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The Violin Its Famous Makers and Their Imitators   By: (1839-1891)

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In "The Violin: Its Famous Makers and Their Imitators" by George Hart, the author takes readers on a remarkable journey through the history of violin making. With meticulous research and an evident passion for the subject, Hart delves into the remarkable craftsmanship behind these beloved instruments, shedding light on both their famous creators and the imitators who sought to mimic their success.

One of the notable strengths of this book is Hart's ability to bring the characters of famous violin makers to life. By exploring the lives and work of renowned luthiers such as Stradivarius and Guarneri, the author enables readers to gain a deeper understanding of the dedication and artistic spirit that went into creating these masterpieces. Moreover, through engaging anecdotes and historical accounts, Hart succeeds in capturing the essence of their distinct styles and contributions to the evolution of violin making.

Another aspect that sets this book apart is the attention given to the imitators who aimed to mimic the iconic instruments. Hart provides valuable insights into the motivations and techniques used by these skilled imitators, revealing their attempts to replicate the sounds and aesthetics of the famous violins. By showcasing both the imitators' successes and failures, Hart adds a refreshing and well-rounded perspective to the narrative, highlighting the ongoing allure and importance of these revered instruments.

Furthermore, the author's comprehensive exploration of the violin's history is a testament to his extensive research and knowledge. From the origins of the instrument in the Renaissance era to the variations in craftsmanship seen across different periods and regions, Hart ensures that readers gain a rich understanding of the violin's evolution. By weaving together musical theory, historical context, and personal anecdotes, he creates a narrative that is both informative and captivating, catering to both music enthusiasts and those with a general interest in cultural history.

However, it is worth noting that at times, the level of technical detail may be overwhelming for readers who do not possess a background in music or instrument-making. While this information is undoubtedly crucial for a comprehensive understanding of the subject matter, it might detract from the accessibility that a wider readership may desire. Nonetheless, for those with a genuine interest in the topic, this level of detail only adds to the book's academic rigor and authenticity.

In conclusion, "The Violin: Its Famous Makers and Their Imitators" by George Hart is an eloquent and scholarly exploration of the violin's rich history and the craftsmanship behind its creation. With a focus on both renowned makers and the imitators who followed in their footsteps, Hart presents an engaging narrative that is sure to captivate readers with an appreciation for fine artistry and music history. Whether one is a musician, a history enthusiast, or simply a lover of beautiful storytelling, this book is a valuable addition to any library.

First Page:

[ Frontispiece : PAGANINI'S GIUSEPPE GUARNERI. Date 1743. (IN THE MUNICIPAL PALACE, GENOA.)]

THE VIOLIN ITS FAMOUS MAKERS AND THEIR IMITATORS

BY GEORGE HART

WITH NUMEROUS WOOD ENGRAVINGS FROM PHOTOGRAPHS OF THE WORKS OF STRADIVARI, GUARNERI, AMATI, AND OTHERS, AND ADDITIONS AND EMENDATIONS BY THE AUTHOR'S SON AND TOWRY PIPER

"To perfect that wonder of travel the locomotive has perhaps not required the expenditure of more mental strength and application, than to perfect that wonder of music the Violin." W. E. GLADSTONE.

LONDON DULAU AND CO., LIMITED, 37, SOHO SQUARE, W. SCHOTT AND CO., 159, REGENT STREET. 1909

[ All rights reserved. ]

PREFACE TO THE ENLARGED AND REVISED EDITION

The favourable reception accorded to the previous editions of this work has not only added greatly to the pleasure attending the preparation of a new and revised edition, but has encouraged me to spare no effort within my power to render the volume as interesting and complete as possible. In making these endeavours, the bulk of the book has been necessarily increased by additional information, spread over all the sections of the work, but chiefly on those which treat of the Early History of the leading instrument, and the Italian branches of the subject.

It is in connection with the Italian divisions of the book that the reader will discover, I venture to hope, information which he will regard as interesting in its character, besides being of some historical value... Continue reading book >>




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