Edith Wharton was a novelist of manners of late 19th Century New York “Society”, who spent much of her life in France. In this novel she tells the story of Undine Sprague, the thrice- (or more) married, upwardly mobile beauty from “Apex City”, transplanted to New York, and finally to France, leaving the dead and wounded in the wake of her “experiments in happiness”.

George Darrow, Anna Leath’s first love, is finally coming from London to propose to her. However, he drifts to an affair with Sophy Viner, Anna’s daughter’s naïve and young governess. Sophy’s relationship with Darrow and Anna’s family can threaten his success. In this novel, as in many of Wharton’s other well known novels, we see the eternal love triangle. With her sly and lovely writing style, Wharton delivers to us in this wonderful novel a cast of unforgettable characters and many unforgettable scenes which we can vividly imagine. What would Darrow choose: success or love? Would Anna marry him despite his affair with Sophy? (Summary by Stav Nisser.)

“Bunner Sisters,” like “The Age of Innocence” is set in 1870s New York, however the lives of Ann Eliza and Evelina Bunner reflect impoverished New York. The sisters run a “very small shop, in a shabby basement, in a sidestreet already doomed to decline.” Shabby as it is, the sisters are happy in their small orderly community of supportive women. The story tells of the destruction of this life, and how the once content sisters are thrown into the realistic world outside of their little shop.

"The Glimpses of the Moon" (1922) is about Nick and Susy Lansing, both of whom live a decadent life in Europe by sponging off wealthy friends. They marry out of convenience and have an "open" relationship, but are unprepared for where their feelings will take them.

When published in 1907, this novel about the lives of a wealthy mill owner, her socially progressive husband and friends caused a stir due to its treatment of drug abuse, mercy killing, divorce and second marriages.

Stephen Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain. Glennard was once pursued by Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and building a marriage based on the betrayal of another.

Kate Orme, shocked by the discovery of her fiance's complicity in a tragedy, and by society's willingness to overlook such transgressions, nevertheless marries him. Years later, her son faces a moral crisis similar to the one that showed her his father's moral weakness. (Introduction by Christine Dufour)

This is Edith Wharton's earliest published collection of short stories (1899). Like much of her later work, they touch on themes of marriage, male/female relationships, New York society, and the nature and purpose of art. One of the stories, "The Twilight of the God," is written as a short play. The role of Warland is read by mb, and the role of Oberville by Bruce Pirie.

This is Edith Wharton's second published collection of short stories (1901). One of these seven stories, "Copy: A Dialogue," is written as a short play. The role of Hilda is read by Arielle Lipshaw, and the role of Ventnor by Mark F. Smith.

Edith Wharton's 1907 novella explores the milieu of Americans living abroad in Paris. New Yorker John Durham travels to Paris to woo an old flame, Fanny Frisbee, now the Marquis de Malrive. Fanny is separated from her husband and wants to marry John and return to America, but she doubts whether her Catholic husband will grant her a divorce. When John meets Fanny's sister-in-law, the enigmatic Madame de Treymes, he hopes she may be able to help them in their quest for happiness. (Introduction by Elizabeth Klett)

Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests...

18 works -- two non-fic articles & one short fiction or poetry each -- from issues March, April, May, June, July, & August 1906 of The Scrap Book, Volume 1, edited by Frank Munsey. As he states in the editorial of the April 1906 issue (Vol 1, Iss 2) this was a sort of supplement to the editor's popular monthly, Munsey's Magazine. The Scrap Book is very like an American version of Punch with many short, often humorous articles interspersed with at least one short story, some poetry, and several longer non-fic pieces. The Scrap Book ran up to 1922.

Edmond Hamilton (1904 – 1977) had a career that began as a regular and frequent contributor to Weird Tales magazine. The first hardcover publication of Science Fiction stories was a Hamilton compilation, and he and E.E. “Doc” Smith are credited with the creation of the Space Opera type of story. He worked for DC Comics authoring many stories for their Superman and Batman characters. Hamilton was also married to fellow author Leigh Brackett. – Published in the May, 1962 issue of Amazing Stories “The Stars, My Brothers” gives us a re-animated astronaut plucked from a century in the past and presented with an alien world where the line between humans and animals is blurred.

A collection of informal essays about books in his library. He combines commentary, translations, and humorous asides about authors and their subjects.

Fanny Herself is the story of Fanny Brandeis, a sensitive, young Jewish girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber’s own experiences growing up in Appleton, Wisconsin. Fanny’s inner struggle between her compassionate, artistic side and her desire for financial independence as a successful young businesswoman is the recurring theme of the novel. Ferber’s engaging style of writing will quickly draw you into her story...

Dawn O’Hara, the Girl Who Laughed was Edna Ferber’s first novel. Dawn, a newspaperwoman working in New York, finds herself back home in Michigan on doctor’s orders. Years of living in boarding-houses and working to pay for the care of her brilliant but mentally ill husband, Peter Orme, have taken their toll. At twenty-eight, Dawn feels like an old woman with no future. But, the loving care of her sister Norah and her family along with the attentions of the handsome German doctor, Ernst Von Gerhard, slowly bring Dawn back to life...

"And so," the story writers used to say, "they lived happily ever after." Um-m-m—maybe. After the glamour had worn off, and the glass slippers were worn out, did the Prince never find Cinderella's manner redolent of the kitchen hearth; and was it never necessary that he remind her to be more careful of her finger-nails and grammar? After Puss in Boots had won wealth and a wife for his young master did not that gentleman often fume with chagrin because the neighbors, perhaps, refused to call on the lady of the former poor miller's son? It is a great risk to take with one's book-children...

This book follows the adventures of Emma McChesney, a smart and savvy divorced mother who travels the Midwest as a sales representative for a large skirt and petticoat manufacturer. Her many adventures with people, (including predatory salesmen and hotel clerks), are funny and poignant. She is hardworking and able to outsell the slickest of the men salesmen. She has learned to focus on her work and her seventeen-year-old son, Jock. Experience has taught her that it is usually best to stick to roast beef, medium and not get stomach ache with fancy sauces and exotic dishes...