As much as any other work of literature, Henri Murger’s 1851 collection of witty sketches Scènes de la vie de bohème shaped the later romanticized image of the bohemian artist: independent, insouciant, exuberantly lustful, devoted to Art for Art’s sake no matter how cold and hungry the artist might be. Four young Parisian artists, Schaunard the composer, Marcel the painter, Rodolphe the poet, and Colline the philosopher, form an informal Bohemian alliance dedicated to Art and the joy of Life...

Faces and Places is a collection of articles on nineteenth century travel, events and personalities by the British journalist Henry Lucy, who wrote for the Daily News, a London newspaper. His open letter To Those About to Become Journalists rings as true today as when it was written.The first article, “Fred” Burnaby, includes a lively account of a balloon trip, while Night and Day on the Cars in Canada and Easter on Les Avants relate Lucy’s experiences of rail travel at that time. Other travel tales (A Night on a Mountain, Mosquitoes and Monaco, and Oysters and Arcachon) provide an insight into the Victorian Englishman’s attitude to Europe...

Herbert Jenkins' most popular fictional creation was Mr. Joseph Bindle, who first appeared in a humorous novel in 1916 and in a number of sequels. In the preface to the books, T. P. O'Connor said that "Bindle is the greatest Cockney that has come into being through the medium of literature since Dickens wrote Pickwick Papers". The stories are based on the comedic drama of life at work, at home and all the adventures that take place along the way. It becomes clear as the stories progress that Bindle would not be who he is without Mrs. Bindle, and this book seeks to tell the stories of the Bindles from the distaff point of view.

Jenkins' most popular fictional creation was Mr. Joseph Bindle, who first appeared in a humorous novel in 1916 and in a number of sequels. In the preface to the books, T. P. O'Connor said that "Bindle is the greatest Cockney that has come into being through the medium of literature since Dickens wrote Pickwick Papers". The stories are based on the comedic drama of life at work, at home and all the adventures that take place along the way.

This Book is a collection of humorous short stories which describe the comedy in everyday things and situations.

This book is a collection of humorous short stories about ordinary instances in daily life. We learn many interesting things about life, such as how to court women successfully, what it feels like to be a god, and why sometimes it would be a good idea to exchange one's own newborn baby for a better one at the hospital.

In addition to being amusing, recipes written in a poetic form were easy to remember and used as learning tools for the young housekeeper. Many of the poems in this 1912 publication were originally published in Woman's Home Companion, Good Housekeeping Magazine, the Housewife, Table Talk, and the Boston Cooking School Magazine.

Irvin Shrewsbury Cobb was born on June 23, 1876. At seventeen years of age, he began writing for the Paducah Daily News, his hometown paper. At nineteen he became the managing editor; up to that point, our nation’s youngest. He worked as a columnist, a humorist and an author. But ‘horror,’ and ’short stories,’ are not why he is remembered. He is remembered because he was, and still is, funny. And although he is now dead–he died March 11, 1944–this work “Cobb’s Anatomy,” among others, has left an indelible mark upon mankind: a smile.

Irvin Shrewsbury Cobb (June 23, 1876–March 11, 1944) was an American author, humorist, and columnist who lived in New York and wrote over 60 books and 300 short stories. Cobb has been described as “having a round shape, bushy eyebrows, full lips, and a triple chin. He always had a cigar in his mouth.” This book is a hilarious account of Cobb’s attempts at weight-loss.

This comic novel relates the first-person adventures in New York City of Jefferson Poindexter, personal assistant to Cobb's famous Judge Priest, while the judge is vacationing abroad. (Introduction by Grant Hurlock)

A short, humorous biography of famous people from 5000 BC to 1914. — S. McGaughey From the Introduction, “The editor begs leave to inform the public that only persons who can produce proper evidence of their demise will be admitted to Who Was Who. Press Agent notices or complimentary comments are absolutely excluded, and those offering to pay for the insertion of names will be prosecuted. As persons become eligible they will be included without solicitation, while the pages will be expurgated of others should good luck warrant.”

Irwin Cobb’s humorous Europe Revised is a travelogue and comedy almost in the style of Mark Twain. The dedication says it best, “To My Small DaughterWho bade me shed a tear at the tomb of Napoleon, which I was very glad to do, because when I got there my feet certainly were hurting me.”

Manasseh da Costa is a schnorrer (beggar) who lives on the charitable contributions of the Jews of late 18th-century London. But Manasseh is far from being a humble panhandler for, as every schnorrer knows, supporting the poor is a commandment from God (a mitzvah) not just a favour. And as the descendant of Portuguese Jews who had lived in England for many generations, Manasseh is the social superior of those newly arrived from Eastern Europe (called ‘Tedesco’), even his wealthy patron Joseph Grobstock...

A set of often funny, sometimes tragic stories by Israel Zangwill. Most famous for his scathingly accurate portrayals of the Jewish ghetto, these stories have a wider stage, poking fun at social conventions and society itself, both high and low. The real and the fantastic collide to produce a world uniquely Zangwill's.These are the tales of figures as diverse as a pantomime dragon, an excellent butler, a man living his life in the wrong order and a Jewish maiden who knows exactly what she is worth...

The hilarious diary of a young man's recruitment into, and service in a navy, which, though well equipped and disciplined, remains woefully ill prepared for his arrival and dubious contribution. (Introduction by Nigel Boydell)