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By: Eleanor H. Porter (1868-1920) | |
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Oh, Money! Money!
Mr. Stanley Fulton is worth millions, but he has no one to leave his money to except some unknown distant cousins. In order to find out how they would handle a fortune, he decides to give each of them $100,000 dollars during his life, and go – incognito - to live in their midst! Who will prove worthy to inherit his millions and will his deception be discovered?Eleanor H. Porter was an early 20th century author of children’s literature and novels. Her most well known book was “Pollyanna” and it’s sequel, “Pollyanna Grows Up”. | |
Miss Billy
Mr. Neilson was determined to name his first child after his boyhood chum, William Henshaw. When the baby disappointed him by being a girl, he was consoled by naming her Billy. Miss Billy, now 18, orphaned and all alone in the world, takes her lawyer’s suggestion to ask her namesake to take her in. Only one little problem – Mr. Henshaw did not know of her existence, and then mistakenly thinks that Billy is a boy!Eleanor H. Porter was an early 20th century author of children’s literature and novels. Her most well known book was “Pollyanna” and it’s sequel, “Pollyanna Grows Up”. | |
Miss Billy's Decision
When Miss Billy closed, Miss Billy and Bertram were happily engaged. In this first sequel to Miss Billy, will the path to wedded bliss run smooth or will misunderstandings and heartache cross their path? Find out in “Miss Billy’s Decision”! | |
By: Elizabeth Gaskell | |
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The Grey Woman
A “Bluebeard” story in which a young woman marries a man whom she discovers has killed his previous wives and is trying to kill her as well. | |
Mary Barton
Mary Barton is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester during the 1830s and 1840s and deals heavily with the difficulties faced by the Victorian lower class. The novel begins in Manchester, where we are introduced to the Bartons and the Wilsons, two working class families. John Barton reveals himself to be a great questioner of the distribution of wealth and the relation between the rich and the poor. He also relates how his sister-in-law Esther has disappeared after she ran away from home... | |
Ruth
The book is a social novel, dealing with Victorian views about sin and illegitimacy. It is a surprisingly compassionate portrayal of a ‘fallen woman’, a type of person normally outcast from respectable society. The title of the novel refers to the main character Ruth Hilton, an orphaned young seamstress who is seduced and then abandoned by gentleman Henry Bellingham. Ruth, pregnant and alone, is taken in by a minister and his sister. They conceal her single status under the pretence of widowhood in order to protect her child from the social stigma of illegitimacy... | |
Cousin Phillis
Cousin Phillis (1864) is a novel by Elizabeth Gaskell about Paul Manning, a youth of seventeen who moves to the country and befriends his mother's family and his second cousin Phillis Holman, who is confused by her own placement at the edge of adolescence. Most critics agree that Cousin Phillis is Gaskell's crowning achievement in the short novel. The story is uncomplicated; its virtues are in the manner of its development and telling. | |
The Grey Woman and other Tales | |
My Lady Ludlow
This novella by the acclaimed Elizabeth Gaskell follows the reminiscences and life of aristocratic Lady Ludlow, told through the eyes of one of her charges, the young Margaret Dawson. Lady Ludlow epitomizes the unwillingness of the old English gentry to accept the progression of social reform and technology, such as education for the poor and religious leniency. She reminisces about her friends in the French revolution and tries to protect and guide the numerous young ladies she has taken under her care. | |
Dark Night's Work
Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. | |
Doom of the Griffiths | |
Lizzie Leigh | |
Round the Sofa | |
Half a Life-Time Ago | |
An Accursed Race | |
The Poor Clare | |
The Half-Brothers |
By: Gaston Leroux (1868-1927) | |
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The Secret of the Night
Gaston Leroux, perhaps best known as the author of The Phantom of the Opera in its novel form, was also the author of a popular series of mystery novels featuring a young journalist cum detective named Joseph Rouletabille. It is most likely that Leroux styled his hero after himself. Rouletabille was in the tradition of other great detectives who solved their cases by pure deductive reasoning. Much as Sherlock Holmes, who eliminated the impossible and concluded that whatever remained, however improbable must be the truth, Rouletabille included the known facts about the case and eliminated everything that was not a known fact, no matter how much it appeared to relate to the case... |
By: Edith Wharton (1862-1937) | |
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Afterward
A short story classified under the American Gothic genre, the piece depicts an eerie set of events following the distressing occurrences within the Boyne household, as their dream relocation takes a drastic turn. Wharton cleverly weaves together Gothic themes including horror, retribution, and despair to create a dynamic plot which is additionally aided by the use of foreshadowing, an uncanny setting, and the reflective voice of its character. Divided into five parts, Afterward introduces newly rich couple Mary and Ned Boyne, who decide to make their dream move to England after Ned strikes a good business investment... | |
The House of Mirth
Wharton's classic story of an aging (by Victorian-era standards) spinster socialite who would rather marry for money than for true love. | |
Custom of the Country
Edith Wharton was a novelist of manners of late 19th Century New York “Society”, who spent much of her life in France. In this novel she tells the story of Undine Sprague, the thrice- (or more) married, upwardly mobile beauty from “Apex City”, transplanted to New York, and finally to France, leaving the dead and wounded in the wake of her “experiments in happiness”. | |
The Reef
George Darrow, Anna Leath’s first love, is finally coming from London to propose to her. However, he drifts to an affair with Sophy Viner, Anna’s daughter’s naïve and young governess. Sophy’s relationship with Darrow and Anna’s family can threaten his success. In this novel, as in many of Wharton’s other well known novels, we see the eternal love triangle. With her sly and lovely writing style, Wharton delivers to us in this wonderful novel a cast of unforgettable characters and many unforgettable scenes which we can vividly imagine. What would Darrow choose: success or love? Would Anna marry him despite his affair with Sophy? (Summary by Stav Nisser.) | |
Bunner Sisters
“Bunner Sisters,” like “The Age of Innocence” is set in 1870s New York, however the lives of Ann Eliza and Evelina Bunner reflect impoverished New York. The sisters run a “very small shop, in a shabby basement, in a sidestreet already doomed to decline.” Shabby as it is, the sisters are happy in their small orderly community of supportive women. The story tells of the destruction of this life, and how the once content sisters are thrown into the realistic world outside of their little shop. | |
The Glimpses of the Moon
"The Glimpses of the Moon" (1922) is about Nick and Susy Lansing, both of whom live a decadent life in Europe by sponging off wealthy friends. They marry out of convenience and have an "open" relationship, but are unprepared for where their feelings will take them. | |
The Fruit of the Tree
When published in 1907, this novel about the lives of a wealthy mill owner, her socially progressive husband and friends caused a stir due to its treatment of drug abuse, mercy killing, divorce and second marriages. | |
The Touchstone
Stephen Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain. Glennard was once pursued by Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and building a marriage based on the betrayal of another. | |
Sanctuary
Kate Orme, shocked by the discovery of her fiance's complicity in a tragedy, and by society's willingness to overlook such transgressions, nevertheless marries him. Years later, her son faces a moral crisis similar to the one that showed her his father's moral weakness. (Introduction by Christine Dufour) | |
The Greater Inclination
This is Edith Wharton's earliest published collection of short stories (1899). Like much of her later work, they touch on themes of marriage, male/female relationships, New York society, and the nature and purpose of art. One of the stories, "The Twilight of the God," is written as a short play. The role of Warland is read by mb, and the role of Oberville by Bruce Pirie. | |
Crucial Instances
This is Edith Wharton's second published collection of short stories (1901). One of these seven stories, "Copy: A Dialogue," is written as a short play. The role of Hilda is read by Arielle Lipshaw, and the role of Ventnor by Mark F. Smith. | |
Madame de Treymes
Edith Wharton's 1907 novella explores the milieu of Americans living abroad in Paris. New Yorker John Durham travels to Paris to woo an old flame, Fanny Frisbee, now the Marquis de Malrive. Fanny is separated from her husband and wants to marry John and return to America, but she doubts whether her Catholic husband will grant her a divorce. When John meets Fanny's sister-in-law, the enigmatic Madame de Treymes, he hopes she may be able to help them in their quest for happiness. (Introduction by Elizabeth Klett) | |
Tales of Men and Ghosts
Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests... | |
Xingu 1916 |