Athens is in a sorry state of affairs. The great tragedian, Euripides, is dead, and Dionysus, the god of the theater, has to listen to third-rate poetry. So, he determines to pack his belongings onto his trusty slave, Xanthias, and journey to the underworld to bring back Euripides! Hi-jinks ensue.

Strepsiades is an Athenian burdened with debt from a bad marriage and a spendthrift son. He resolves to go to the Thinking Shop, where he can purchase lessons from the famous Socrates in ways to manipulate language in order to outwit his creditors in court. Socrates, represented as a cunning, manipulative, irreverent sophist, has little success with the dull-witted Strepsiades, but is able to teach the old man's son Phidippides a few tricks. In the end, the play is a cynical, clever commentary on Old Ways vs. New Ways, to the disparagement of the former.

The Miser is a comedy of manners about a rich moneylender named Harpagon. His feisty children long to escape from his penny-pinching household and marry their respective lovers. Although the 17th-century French upper classes presumably objected to the play's message, it is less savage and somewhat less realistic than Molière's earlier play, Tartuffe, which attracted a storm of criticism on its first performance.

Mollentrave has written a “Love Doctor” book for men entitled “Mollentrave on Women” which purports to give any man the “Midas Touch” with the fairer sex. But as King Midas could’ve told us, these things have a way of backfiring… - Summary by Son of the Exiles Cast list: Mr. Mollentrave: azureblue Sir Joseph Balsted, K.C., M.P.: Mike Manolakes Everard Swenboys: Ethan Hurst Lord Contareen: Adrian Stephens Mr. Dexter: ToddHW Mr. Noyes: Alan Mapstone Peters, Sir Joseph’s Butler: Cavaet Martin, Mollentrave’s Butler: David Purdy Lady Claude Derenham: JennPratt Margaret Messilent: Nichole James Miss Treable: Joanna Michal Hoyt Mrs...

The Princess is a serio-comic blank verse narrative poem, written by Alfred Tennyson, published in 1847. The poem tells the story of an heroic princess who forswears the world of men and founds a women's university where men are forbidden to enter. The prince to whom she was betrothed in infancy enters the university with two friends, disguised as women students. They are discovered and flee, but eventually they fight a battle for the princess's hand.

A dramatization of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass for the stage. In this version, Alice goes through the looking glass and encounters a variety of strange and wonderful creatures from favorite scenes of Alice's Adventures in Wonderland the Through the Looking Glass. Including a conversation with the Red and White Queens, encounters with Humpty Dumpty, the Mock Turtle, the Cheshire Cat, and the Caterpillar, and of course everyone's favorite Mad Tea Party.

Excerpted anecdotes from the biographies of Swift, Curran, O'Leary and O'Connell, relating humorous snippets of politics in 18th and 19th century Ireland. For some these may be poignant in addition to being humorous and for others they may be humorous in addition to being poignant. (

The Cherry Orchard is Russian playwright Anton Chekhov's last play. It premiered at the Moscow Art Theatre 17 January 1904 in a production directed by Constantin Stanislavski. Chekhov intended this play as a comedy and it does contain some elements of farce; however, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of this play. The play concerns an aristocratic Russian woman and her family as they return to the family's estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage...

Nicolai (anglicised Nicholas in this translation) Ivanov, a middle-aged public servant, is unhappy. His wife Anna, disinherited by her family after converting from Judaism, is dying of tuberculosis. He is deeply in debt. And his best friend’s daughter is infatuated with him. Comedy and tragedy ensue in truly Chekhovian fashion. An example of the young Chekhov’s maturing style, Ivanov is an early harbinger of themes that would recur throughout his work.

Lysistrata read by the Classics Drama Company at DePaul. The Classics Drama Company at DePaul is a new gathering of Thespians and Classicists dedicated to performing and understanding ancient literature. If you live in Chicago and attend DePaul University, we welcome new additions to our group. Contact Dr. Kirk Shellko (kshellko@depaul.edu), if interested.First performed in classical Athens c. 411 B.C.E., Aristophanes’ Lysistrata is the original battle of the sexes. One woman, Lysistrata, brings together the women of all Greece, exhorting them to withhold sexual contact from all men in order that they negotiate a treaty...

Theodore Racksole, a rich American multi-millionaire, buys the Grand Babylon Hotel, a luxurious hotel in London, as a whim – and then finds out there are strange things going on – a German prince is supposed to arrive but never turns up, someone is found murdered in the hotel, but then the body disappears. With the help of his independent daughter Nella and another German prince, Racksole sets out to solve the mystery.Bennett wrote this as a 15-part serial, for a lark, in 15 days, and sold it for 100 pounds. It first appeared in The Golden Penny in 1902, which described it as “the most original, amusing, and thrilling serial written in a decade”.

A rollicking parody of the Margot Asquith memoirs, in which Pain’s character, Marge, beguiles us with the most personal details of her dysfunctional family, and delights in relating every cringing, if not wholly accurate, minutiae of her exciting private life.

An outbreak of plague in London forces a gentleman, Lovewit, to flee temporarily to the country, leaving his house under the sole charge of his butler, Jeremy. Jeremy uses the opportunity given to him to use the house as the headquarters for fraudulent acts. He transforms himself into 'Captain Face', and enlists the aid of Subtle, a fellow conman and Dol Common, a prostitute. In The Alchemist, Jonson unashamedly satirizes the follies, vanities and vices of mankind, most notably greed-induced credulity...

Volpone is a comedy by Ben Jonson first produced in 1606, drawing on elements of city comedy and beast fable. A merciless satire of greed and lust, it remains Jonson's most-performed play, and it is among the finest Jacobean Era comedies. Volpone is a Venetian gentleman who pretends to be on his deathbed, after a long illness, in order to dupe Voltore, Corbaccio, and Corvino, three men who aspire to inherit his fortune. In their turns, each man arrives to Volpone’s house bearing a luxurious gift, intent upon having his name inscribed to the will of Volpone, as his heir...

Knowell, an old man - rumor says Shakespeare originally played this part - tries to spy upon the doings of his potentially wayward son. Meanwhile, Kitely, a merchant, worries so much about being cuckolded by his wife that perhaps it has to happen. All this while a swarm of other interesting characters surround them. - Summary by ToddHW Cast list: KNOWELL, an old Gentleman: ToddHW EDWARD KNOWELL, his Son: Rob Marland BRAINWORM, the Father's Man: Zames Curran GEORGE DOWNRIGHT, a plain Squire: Algy...

For American journalist and humorist Edgar Wilson Nye who wrote under the pen name Bill Nye in the late 19th century, facts are not to be presented in their newborn, bare state. They should be properly draped and embellished before they can be presented before the public. Hence, in the Comic History of the United States published in 1894, he gives his readers the facts. But in a bid to make the historical figures more human he describes them as “people who ate and possibly drank, people who were born, flourished and died, not grave tragedians posing perpetually for their photographs...

Penrod for girls in the form of Florence, the bratty younger cousin of luminous Julia Atwater, enlivens this romantic comedy set in Tarkington's Indiana of the early 20th Century.

First published in 1917, The Glugs of Gosh satirizes Australian life at the start of the twentieth century – but the absurdities it catalogs seem just as prevalent at the start of the twenty-first. The foolishness of kings, the arrogance of the elite, the gullibility of crowds, the pride of the self-righteous, the unthinking following of tradition – all find themselves the targets of C. J. Dennis’ biting wit.