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By: Edith Nesbit (1858-1924) | |
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![]() The Phoenix and the Carpet is a fantasy novel for children, written in 1904 by E. Nesbit. It is the second in a trilogy of novels that began with Five Children and It (1902), and follows the adventures of the same five protagonists – Cyril, Anthea, Robert, Jane and the Lamb. Their mother buys the children a new carpet to replace the one from the nursery that was destroyed in an unfortunate fire accident. Through a series of exciting events, the children find an egg in the carpet which cracks into a talking Phoenix. The Phoenix explains that the carpet is a magical one that will grant them three wishes per day. | |
![]() The Bastable children, first met in The Treasure Seekers, are sent to stay in the countryside; is it large enough to contain their exuberant activities? They (and Pincher the dog) have every intention of being good… | |
![]() Oswald, Dora, Dicky, Alice, H.O, and Noel fill their free time with entertainments that don’t always turn out as they plan. But whether telling fortunes at a fete, unwittingly assisting an elopement, reforming their nasty cousin Archibald or even getting arrested, it is all good fun, and usually in a good cause. | |
![]() This children's book retells twelve of Shakespeare's most popular plays as stories for children. Each of the plays are rewritten as short stories or fairy tales suitable to keep the attention of child readers or listeners. The introduction of the book cites a child's ability and desire to become familiar with the works of Shakespeare as a stepping-stone toward a greater appreciation of the actual plays later in life. | |
![]() Do you believe in magic? Caroline, Charles and Charlotte do, and nothing that happens during their summer holiday at their great uncle's house does anything to diminish that belief. There the Three C.'s find a wonderful garden and some very old books, resulting in escapades which do not necessarily please the grown-ups.E. Nesbit, as usual, transports us back to the hazy summer days of a well-to-do Edwardian childhood, liberally spiced with magic, humour and lessons learned.Published exactly 100 years ago, this is one of her least-known children's books, out of print for many years, and with no text available online at the time of recording... | |
![]() This novel describes how Edred and Elfrida Arden and their Aunt Edith embark on a treasure hunt through time - for the famous Arden family treasure. With help from the magical creature Mouldiwarp, they find a whole lot of excitement and adventure. They need to discover the missing fortune before Edred's tenth birthday - or it will never be theirs. | |
![]() Harding's luck is sequel to E. Nesbit's "The House of Arden". It tells the story of Dickie Harding, a disabled boy, who one day accidentelly discovers an old magic, that allows him to travel into his own past. There he meets Elfrida and Edred Arden (as told in "The House of Arden") and together they seek for a long lost treasure. | |
![]() Charming Tales about cats and dogs. | |
![]() A collection of short stories written by the author of other literary greats such as The Railway Children, Five Children and It and The Phoenix and the Carpet. Many of her books have been made into television series or films. She wrote for both adults and children and also wrote non-fiction and poetry. | |
![]() The third of the series featuring Cyril, Anthea, Robert and Jane: four children who are, as they often say, "the sort of people that wonderful things happen to". In 'Five Children and It' they were lucky enough to meet the magical, wish-granting Psammead - and in this final book they meet him once again. He guides them to an ancient Amulet that will help them find their hearts' desire - but it's only half an amulet, and seeking for the other half has them whizzing about through time on another series of amazing adventures. | |
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![]() "The Lark" has all the charm and freshness which have made Miss Nesbit's former novels so justly popular, and yet the story ts entirely new and original. Two girls, Jane and Lucilla, are led by Jane's guardian to entertain high hopes. The fortune, however, which Jane was to have inherited, has been lost by unlucky speculations, and the two girls have to set about earning their own livings. They experience many adventures and ups and downs of fortune before they meet with the two men who ensure their happiness and prosperity. A delightful story, well worth reading. | |
![]() A collection of gentle stories that draw us into that hidden world where fear is just around the next corner, and where loving hands can touch across the boundaries of death. |
By: Edith Wharton (1862-1937) | |
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![]() A short story classified under the American Gothic genre, the piece depicts an eerie set of events following the distressing occurrences within the Boyne household, as their dream relocation takes a drastic turn. Wharton cleverly weaves together Gothic themes including horror, retribution, and despair to create a dynamic plot which is additionally aided by the use of foreshadowing, an uncanny setting, and the reflective voice of its character. Divided into five parts, Afterward introduces newly rich couple Mary and Ned Boyne, who decide to make their dream move to England after Ned strikes a good business investment... | |
![]() Wharton's classic story of an aging (by Victorian-era standards) spinster socialite who would rather marry for money than for true love. | |
![]() Edith Wharton was a novelist of manners of late 19th Century New York “Society”, who spent much of her life in France. In this novel she tells the story of Undine Sprague, the thrice- (or more) married, upwardly mobile beauty from “Apex City”, transplanted to New York, and finally to France, leaving the dead and wounded in the wake of her “experiments in happiness”. | |
![]() George Darrow, Anna Leath’s first love, is finally coming from London to propose to her. However, he drifts to an affair with Sophy Viner, Anna’s daughter’s naïve and young governess. Sophy’s relationship with Darrow and Anna’s family can threaten his success. In this novel, as in many of Wharton’s other well known novels, we see the eternal love triangle. With her sly and lovely writing style, Wharton delivers to us in this wonderful novel a cast of unforgettable characters and many unforgettable scenes which we can vividly imagine. What would Darrow choose: success or love? Would Anna marry him despite his affair with Sophy? (Summary by Stav Nisser.) | |
![]() “Bunner Sisters,” like “The Age of Innocence” is set in 1870s New York, however the lives of Ann Eliza and Evelina Bunner reflect impoverished New York. The sisters run a “very small shop, in a shabby basement, in a sidestreet already doomed to decline.” Shabby as it is, the sisters are happy in their small orderly community of supportive women. The story tells of the destruction of this life, and how the once content sisters are thrown into the realistic world outside of their little shop. | |
![]() "The Glimpses of the Moon" (1922) is about Nick and Susy Lansing, both of whom live a decadent life in Europe by sponging off wealthy friends. They marry out of convenience and have an "open" relationship, but are unprepared for where their feelings will take them. | |
![]() When published in 1907, this novel about the lives of a wealthy mill owner, her socially progressive husband and friends caused a stir due to its treatment of drug abuse, mercy killing, divorce and second marriages. | |
![]() Stephen Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain. Glennard was once pursued by Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and building a marriage based on the betrayal of another. | |
![]() Kate Orme, shocked by the discovery of her fiance's complicity in a tragedy, and by society's willingness to overlook such transgressions, nevertheless marries him. Years later, her son faces a moral crisis similar to the one that showed her his father's moral weakness. (Introduction by Christine Dufour) | |
![]() This is Edith Wharton's earliest published collection of short stories (1899). Like much of her later work, they touch on themes of marriage, male/female relationships, New York society, and the nature and purpose of art. One of the stories, "The Twilight of the God," is written as a short play. The role of Warland is read by mb, and the role of Oberville by Bruce Pirie. | |
![]() This is Edith Wharton's second published collection of short stories (1901). One of these seven stories, "Copy: A Dialogue," is written as a short play. The role of Hilda is read by Arielle Lipshaw, and the role of Ventnor by Mark F. Smith. | |
![]() Edith Wharton's 1907 novella explores the milieu of Americans living abroad in Paris. New Yorker John Durham travels to Paris to woo an old flame, Fanny Frisbee, now the Marquis de Malrive. Fanny is separated from her husband and wants to marry John and return to America, but she doubts whether her Catholic husband will grant her a divorce. When John meets Fanny's sister-in-law, the enigmatic Madame de Treymes, he hopes she may be able to help them in their quest for happiness. (Introduction by Elizabeth Klett) | |
![]() American writer Edith Wharton is known for her novels of manners set in old New York; yet much of her adult life was spent in France. She lived in Paris throughout World War I and was heavily involved in refugee work. Her 1918 novella The Marne dramatizes the events of the war as seen through the eyes of 15-year-old Troy Belknap, an American boy who longs to join up and save his beloved France. | |
![]() Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests... | |
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