Although best known for his Winnie the Pooh stories, A.A. Milne spent years as an editor at the English humor magazine Punch. These sprightly essays were chosen from the hundreds he wrote during that period. As usual, they are funny, wry, and poke fun at almost all of our human foibles. There are 6 short one act plays that he wrote to demonstrate the 6 allowable plots for amateur playwrights and they are absolutely hilarious. The other topics run the gamut from dogs to dates.

The stories about Münchhausen were first collected and published by an anonymous author in 1781. An English version was published in London in 1785, by Rudolf Erich Raspe, as Baron Munchhausen's Narrative of his Marvellous Travels and Campaigns in Russia, also called The Surprising Adventures of Baron Munchhausen. It is not clear how much of the story material derives from the Baron himself; however, it is known that the majority of the stories are based on folktales that have been in circulation for many centuries before Münchhausen's birth.

"This comical children's tale about the funny adventures of a funny pig written by an unknown author. The publisher has hired authors to write children's tales, and gave them "house names". The "name" of the author who wrote this tale is Richard Barnum. It became very successful, the most well known of Richard Barnum's tales. So, if you want to laugh a little, even if you are not a child, read this book".

Is there a genre called FUN? Yes, and this is it! Insanely humorous geography that will have you rolling on the floor laughing with your sides hurting.

The reader cannot but smile at some of the phases of life presented in this volume. Yet the smile will, in no case, the author thinks, be at the expense of humanity, good feeling, or virtue. Many of the incidents given, are facts embellished by a few touches of fancy. In all, lessons may be read that some, at least, will do well to lay to heart.

A Christmas tale of John Brown's ghastly family (suburban snobs), Captain Bonaventure de Camp and his equally awful brood (a dubious crew), and poor Soavo Spohf, organist of St. Stiff the Martyr, gifted in musical ability but not blessed in looks or love. No-one could call this a great work of literature, but it definitely raises a few chuckles and it also offers a fascinating glimpse into Christmas festivities and social mores in well-to-do households in the mid-19th century. (Introduction by Ruth Golding)

Spoiled, handsome, 24 year old Easterner meets pretty, no-nonsense gal from Wyoming, is instantly smitten and does a sea-change to try and impress her in this genial romantic comedy.

The pieces gathered into this volume were, with two exceptions, written for the entertainment of a private circle, without any view to publication. The editor would express her thanks to the writers, who, at her solicitation, have allowed them to be printed. They are published with the hope of aiding a work of charity,—the establishment of an Agency for the benefit of the poor in Cambridge,—to which the proceeds of the sale will be devoted.

James Thomas Fields was an American publisher, editor, and poet. At the age of 14, Fields took a job at the Old Corner Bookstore in Boston. His first published poetry was included in the Portsmouth Journal in 1837 but he drew more attention when, on September 13, 1838, he delivered his “Anniversary Poem” to the Boston Mercantile Library Association.

A Terrible Thing in the Form of a Literary Torpedo which is Launched for HILARIOUS PURPOSES ONLY. Inaccurate in Every Particular Containing Copious Etymological Derivations and Other Useless Things by Noah Lott (an ex-relative of Noah Webster)

Part I. The Story of Rollo; Mr. Holliday knows all there is to know about raising children, or at least he thinks he does. His attempts to train his son, Rollo, "in the way he should go," are well-meant, but hilariously unsuccessful--or are they? I believe this is a sort of spoof of the “Rollo” series for children, that was written by Jacob Abbot in the mid 19th century. The characters have the same names and the chapters have a little Q&A at the end like the Abbot books, except these are definitely tongue-in-cheek...

This warm, affectionate duet of essays by two of the early twentieth century's most popular writers is a bit dated but still entertaining.