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By: Andre Norton (1912-2005) | |
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![]() This is Book 4 in the Time Traders Series, In this book Ross Murdock and Arthur Ashe continue their adventures in Time and Space on the World of Hawaika. Hawaiian and Polynesian settlers help Ross and Ashe discover the way the world has changed from the data tape to present time. Helped by a girl (Karara) and her two trained dolphins (Tino-rau and Taua) | |
![]() Travis Fox and a band of fellow Apache AmerIndians have their racial memories and survival abilities enhanced by the Redax machine and are sent to the planet Topaz, one of the few worlds of the ancient star empire that the US has voyage tapes to. But the Reds have “snooped” the tapes and get there first, and have a nasty surprise waiting for any ship that does not have the proper identification. Travis and some of his fellow Apaches survive the ensuing crash landing…but can they defeat the Reds and win Topaz for themselves? This work is a sequel to both The Time Traders and Galactic Derelict... | |
![]() An air force pilot adrift in peacetime is recruited to join an Antarctic expedition. When a strange mist downs his plane he discovers an ancient alien civilization which has prophesized his arrival. Now he and his faithful pet Ana must descend to the depths of the crater and face the Black Ones in order to rescue the fair Thrala, daughter of the Ancient Ones. – Andre Norton (Alice Mary Norton) was a popular author of science fiction and fantasy who began publishing stories in the early 1930s. “The People of the Crater” was first published in volume 1 number 1 of Fantasy Book in 1947. | |
![]() In 1866, only men uprooted by war had reason to ride into Tubacca, Arizona, a nondescript town as shattered and anonymous as the veterans drifting through it. So when Drew Rennie, newly discharged from Forrest’s Confederate scouts, arrived leading everything he owned behind him—his thoroughbred stud Shiloh, a mare about to foal, and a mule—he knew his business would not be questioned. To anyone in Tubacca there could be only one extraordinary thing about Drew, and that he could not reveal: his name, Rennie... | |
![]() Drew Rennie, served as a cavalry scout in Confederate general John Hunt Morgan's command. He had left home in 1862 after a final break with his harsh grandfather, who despised him since his birth because of his mother's runaway marriage to a Texan. During the final year of conflict Drew has the additional responsibility of looking out for his headstrong fifteen-year-old cousin Boyd, who has run away from home to join Morgan's command and has a lot to learn in the school of hard knocks the army provides. The story follows the two of them and a new friend, Anson Kirby, through campaigns in Kentucky, Tennessee and later on deeper into the South, first with Morgan and later under Forrest. | |
![]() Rupert Ralestone is officially the Marquess of Lorne--but with no family money or prestige, the title is worthless. He and his younger brother and sister return to the old family homestead--Pirate's Haven. Their only hope is to find the family's talisman, a great sword, and restore it to its proper place. |
By: André Theuriet (1833-1907) | |
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By: Andrew Lang (1844-1912) | |
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![]() The Red Fairy Book is the second in a series of twelve books known as Andrew Lang’s Fairy Books or Andrew Lang’s “Coloured” Books. The series was immensely popular and proved of great influence in children’s literature, increasing the popularity of fairy tales over tales of real life. | |
![]() Andrew Lang's Fairy Books or Andrew Lang's "Coloured" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d'Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories... | |
![]() All people in the world tell nursery tales to their children, and the stories are apt to be like each other everywhere. A child who has read the Blue and Red and Yellow Fairy Books will find some old friends with new faces in the Pink Fairy Book. Courage, youth, beauty, kindness, have many trials, but they always win the battle; while witches, giants, unfriendly cruel people, are on the losing hand. So it ought to be, and so, on the whole, it is and will be; and that is all the moral of fairy tales... | |
![]() The tales in the Grey Fairy Book are derived from many countries—Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world. They have been translated and adapted by Mrs. Dent, Mrs. Lang, Miss Eleanor Sellar, Miss Blackley, and Miss hang. 'The Three Sons of Hali' is from the last century 'Cabinet des Fees,' a very large collection. The French author may have had some Oriental original before him in parts; at all events he copied the Eastern method of putting tale within tale, like the Eastern balls of carved ivory... | |
![]() This book is a parody of the famous swashbuckling novel, She, by H. Rider Haggard. Her beauties are beyond the reach of danger from Burlesque, nor does her form flit across our humble pages.” (taken from the Dedication) | |
![]() The Crimson Fairy Book contains thirty-six stories collected from around the world and edited by Andrew Lang. Many tales in this book are translated, or adapted, from those told by mothers and nurses in Hungary; others are familiar to Russian nurseries; the Servians are responsible for some; a rather peculiarly fanciful set of stories are adapted from the Roumanians; others are from the Baltic shores; others from sunny Sicily; a few are from Finland, and Iceland, and Japan, and Tunis, and Portugal... | |
![]() Andrew Lang’s Brown Fairy Book (1904) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
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![]() Andrew Lang’s Violet Fairy Book (1901) was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was one of many other collections of fairy tales, collectively known as Andrew Lang’s Fairy Books. | |
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![]() CUSTOM AND MYTHINTRODUCTION.Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order. During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology. That method is based on the belief that myths are the result of a disease of language, as the pearl is the result of a disease of the oyster... | |
![]() The tales of King Arthur and his Knights are of Celtic origin. The Celts were the people who occupied Britain at the time when the history of the country opens, and a few words are necessary to explain why the characters in the stories act and speak as though they belonged to a later age. These stories are adapted from the Book of Romance by ANDREW LANG. It is believed that King Arthur lived in the sixth century, just after the Romans withdrew from Britain, and when the Britons, left to defend themselves against the attacks of the marauding Saxons, rose and defeated them at Mount Badon, securing to themselves peace for many years... | |
![]() The tales of King Arthur and his Knights are of Celtic origin. The Celts were the people who occupied Britain at the time when the history of the country opens… It is believed that King Arthur lived in the sixth century, just after the Romans withdrew from Britain… the stories came to be handed down from father to son, in Brittany (whose people are of the same family as the Welsh) as well as in Wales and England… [story-tellers altered the stories to suit their times down through the centuries] …and so in their altered and historically inaccurate form they have reached us at the present day... |
By: Andrew Learmont Spedon (1831-1884) | |
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By: Andy Adams | |
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![]() The Log of a Cowboy is an account of a five-month drive of 3,000 cattle from Brownsville, Texas, to Montana in 1882 along the Great Western Cattle Trail. Although the book is fiction, it is firmly based on Adams's own experiences on the trail, and it is considered by many to be the best account of cowboy life in literature. Adams was disgusted by the unrealistic cowboy fiction being published in his day; The Log of a Cowboy was his response. It is still in print, and even modern reviewers consider it a compelling classic... | |
![]() Adams breathes life into the story of a Texas cowboy who becomes a wealthy and influential cattleman.. (Introduction by Wikipedia) |
By: Angela Brazil | |
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![]() The Fortunes of Philippa is based on the author's mother, Angelica Brazil, who had grown up in Rio de Janeiro and attended an English boarding school at the age of 10, finding the English culture, school life and climate confronting. | |
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By: Angelo Hall (1868-) | |
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By: Ann Radcliffe (1764-1823) | |
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![]() A Sicilian Romance is a Gothic novel by Ann Radcliffe. It was her second published work, and was first published anonymously in 1790. The plot concerns the turbulent history of the fallen aristocrats of the house of Mazzini, on the northern shore of Sicily, as related by a tourist who becomes intrigued by the stories of a monk he meets in the ruins of their doomed castle. The introduction to the 'Worlds Classics' edition notes that in this novel "Ann Radcliffe began to forge the unique mixture of the psychology of terror and poetic description that would make her the great exemplar of the Gothic novel, and the idol of the Romantics"... | |
![]() The love story between a nobleman and a beautiful lady whom he meets in church leads both of them to unexpected places, as many people would not put up with their love. This novel is considered to be one of the best Gothic novels ever written, by one of the first (and best) writers of the genre. How does an “indecent” love story become a Gothic tale? What is the outcome of this love story? If you want to know, read this book. | |
![]() A Gothic novel famously mentioned by Jane Austen in "Northanger Abbey" as an inspiration for the romantic ideals and supernatural fears of Catherine. Ann Radcliffe has been called the "Great Enchantress" of her age and this is one of her finest novels. Supernatural eerie thrills, midnight explorations of draughty corridors and mysterious partly burned notes all play their parts. There are noblemen in disguise, a duel, a trial, a dangerous illness, a deathbed confession and, of course, a dark and handsome hero with a fatal secret! - Summary by Beth Thomas This project was proof-listened by Betty M. and Mary in Arkansas. | |
![]() In Edwy, Ann Radcliffe gives us a delightful piece of poetic moonshine, whose eponymous hero seeks assistance from the world of faerie in order to spy on his girlfriend, Aura, and see if she really loves him. He does this by venturing unseen into Windsor Forest at night to trap the love-fay, Eda, who, once spellbound, must reveal all and let him remotely view Aura's activities by means of a magic mirror cut from crystal. In addition to this early form of cyberstalking, Edwy, on his night-journey into the forest gets to witness a royal procession of the Fairie Queen, followed by midnight revels of elves and spirits... | |
![]() Ann Radcliffe is the founder of the gothic novel. This novel is no exception. The wicked baron murdered the good earl's father twelve years before the novel began. Only twelve years later, free from his mother's wishes, can the earl seek revenge. Meanwhile, Mary, the earl's beautiful sister is falling in love with a peasant. Yet her brother was abducted by the baron and he wants to marry her. She may have to wed him in order to secure his return. We see Mary's conflict along with a description of her brother's captivity... |
By: Ann S. Stephens (1810-1886) | |
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By: Anna Balmer Myers | |
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By: Anna Bartlett Warner (1824-1915) | |
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By: Anna Chapin Ray (1865-1945) | |
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