Mikado, Or The Town Of Titipu by W. S. Gilbert is a delightful and entertaining operetta that combines humor, romance, and catchy music. The story follows the adventures of a young man named Nanki-Poo who falls in love with the beautiful Yum-Yum in the town of Titipu. However, their love is thwarted by the strict rules and customs of the town, as well as the interference of the eccentric Mikado.

The characters in Mikado are charming and quirky, each with their own unique personalities and motivations. The dialogue is witty and clever, filled with puns and wordplay that will keep readers entertained throughout the story. The music is also a highlight of the operetta, with catchy tunes and lively choruses that will have audiences tapping their feet and singing along.

Overall, Mikado, Or The Town Of Titipu is a timeless classic that has stood the test of time. It is a joyous and light-hearted romp that will appeal to fans of musical theater and operetta alike. With its memorable characters, witty dialogue, and infectious music, Mikado is a must-read for anyone looking for a fun and entertaining story.

Book Description:
In this recording, one person reads the entire play, all parts, including the stage directions. Even without the support of Arthur Sullivan’s music and the interpretation of actors, the consummate silliness of Gilbert’s libretto entertains. The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera. The Mikado remains the most frequently performed Savoy Opera, and it is especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history. Setting the opera in Japan, an exotic locale far away from Britain, allowed Gilbert to satirise British politics and institutions more freely by disguising them as Japanese