essays on Human Understanding [p. 328] to Mademoiselle de La Chaux. But this was certainly not the case. Diderot was only giving the works of Hume as translated by Mademoiselle de La Chaux a more general title. The Political Discourses make up the second part of the Essays. Mademoiselle de La Chaux wrote the first translation of this part (Of Commerce; Of Luxury; Of Money, Amsterdam, 1752, 1753, in 12; Paris and Lyon, in 12). It includes only seven of Hume´s seventeen discourses along with some commentary by the translator. Abbot Le Blanc and later Mauvillon did not publish their versions of the same piece until 1754... Continue reading book >>




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