Celebrated Crimes, Vol. 1: The Borgias and the Cenci (version 2) by Alexandre Dumas is a fascinating and engaging collection of historical tales that dive deep into the dark and twisted world of some of history's most infamous figures. Dumas masterfully weaves together the stories of the Borgias and the Cenci, two families known for their treachery and crimes.

The book reads like a gripping novel, with Dumas' signature flair for drama and suspense evident on every page. The characters are richly drawn and the historical details are meticulously researched, making for a truly immersive reading experience.

One of the strengths of the book is Dumas' ability to bring these larger-than-life historical figures to life, painting a vivid picture of the moral decay and corruption that plagued the Renaissance period. The intrigue and betrayal that characterize the stories of the Borgias and the Cenci are expertly portrayed, leaving the reader captivated and eager to learn more.

Overall, Celebrated Crimes, Vol. 1: The Borgias and the Cenci (version 2) is a must-read for anyone with an interest in history, true crime, or simply a good old-fashioned tale of scandal and revenge. Dumas' skill as a storyteller shines through in this collection, making it a compelling and unforgettable read.

Book Description:
Dumas's 'Celebrated Crimes' was not written for children. The novelist has spared no language--has minced no words--to describe the violent scenes of a violent time. In some instances facts appear distorted out of their true perspective, and in others the author makes unwarranted charges. The careful, mature reader, for whom the books are intended, will recognize, and allow for, this fact. The first volume comprises the annals of the Borgias and the Cenci. The name of the noted and notorious Florentine family has become a synonym for intrigue and violence, and yet the Borgias have not been without stanch defenders in history. Another famous Italian story is that of the Cenci. The beautiful Beatrice Cenci--celebrated in the painting of Guido, the sixteenth century romance of Guerrazi, and the poetic tragedy of Shelley, not to mention numerous succeeding works inspired by her hapless fate—will always remain a shadowy figure and one of infinite pathos.