CUSTOM AND MYTHINTRODUCTION.Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order. During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology. That method is based on the belief that myths are the result of a disease of language, as the pearl is the result of a disease of the oyster...

This is a collection of stories collected over thousands of years by various authors, translators and scholars. The are an amalgam of mythology and folk tales from the Indian sub-continent, Persia, and Arabia. No original manuscript has ever been found for the collection, but several versions date the collection’s genesis to somewhere between AD 800-900. The stories are wound together under the device of a long series of cliff-hangers told by Shahrazad to her husband Shahryar, to prevent him from executing her...

JOKES FOR ALL OCCASIONSPREFACEThe ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on the point. The other devotes itself in great part to preliminary elaboration in the narrative, making this as amusing as possible, so that the point itself serves to cap a climax...

“I have promised to introduce you today to the fairy-land of science — a somewhat bold promise, seeing that most of you probably look upon science as a bundle of dry facts, while fairy-land is all that is beautiful, and full of poetry and imagination. But I thoroughly believe myself, and hope to prove to you, that science is full of beautiful pictures, of real poetry, and of wonder-working fairies…” (From the Introduction to The Fairyland of Science)

Arthur Ransome is best known for his ‘Swallows and Amazons’ series of children’s books. This is the only example of his fiction in the public domain. These stories are all from Russian folklore, some comparatively well-known, others less so. Ransome spent some years in Russia as a newspaper correspondent fir the ‘Daily News’ and the ‘Manchester Guardian’ and was peripherally involved in the revolution. In the late twenties he married Evgenia Shvelpina, Trotsky’s secretary, retired from newspapers and started writing his children’s books.

Carl Sandburg is beloved by generations of children for his Rootabaga Stories and Rootabaga Pigeons (which is not in the public domain), a series of whimsical, sometimes melancholy stories he originally created for his own daughters. The Rootabaga Stories were born of Sandburg’s desire for “American fairy tales” to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so populated his stories with animals, skyscrapers, trains, corn fairies, and other colorful characters.

This is the wonderful story of Pinocchio, the puppet who must learn many lessons before he can become a real boy. Carved by a woodcarver named Geppetto in a small Italian village, he dreamed of becoming a real boy but strays from the path of goodness many times and is very willing to listen to temptation. He has also been used as a character who is prone to telling lies and fabricating stories for various reasons. The story has appeared in many adaptations in other mediums. Pinocchio has been called an icon of modern culture, and one of most reimagined characters in the pantheon of children's literature...

A charming fairytale -- with realistic touches -- from the mid-19th Century.

The stories in Volume 1 centre on dreams, psychic presentiments, traces, wraiths, doppelgängers, apparitions, and imaginings of the after-life. Crowe's vivid tales, written with great energy and imagination, are classic examples of nineteenth-century spiritualist writing and strongly influenced other authors as well as providing inspiration for later adherents of ghost-seeing and psychic culture. - Summary by Cambridge University Press

This is an intriguing collection of folklore from the Santal Parganas, a district in India located about 150 miles from Calcutta. As its Preface implies, this collection is intended to give an unadulterated view of a culture through its folklore. It contains a variety of stories about different aspects of life, including family and marriage, religion, and work. In this first volume, taken from Part I, each story is centered around a particular human character. These range from the charmingly clever (as in the character, The Oilman, in the story, “The Oilman and His Sons”) to the tragically comical (as in the character, Jhore, in the story “Bajun and Jhore”)...

First published in 1863, The Water Babies by Rev Charles Kingsley became a Victorian children's classic along with J.M. Barrie's Peter Pan and Lewis Caroll's Alice books. It is an endearing and entertaining novel that can equally be enjoyed by adult readers as well. However, it fell out of favor in later years since it contained many ideas that are considered politically incorrect and offensive today from a humanitarian perspective. The Water Babies, A Fairy Tale for a Land Baby to give the book its complete title tells the story of Tom, a young orphan chimney-sweep in Victorian London...

The Heroes, or Greek Fairy Tales for my Children by Charles Kingsley is a collection of three Greek mythology stories: Perseus, The Argonauts, and Theseus. The author had a great fondness for Greek fairy tales and believed the adventures of the characters would inspire children to achieve higher goals with integrity.

This book is an early collection of ten well-known fairy tales. It is thought to have begun the genre of fairy tales.