|The Ancient Banner Or, Brief Sketches of Persons and Scenes in the Early History of Friends|
|The True Life of Betty Ireland With Her Birth, Education, and Adventures. Together with Some Account of Her Elder Sister Blanch of Britain. Containing Sundry Very Curious Particulars|
|The Ghost of Chatham; A Vision Dedicated to the House of Peers|
|A Dialogue Between Dean Swift and Tho. Prior, Esq. In the Isles of St. Patrick's Church, Dublin, On that Memorable Day, October 9th, 1753|
|The Quadrupeds' Pic-Nic|
Jokes For All Occasions
JOKES FOR ALL OCCASIONSPREFACEThe ways of telling a story are as many as the tellers themselves. It is impossible to lay down precise rules by which any one may perfect himself in the art, but it is possible to offer suggestions by which to guide practise in narration toward a gratifying success. Broadly distinguished, there are two methods of telling a story. One uses the extreme of brevity, and makes its chief reliance on the point. The other devotes itself in great part to preliminary elaboration in the narrative, making this as amusing as possible, so that the point itself serves to cap a climax...
By: Anthony Collins (1676-1729)
|A Discourse Concerning Ridicule and Irony in Writing (1729)|
By: Anthony Gilmore
|The Affair of the Brains|
|The Bluff of the Hawk|
|The Passing of Ku Sui|
By: Anthony Hope (1863-1933)
The Prisoner of Zenda
There's a handsome young man about town in London, whose unusual good looks hint about a scandalous ancestry. On a visit to a tiny East European principality, he decides to take a walk through a dense forest. He falls asleep under a tree and is discovered by the king and his entourage who are out hunting. Both are stunned by their startling resemblance to each other. The king who is days away from his grand coronation invites the Englishman back to his castle and here the visitor becomes embroiled in a sinister plot to overthrow the monarch and usurp the throne...
Rupert of Hentzau
This is the sequel to ‘The Prisoner of Zenda‘. Five years have passed. The King has become jealous of Rudolf Rassendyll and suspicious of the queen (Flavia)’s feelings towards him. Flavia decides that this must be the last year in which she sends to Rudolf the single red rose that betokens her love, and therefore she also sends via Fritz von Tarlenheim, her letter of good-bye. Count Rupert of Hentzau, banished from Ruritania after the incidents of the earlier book, is plotting his return. In furtherance of his scheme he obtains both letter and rose, and plots to place them before the King. Rudolf, Fritz and Sapt must prevent this at all costs…
|The King's Mirror|
|Half a Hero A Novel|
|Comedies of Courtship|
|Tristram of Blent An Episode in the Story of an Ancient House|
By: Anthony M. (Anthony Mario) Ludovici (1882-1971)
|Too Old for Dolls A Novel|
By: Anthony Munday (1560? -1633)
Sir Thomas More
Sir Thomas More is a collaborative Elizabethan play by Anthony Munday and others depicting the life and death of Thomas More. It survives only in a single manuscript, now owned by the British Library. The manuscript is notable because three pages of it are considered to be in the hand of William Shakespeare and for the light it sheds on the collaborative nature of Elizabethan drama and the theatrical censorship of the era. The play dramatizes events in More's life, both real and legendary, in an episodic manner in 17 scenes, unified only by the rise and fall of More's fortunes.
By: Anthony Pelcher (1897-1981)
Astounding Stories 04, April 1930
The fourth issue of Astounding Stories continues Ray Cummings serial "Brigands of the Moon", along with pulp sci-fi stories by Capt. S. P. Meek, Anthony Pelcher and other authors.
By: Anthony Trollope (1815-1882)
Second in the series of novels set in the fictional cathedral town of Barchester, the reader is treated to a hilarious, if unseemly, competition for domination of the diocese! The contenders in Barchester Towers are Mrs. Proudie the wife of the mild, sadly henpecked bishop and Mr. Slope his slimy and devious chaplain. When the beloved former bishop suddenly dies, a complete outsider is brought in to take his place. Instead of the bishop's son, Archdeacon Grantly, whom the entire parish was expecting, a more low-church minister, Bishop Proudie is given the post...
Can You Forgive Her?
The first book in the political Palliser series, the novel deals with parliamentary politics, while concurrently devoting its pages to much more intricate issues. Presenting three parallel stories, the parliamentary novel draws its attention to three contrasting young women, who are beset with arduous decisions concerning courtship and marriage. Additionally, the novel covers topics including women in conventional society and their discernment, while illustrating the tentative stages of marriage with all the attributes of sacrifice, compromise and temptation...
Published in 1855, The Warden is the first installment in Trollope’s highly acclaimed series Chronicles of Barsetshire, and offers an enlightening insight into the life of the Victorian clergy, its gentry, politics, and social settings. The novel focuses on Mr. Harding, an elderly clergyman who finds himself in the center of a vehement dispute over his questionable position as warden of Hiram’s Hospital. Exploring various themes including human nature, morals, reform, and manners, The Warden is a perfect representation of the structure of Victorian society...
The Way We Live Now
The Way We Live Now is a scathing satirical novel published in London in 1875 by Anthony Trollope, after a popular serialization. It was regarded by many of Trollope’s contemporaries as his finest work. One of his longest novels (it contains a hundred chapters), The Way We Live Now is particularly rich in sub-plot. It was inspired by the financial scandals of the early 1870s, and lashes at the pervading dishonesty of the age, commercial, political, moral, and intellectual. It is one of the last memorable Victorian novels to have been published in monthly parts.
The Eustace Diamonds
Lizzie Greystock, a fortune-hunter who ensnares the sickly, dissipated Sir Florian Eustace, is soon left a very wealthy widow and mother. While clever and beautiful, Lizzie has several character flaws; the greatest of these is an almost pathological delight in lying, even when it cannot benefit her. Before he dies, the disillusioned Sir Florian discovers all this, but does not think to change the generous terms of his will. The diamonds of the book’s title are a necklace, a Eustace family heirloom that Sir Florian gave to Lizzie to wear...