Unwritten Literature of Hawaii The Sacred Songs of the Hula By: Nathaniel Bright Emerson (1839-1915) |
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In the Unwritten Literature of Hawaii: The Sacred Songs of the Hula, Nathaniel Bright Emerson dives deep into the rich cultural heritage of Hawaii, shedding light on the ancient art form of hula and its significance to the Hawaiian people. With meticulous research and a genuine appreciation for the subject, Emerson eloquently explores the sacred songs that have been passed down through generations, allowing readers to immerse themselves in the unique melodies and poetic lyrics that shape the essence of Hawaiian culture.
This book is a treasure trove of knowledge for those seeking a comprehensive understanding of the spiritual and historical aspects of hula. Emerson provides detailed explanations of various hula chants, unraveling their stories, and symbolic meanings. As readers delve into the texts, they are transported to ancient times, where the Hawaiian islands come to life through vivid imagery and enchanting tales.
One of the most compelling aspects of the book is Emerson's approach to the cultural significance of hula. He emphasizes the profound connection between hula, nature, and the Hawaiian deities. The sacred songs of the hula serve not only as a form of artistic expression but also as a means of communication with the spiritual world, invoking the presence of gods and goddesses in rituals and ceremonies.
Throughout the book, Emerson also delves into the historical context in which hula developed and thrived. He provides valuable insights into traditional Hawaiian society, the role of the hula in community gatherings, and its impact on the social fabric of the islands. Through his meticulous research, the author adeptly interweaves Hawaiian folklore, mythology, and cultural practices, painting a holistic and authentic picture of hula's place in Hawaiian life.
It is evident that Emerson has a deep respect for Hawaiian culture and traditions, as he meticulously preserves the integrity of the sacred songs and refrains from imposing his interpretations upon them. Instead, he allows the readers to appreciate the lyrical beauty and spiritual depth of the hula chants on their own terms, encouraging a profound and personal connection.
Although the title may imply that this book focuses solely on the unwritten literature of Hawaii, it extends far beyond that by providing readers with a comprehensive exploration of Hawaiian cultural traditions, folklore, and spirituality. Emerson's well-researched and heartfelt narrative creates a fascinating journey for readers who seek a genuine understanding of the hula and its place in Hawaiian heritage.
In conclusion, Nathaniel Bright Emerson's Unwritten Literature of Hawaii: The Sacred Songs of the Hula serves as an invaluable resource for anyone interested in delving into the heart and soul of Hawaii's rich cultural heritage. Through his knowledgeable and passionate exploration of hula's sacred songs, Emerson has provided readers with a rare opportunity to embrace the beauty and significance of this ancient art form. This book stands as an important contribution to the preservation and appreciation of Hawaiian traditions while inviting readers to engage deeply with the spiritual essence of hula. [Page 1] SMITHSONIAN INSTITUTION BUREAU OF AMERICAN ETHNOLOGY BULLETIN 38 UNWRITTEN LITERATURE OF HAWAII THE SACRED SONGS OF THE HULA COLLECTED AND TRANSLATED, WITH NOTES AND AN ACCOUNT OF THE HULA BY NATHANIEL B. EMERSON, A.M., M.D. WASHINGTON GOVERNMENT PRINTING OFFICE 1909 [Page 2][Blank] [Page 3] PREFATORY NOTE Previous to the year 1906 the researches of the Bureau were restricted to the American Indians, but by act of Congress approved June 30 of that year the scope of its operations was extended to include the natives of the Hawaiian islands. Funds were not specifically provided, however, for prosecuting investigations among these people, and in the absence of an appropriation for this purpose it was considered inadvisable to restrict the systematic investigations among the Indian tribes in order that the new field might be entered... Continue reading book >>
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