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By: Thornton W. Burgess | |
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![]() Thornton Waldo Burgess (January 14, 1874 – June 5, 1965) was a conservationist and author of children’s stories. He loved the beauty of nature and its living creatures so much that he wrote about them for 50 years. By the time he retired, he had written more than 170 books. Many of his outdoor observations in nature were used as plots for his stories. In his first book, “Old Mother West Wind,” published in 1910, the reader meets many of the characters found in later books and stories. These... | |
![]() Thornton W. Burgess was a conservationist and prolific author of children’s books. His gently humorous stories about the animals of the meadows and woods teach little lessons about getting along with others; they are perfect bedtime stories for small children. |
By: Dante Alighieri (1265-1321) | |
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![]() The Divine Comedy (Italian: Commedia, later christened “Divina” by Giovanni Boccaccio), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, the last great work of literature of the Middle Ages and the first great work of the Renaissance. A culmination of the medieval world-view of the afterlife, it establishes the Tuscan dialect in which it is written as the Italian standard, and is seen as one of the greatest works of world literature... | |
By: Jean-Jacques Rousseau (1712-1778) | |
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![]() This work presents Rousseau’s belief in the profoundly transformational effects of the development of civilization on human nature, which Rousseau claims other political philosophers had failed to grasp. Specifically, before the onset of civilization, according to Rousseau, natural man lived a contented, solitary life, naturally good and happy. It is only with the onset of civilization, Rousseau claims, that humans become social beings, and, concomitant with their civilization, natural man becomes corrupted with the social vices of pride, vanity, greed and servility. |
By: Abraham Lincoln (1809-1865) | |
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![]() Lincoln's Gettysburg Address, given November 19, 1863 on the battlefield near Gettysburg, Pennsylvania, USA Four score and seven years ago, our fathers brought forth upon this continent a new nation: conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war. . .testing whether that nation, or any nation so conceived and so dedicated. . . can long endure. We are met on a great battlefield of that war. We have come to dedicate a portion of that field as a final resting place for those who here gave their lives that this nation might live... | |
![]() On 27 February 1860, Abraham Lincoln gave this address at the Cooper Union in New York City. When he gave the speech, Lincoln was considered by many to be just a country lawyer. After he gave the speech, he soon became his party’s nominee for president. |
By: Nathaniel Hawthorne (1804-1864) | |
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![]() A beautiful woman who is punished for the mortal sin of loving a man other than her husband, a cowardly lover, a vengeful husband, a rebellious illegitimate child and the oppressive and patriarchal morality of 17th century Puritanism in Boston. Together these form an unforgettable and thought-provoking glimpse of how much social attitudes have changed over the centuries. Nathaniel Hawthorne was the creator of such beloved works as Twice-Told Tales, A Wonder Book for Boys and Girls, The House of the Seven Gables and spine-chilling tales like Roger Malvin's Burial... | |
![]() A sequel to Nathaniel Hawthorne's earlier volume of Greek mythology interpreted and retold for young people, Tanglewood Tales includes more legends and tales of ancient heroes and monsters. In his earlier book, A Wonder-Book for Girls and Boys, Hawthorne had designed the book to be a book within a book. A young college student keeps a group of young children entertained by retelling Greek myths in a way in which they can easily understand. Nathaniel Hawthorne also wrote a brief introduction to Tanglewood Tales, entitled The Wayside... | |
![]() “The wrongdoing of one generation lives into the successive ones and… becomes a pure and uncontrollable mischief.” Hawthorne’s moral for “The House of the Seven Gables,” taken from the Preface, accurately presages his story. The full weight of the gloomy mansion of the title seems to sit on the fortunes of the Pyncheon family. An ancestor took advantage of the Salem witch trials to wrest away the land whereon the house would be raised… but the land’s owner, about to be executed as a wizard, cursed the Pyncheon family until such time as they should make restitution... | |
![]() The Blithedale Romance is the story of four principal characters who work with -- and sometimes against -- each other on Blithedale, a communal farm antecedent to those that sprang up later in the 1960s, and similar to one on which Hawthorne himself lived in 1841. These communes arose out of the pressures on society and the individual brought by the Industrial Revolution. Some were organized around religious philosophies, some were secular. Among the secularists, the Transcendental movement mentioned in the novel espoused the idea that the individual's intuition, rather than religious dogma, was the true path to spiritual enlightenment... | |
![]() A collection of four short stories by Nathaniel Hawthorne, the common theme of which is New Hampshire's White Mountains. Consists of: The Great Stone Face, written in 1850 and revolves around the 'Old Man of the Mountain (Cannon Mtn.) in New Hampshire which sadly collapsed on May 3, 2003; The Ambitious Guest, written in 1835; The Great Carbuncle, written in 1837; and Sketches From Memory, written sometime prior to The Great Carbuncle as will become obvious. | |
![]() The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared... | |
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