Andrew Lang’s Brown Fairy Book (1904) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books.

Andrew Lang’s Violet Fairy Book (1901) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books.

CUSTOM AND MYTHINTRODUCTION.Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order. During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology. That method is based on the belief that myths are the result of a disease of language, as the pearl is the result of a disease of the oyster...

In Edwy, Ann Radcliffe gives us a delightful piece of poetic moonshine, whose eponymous hero seeks assistance from the world of faerie in order to spy on his girlfriend, Aura, and see if she really loves him. He does this by venturing unseen into Windsor Forest at night to trap the love-fay, Eda, who, once spellbound, must reveal all and let him remotely view Aura's activities by means of a magic mirror cut from crystal. In addition to this early form of cyberstalking, Edwy, on his night-journey into the forest gets to witness a royal procession of the Fairie Queen, followed by midnight revels of elves and spirits...

JOKES FOR ALL OCCASIONSPREFACEThe ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on the point. The other devotes itself in great part to preliminary elaboration in the narrative, making this as amusing as possible, so that the point itself serves to cap a climax...

This is the prequel of the Nibelungenlied. It tells the tale of Siegfried as a young man when he sets forth to earn a name for himself so he will be able to stand proudly with his ancestors. - Summary by Fritz

“I have promised to introduce you today to the fairy-land of science — a somewhat bold promise, seeing that most of you probably look upon science as a bundle of dry facts, while fairy-land is all that is beautiful, and full of poetry and imagination. But I thoroughly believe myself, and hope to prove to you, that science is full of beautiful pictures, of real poetry, and of wonder-working fairies…” (From the Introduction to The Fairyland of Science)

Arthur Ransome is best known for his ‘Swallows and Amazons’ series of children’s books. This is the only example of his fiction in the public domain. These stories are all from Russian folklore, some comparatively well-known, others less so. Ransome spent some years in Russia as a newspaper correspondent fir the ‘Daily News’ and the ‘Manchester Guardian’ and was peripherally involved in the revolution. In the late twenties he married Evgenia Shvelpina, Trotsky’s secretary, retired from newspapers and started writing his children’s books.

“Under the Sunset” is a collection of eight amazing fantasy tales from the mind and imagination of the legendary Bram Stoker (Dracula.) Originally conceived of by the author to be a collection of “Children’s stories,” these tales lean towards the dark and moody and even sometimes scary. Several of the tales contained in this collection are considered to be examples of the finest stories ever written by Stoker. (Erik)

Carl Sandburg is beloved by generations of children for his Rootabaga Stories and Rootabaga Pigeons (which is not in the public domain), a series of whimsical, sometimes melancholy stories he originally created for his own daughters. The Rootabaga Stories were born of Sandburg’s desire for “American fairy tales” to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so populated his stories with animals, skyscrapers, trains, corn fairies, and other colorful characters.

This is the wonderful story of Pinocchio, the puppet who must learn many lessons before he can become a real boy. Carved by a woodcarver named Geppetto in a small Italian village, he dreamed of becoming a real boy but strays from the path of goodness many times and is very willing to listen to temptation. He has also been used as a character who is prone to telling lies and fabricating stories for various reasons. The story has appeared in many adaptations in other mediums. Pinocchio has been called an icon of modern culture, and one of most reimagined characters in the pantheon of children's literature...

A charming fairytale -- with realistic touches -- from the mid-19th Century.

The stories in Volume 1 centre on dreams, psychic presentiments, traces, wraiths, doppelgängers, apparitions, and imaginings of the after-life. Crowe's vivid tales, written with great energy and imagination, are classic examples of nineteenth-century spiritualist writing and strongly influenced other authors as well as providing inspiration for later adherents of ghost-seeing and psychic culture. - Summary by Cambridge University Press

This is an intriguing collection of folklore from the Santal Parganas, a district in India located about 150 miles from Calcutta. As its Preface implies, this collection is intended to give an unadulterated view of a culture through its folklore. It contains a variety of stories about different aspects of life, including family and marriage, religion, and work. In this first volume, taken from Part I, each story is centered around a particular human character. These range from the charmingly clever (as in the character, The Oilman, in the story, “The Oilman and His Sons”) to the tragically comical (as in the character, Jhore, in the story “Bajun and Jhore”)...

Cenydd Morus's imaginative retelling of tales from the Mabinogion, the great work of Welsh literature first recorded in the 12th-13th century. Written while he was working for the Theosophical Society in California, Morris's version restores the Gods that he believed had disappeared from the written record but must have been present in the oral tradition of the Druid bards. First published in 1914 and republished in the 1970s as the 15th volume in the celebrated Newcastle Forgotten Fantasy Library. - Summary by Phil Benson

This work, then, contains a collection of the myths, legends, and folk-lore of the principal Wabanaki, or Northeastern Algonquin, Indians; that is to say, of the Passamaquoddies and Penobscots of Maine, and of the Micmacs of New Brunswick. All of this material was gathered directly from Indian narrators, the greater part by myself, the rest by a few friends; in fact, I can give the name of the aboriginal authority for every tale except one.