This novella by the acclaimed Elizabeth Gaskell follows the reminiscences and life of aristocratic Lady Ludlow, told through the eyes of one of her charges, the young Margaret Dawson. Lady Ludlow epitomizes the unwillingness of the old English gentry to accept the progression of social reform and technology, such as education for the poor and religious leniency. She reminisces about her friends in the French revolution and tries to protect and guide the numerous young ladies she has taken under her care.

Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides.

"Maggie Brown is torn between her mother who constantly tells her to live for her selfish brother (to whom she gives all her love) to her wish to marry Frank and live for herself. Maggie's plight for independence shows the change in women's role, which started to take place during that time. But it also keeps to the tradition of an almost Cinderella story: the pure woman does the best for everyone but herself and is rewarded for that. In addition, this is a very interesting story, written in Gaskell's remarkable style. When you read it, you are transported to another time, and place".

Gaston Leroux, perhaps best known as the author of The Phantom of the Opera in its novel form, was also the author of a popular series of mystery novels featuring a young journalist cum detective named Joseph Rouletabille. It is most likely that Leroux styled his hero after himself. Rouletabille was in the tradition of other great detectives who solved their cases by pure deductive reasoning. Much as Sherlock Holmes, who eliminated the impossible and concluded that whatever remained, however improbable must be the truth, Rouletabille included the known facts about the case and eliminated everything that was not a known fact, no matter how much it appeared to relate to the case...

Wharton's classic story of an aging (by Victorian-era standards) spinster socialite who would rather marry for money than for true love.

Edith Wharton was a novelist of manners of late 19th Century New York “Society”, who spent much of her life in France. In this novel she tells the story of Undine Sprague, the thrice- (or more) married, upwardly mobile beauty from “Apex City”, transplanted to New York, and finally to France, leaving the dead and wounded in the wake of her “experiments in happiness”.

George Darrow, Anna Leath’s first love, is finally coming from London to propose to her. However, he drifts to an affair with Sophy Viner, Anna’s daughter’s naïve and young governess. Sophy’s relationship with Darrow and Anna’s family can threaten his success. In this novel, as in many of Wharton’s other well known novels, we see the eternal love triangle. With her sly and lovely writing style, Wharton delivers to us in this wonderful novel a cast of unforgettable characters and many unforgettable scenes which we can vividly imagine. What would Darrow choose: success or love? Would Anna marry him despite his affair with Sophy? (Summary by Stav Nisser.)

“Bunner Sisters,” like “The Age of Innocence” is set in 1870s New York, however the lives of Ann Eliza and Evelina Bunner reflect impoverished New York. The sisters run a “very small shop, in a shabby basement, in a sidestreet already doomed to decline.” Shabby as it is, the sisters are happy in their small orderly community of supportive women. The story tells of the destruction of this life, and how the once content sisters are thrown into the realistic world outside of their little shop.

"The Glimpses of the Moon" (1922) is about Nick and Susy Lansing, both of whom live a decadent life in Europe by sponging off wealthy friends. They marry out of convenience and have an "open" relationship, but are unprepared for where their feelings will take them.

When published in 1907, this novel about the lives of a wealthy mill owner, her socially progressive husband and friends caused a stir due to its treatment of drug abuse, mercy killing, divorce and second marriages.

Stephen Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain. Glennard was once pursued by Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and building a marriage based on the betrayal of another.

Kate Orme, shocked by the discovery of her fiance's complicity in a tragedy, and by society's willingness to overlook such transgressions, nevertheless marries him. Years later, her son faces a moral crisis similar to the one that showed her his father's moral weakness. (Introduction by Christine Dufour)

This is Edith Wharton's earliest published collection of short stories (1899). Like much of her later work, they touch on themes of marriage, male/female relationships, New York society, and the nature and purpose of art. One of the stories, "The Twilight of the God," is written as a short play. The role of Warland is read by mb, and the role of Oberville by Bruce Pirie.

This is Edith Wharton's second published collection of short stories (1901). One of these seven stories, "Copy: A Dialogue," is written as a short play. The role of Hilda is read by Arielle Lipshaw, and the role of Ventnor by Mark F. Smith.

Edith Wharton's 1907 novella explores the milieu of Americans living abroad in Paris. New Yorker John Durham travels to Paris to woo an old flame, Fanny Frisbee, now the Marquis de Malrive. Fanny is separated from her husband and wants to marry John and return to America, but she doubts whether her Catholic husband will grant her a divorce. When John meets Fanny's sister-in-law, the enigmatic Madame de Treymes, he hopes she may be able to help them in their quest for happiness. (Introduction by Elizabeth Klett)

Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests...