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By: Carolyn Wells (1862-1942) | |
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![]() In this suspensful whodunit a mean-spirited and wealthy dowager is found murdered in her boudoir supposedly killed once by poison and also by a blow to the head. Most bizarre is the fact that she is found sitting in front of her mirror lavishly dressed wearing a fortune in pearls and gems. Her niece, her social secretary, her cousin managing her finances, a mysterious count and a maid acting rather suspiciously are the suspects. The police are getting nowhere so famous criminologist Fleming Stone is called in. However is it possible he is so taken with the primary suspect that she could prevent him from solving the mystery??? - Summary by Celine Major | |
![]() Once Carolyn Wells began, or re-invented her writing career, 'The Clue' was her initial book which strayed from children's writings into mysteries and detective stories. It is also when we are introduced to her most famous of detectives, Fleming Stone. On the eve of her wedding day, Madeleine Van Norman, a beautiful young lady who is soon to come into her family fortune is found dead, apparently stabbed with an ominous blood-stained letter opener found nearby. There is nobody within the household... |
By: Carrie L. May | |
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By: Carroll Watson Rankin (1864-1945) | |
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![]() Years ago, a manufacturer built a great dock, jutting out from and then turning parallel to the shore of a northern Michigan town. The factory was abandoned, and following the habits of small towns, the space between the dock and the shore became "The Cinder Pond." Jean started life in the colony of squatters that came to live in the shanties on the dock, but fortune, heroism, and a mystery combine to change her fortunes and those of her friends near the Cinder Pond. (Advertising material from the publisher, 1915) More than one girl who reads this story will envy Jeanne her queer little home out on the end of the old dock in Lake Superior... |
By: Catharine Parr Strickland Traill (1802-1899) | |
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By: Catherine Ann Turner Dorset (1750?-1817?) | |
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By: Catherine Anne Hubback (1818-1877) | |
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![]() Emma Watson, the youngest child of six from a poor family, was sent away as a child to be raised by her wealthy aunt and uncle. When her uncle dies and her aunt remarries, Emma returns home to help care for her ailing father and reconnect with her estranged siblings. She quickly must learn how to behave among the less affluent and navigate her way through the affections of many young men vying for her attention. The Younger Sister is the first published completion of Jane Austen's unfinished novel The Watsons. |
By: Catherine Helen Spence (1825-1910) | |
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![]() Jane and Elsie Melville were raised by their kindly but eccentric uncle, Mr Hogarth who believed that women were just as good as men, and thus gave his nieces a boy’s education. Upon his death, they find that he has left his entire fortune to his heretofore unknown son and left them only a small allowance, expecting them to make their own way in the world using the education he furnished them. Will the girls survive in a world that expects them, at the most, to become governesses? |
By: Cecil Henry Bompas | |
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![]() This is an intriguing collection of folklore from the Santal Parganas, a district in India located about 150 miles from Calcutta. As its Preface implies, this collection is intended to give an unadulterated view of a culture through its folklore. It contains a variety of stories about different aspects of life, including family and marriage, religion, and work. In this first volume, taken from Part I, each story is centered around a particular human character. These range from the charmingly clever (as in the character, The Oilman, in the story, “The Oilman and His Sons”) to the tragically comical (as in the character, Jhore, in the story “Bajun and Jhore”)... |
By: Charles A. (Charles Albert) Curtis (1835-1907) | |
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By: Charles A. Gunnison (1861-1897) | |
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By: Charles A. Stearns | |
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By: Charles Alexander Eastman (1858-1939) | |
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![]() The author was raised as an American Indian and describes what it was like to be an Indian boy (the first 7 chapters) and an Indian Girl (the last 7 chapters). This is very different from the slanted way the white man tried to picture them as 'savages' and 'brutes.'Quote: Dear Children:—You will like to know that the man who wrote these true stories is himself one of the people he describes so pleasantly and so lovingly for you. He hopes that when you have finished this book, the Indians will seem to you very real and very friendly... |
By: Charles Alexander Eastman (1858-1939) | |
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By: Charles Amory Beach | |
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By: Charles B. Cory (1857-1921) | |
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![]() This is a collection of weird tales inspired from the natural history expeditions of the author, an independently wealthy bird collector, Olympic golfer, writer of many books on birds of the world, and, as evidenced in these pages, a fine storyteller to boot. |
By: Charles Beadle | |
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By: Charles Brockden Brown | |
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![]() Kicked out of his parental home by his scheming young stepmother, a young country boy, Arthur Mervyn arrives in Philadelphia. Here he finds the city in the throes of a deadly yellow-fever epidemic. However, he finds a small job as a clerk and is determined to make his way in the world. He soon discovers that his employer is a con man and a murderer. One night, Arthur helps him dispose of a body in the river. While they're struggling with the corpse, the employer is swept away by the current... If you haven't encountered American Gothic before, Arthur Mervyn by Charles Brockden Brown is a great introduction to this genre... | |
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By: Charles Bruce | |
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By: Charles Clark Munn (1848-1917) | |
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![]() Along the coast of Maine are littered thousands of small islands. One such, named 'Pocket Island' by the locals was so called because of a pocket formed twice daily by the waning of the tides. The coast of Maine holds many secrets and legends, and Pocket Island was no exception. Subtitled "A Story of Country Life in New England", this story holds such varied and fascinating glimpses into the lives of a few individuals, and is not limited to merely a story of ghosts, of war, of barn dances, friendship, tales of rum-runners, smugglers, and seafarers... | |
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By: Charles D. (Charles David) Stewart (1868-1960) | |
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By: Charles de Bernard (1804-1850) | |
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By: Charles Dickens | |
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![]() From the opening passage itself of Great Expectations by Charles Dickens, the reader is drawn into the world of the hero, Pip, who is at that time, seven years old. The author creates an unforgettable atmosphere: the gloom of the graveyard, the melancholy of the orphan boy, the mists rising over the marshes and the terrifying appearance of an escaped convict in chains. Told in first person (one of the only two books that Dickens used this form for, the other being David Copperfield) Great Expectations is a classic coming of age novel, in which we trace the growth and evolution of Pip or Philip Pirrip to give his full name... | |
![]() Dickens thought it was “in a hundred points, immeasurably the best” of his stories. Yet it was also one of his greatest flops. Compared to his other novels, The Life and Adventures of Martin Chuzzlewit was a dismal failure in terms of sales and the main reason for Dickens falling out with his long term publisher Chapman & Hall. They invoked a penalty clause and demanded that he pay back a portion of the advance which he refused. Martin Chuzzlewit was also dimly received in Dickens friendly America... |