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Vestigia Vol. I.   By:

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Vestigia Vol. I. is a captivating novel that will transport readers into a world of mystery, suspense, and unexpected twists. George Fleming skillfully crafts a narrative that effortlessly weaves together historical elements, paranormal phenomena, and personal introspection.

The story follows the life of the protagonist, a young archaeology student named Emily, as she embarks on a journey of unearthing ancient artifacts and delving into the secrets they hold. From the very first chapter, Fleming sets the tone with rich descriptions and vivid imagery, making it easy for readers to envision the settings and immerse themselves in the story.

What sets this novel apart is its ability to seamlessly blend different genres. It effortlessly transitions between historical fiction, fantasy, and thriller, adding layers of complexity that add intrigue and keep the reader engaged. Fleming's attention to historical detail is commendable, as he deftly creates a world that feels authentic and well-researched, which enhances the overall reading experience.

The characters in Vestigia Vol. I. are meticulously developed, each with their own unique personalities and motivations. Emily is a relatable and determined protagonist, her passion for archaeology driving her throughout the novel. The supporting characters bring depth and nuance to the story, with their own desires and secrets, making them feel like real individuals woven into the plot.

One aspect that stands out in this book is the sense of mystery that permeates every page. As Emily uncovers ancient relics, she becomes entangled in a web of enigmas and unexplained occurrences. The paranormal elements add an extra layer of intrigue and keep the readers guessing at every turn. Fleming's ability to maintain suspense throughout the narrative is truly commendable, leaving readers eagerly flipping pages to uncover the truth.

Another strength of Vestigia Vol. I. is the author's ability to paint a vivid picture of the settings. From the ancient ruins in exotic locations to the dusty halls of libraries, each location feels meticulously researched and beautifully described. The attention to detail immerses readers fully into the world of archaeology and its intricacies.

If there is one aspect that may deter some readers, it is the complexity of the plot. The multiple storylines and occasional shifts in time and perspective might require concentration and attention to fully grasp. However, for those who enjoy a layered and intricate narrative, this will be a boon, as it will keep them engaged and constantly guessing the outcome.

In conclusion, Vestigia Vol. I. is an extraordinary novel that seamlessly blends history, fantasy, and suspense to create a truly captivating reading experience. George Fleming's writing style is evocative, and his ability to craft complex characters and maintain suspense is awe-inspiring. Fans of historical fiction, paranormal mysteries, and thrillers will find themselves thoroughly entertained by this novel. Whether you are an avid reader or simply enjoy a well-crafted story, Vestigia Vol. I. is definitely worth adding to your reading list.

First Page:

VESTIGIA

BY

GEORGE FLEMING

AUTHOR OF

'A NILE NOVEL,' 'MIRAGE,' 'THE HEAD OF MEDUSA,' ETC.

VOL. I.

' Vestigia nulla retrorsum '

London

MACMILLAN AND CO.

1884

Printed by R. & R. CLARK, Edinburgh .

DEDICATED TO

F. H.

(OF MARIGOLA),

to know whom is indeed a 'liberal education' in all that is gracious and good in loving memory of that bright March morning, years ago, when we met in a certain street in Leghorn.

LONDON, 1884.

CONTENTS.

CHAPTER I.

MOTHER AND SON

CHAPTER II.

FATHER AND DAUGHTER

CHAPTER III.

THE YOUNG MASTER

CHAPTER IV.

THE CIRCOLO BARSANTI

CHAPTER V.

RETROSPECTIVE

CHAPTER VI.

THE MORNING AFTER

CHAPTER VII.

ITALIA

VESTIGIA.

CHAPTER I.

MOTHER AND SON.

It was nearly five o'clock of a raw and windy afternoon in the month of March, 187 , when a young man, Bernardino de Rossi by name, came hastily out of an inner room of the Telegraph Office building at Leghorn, letting the heavy swinging door close sharply behind him with a disagreeable sound.

The room which he entered was one reserved for the use of the Government clerks. Its floor was bare; its high walls, painted the same dull uniform yellow as the rest of the building, were lighted from above by a row of small square windows, crossed with rusty bars of iron an arrangement which involuntarily suggested a prison ward; and there was little to contradict this fancy in the appearance of the line of high desks ranged along three sides of the room, or in the expression of the figures bending over them... Continue reading book >>




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