The Princess Casamassima is a novel by Henry James that tells the story of a young man, Hyacinth Robinson, who becomes involved in a plot to assassinate a royal member. Set in London, the book examines themes of social class, political activism, and the individual's struggle for identity.

James' writing style is complex and rich, with detailed descriptions and intricate character development. The characters are well-drawn and multi-dimensional, particularly Hyacinth who is torn between his working-class roots and his desire to move up in society. The novel also delves into the lives of the upper-class characters, providing a contrast to Hyacinth's more humble beginnings.

One of the strengths of The Princess Casamassima is James' ability to create a vivid sense of place. His descriptions of London are evocative and immersive, transporting the reader to the bustling streets of the city in the late 19th century. The novel's exploration of the political and social issues of the time adds depth and complexity to the story, making it more than just a simple tale of love and betrayal.

Overall, The Princess Casamassima is a thought-provoking and engaging read that will appeal to fans of classic literature. James' masterful storytelling and insightful exploration of social issues make this novel a worthwhile addition to any bookshelf.

Book Description:
Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others. The Princess herself started as the beautiful and intelligent American Christina Light in James’s Roderick Hudson but has now come to London to escape the Neapolitan prince to whom she is unhappily married. Yet she and Robinson are only two of a larger set of characters whose commitment to an imagined revolutionary cause may be sincere or many be questionable. As is usual with Henry James, readers will have to make their own judgements. ( Nicholas Clifford)