"Maggie Brown is torn between her mother who constantly tells her to live for her selfish brother (to whom she gives all her love) to her wish to marry Frank and live for herself. Maggie's plight for independence shows the change in women's role, which started to take place during that time. But it also keeps to the tradition of an almost Cinderella story: the pure woman does the best for everyone but herself and is rewarded for that. In addition, this is a very interesting story, written in Gaskell's remarkable style. When you read it, you are transported to another time, and place".

The story could really have been simple: Miss Milner, who is admired for her beauty and charm, could have been a socialite, marry a respectable and good looking man and be happy in the standards of her time. But if it was so, why would there be a book? Miss Milner, beautiful and charming as she is, announces her wish to marry her guardian, a catholic priest. But women in the 18th century do not declare their wishes or speak about their passions, and- after all- he is a catholic priest… And if he finds a way to marry her, is this her road to happiness?

It’s a dreary February in post-World War I London when Mrs. Wilkins spots an advertisement in The Times for a small Italian castle for rent in April. She sees another member of her women’s club, Mrs. Arbuthnot, reading the same advertisement and manages to convince her that the two of them should rent it. Both are miserable and lonely in their marriages. They can’t afford the cost of the villa, San Salvatore, on their own and must advertise for two others, eventually recruiting an elderly widow named Mrs...

Elizabeth and Her German Garden is a novel by Elizabeth von Arnim, first published in 1898; it was very popular and frequently reprinted during the early years of the 20th century. The story is a year's diary written by the protagonist Elizabeth about her experiences learning gardening and interacting with her friends. It includes commentary on the beauty of nature and on society, but is primarily humorous due to Elizabeth's frequent mistakes and her idiosyncratic outlook on life. She looked down upon the frivolous fashions of her time writing "I believe all needlework and dressmaking is of the devil, designed to keep women from study...

Anna Estcourt, twenty-five and beautiful, is the penniless ward of her distant brother and his exasperating wife. Turning down all offers of marriage, scornful at the thought of leaning on a man for help and comfort, she thinks only of the independence which seems an impossible dream. But out of the blue Uncle Joachim, her mother's brother, leaves her a handsome property in Germany. Her longed for independence is within her grasp, and though it's a rocky beginning with the locals, she loves her new home...

"On that bright spring afternoon when three happy, interested children went off to the woods with their governess to take their first lesson in the study of wild flowers, they saw also some other things which made a fresh series of "Elmridge Talks," and these things were found among the trees of the roadside and forest."

This is a volume of Poems by Ella Wheeler Wilcox. The topic of this volume is "optimism".

This is a volume of poems by Ella Wheeler Wilcox, published in 1919.

This is a volume in a series of books of poetry by Ella Wheeler Wilcox. This time, the theme is "Power".

This is a volume of poems by Ella Wheeler Wilcox. This time, the topic is "Sentiment".

This is a volume of poetry by Ella Wheeler Wilcox, named after the poem 'the Kingdom of Love'.

LibriVox volunteers bring you 13 recordings of The Age of the Motored Things by Ella Wheeler Wilcox.This was the Fortnightly Poetry project for October 6, 2013.Ella Wheeler Wilcox was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was " Solitude", which contains the lines: "Laugh, and the world laughs with you; Weep, and you weep alone". Her autobiography, The Worlds and I, was published in 1918, a year before her death.A popular poet rather than a literary poet, in her poems she expresses sentiments of cheer and optimism in plainly written, rhyming verse...

14 recordings of True Culture by Ella Wheeler Wilcox. This was the Weekly Poetry project for December 16, 2012. Ella Wheeler Wilcox was an American author and poet. Her best-known work was Poems of Passion. Her most enduring work was "Solitude", which contains the lines: "Laugh, and the world laughs with you; Weep, and you weep alone". Her autobiography, The Worlds and I, was published in 1918, a year before her death. (

This is another volume of Ella Wheeler Wicox's famous series. This time, the topic is Experience. The short play The New Hawaiian Girl is included in this volume.

Ella Wheeler Wilcox was an American author and poet, who was considered a popular poet rather than a literary poet, in her poems she expresses sentiments of cheer and optimism in plainly written, rhyming verse. Her world view is expressed in the title of her poem "Whatever Is—Is Best", suggesting an echo of Alexander Pope's "Whatever is, is right." None of Wilcox's works were included by F. O. Matthiessen in The Oxford Book of American Verse, but Hazel Felleman chose no fewer than fourteen of her poems for Best Loved Poems of the American People, while Martin Gardner selected "The Way Of The World" and "The Winds of Fate" for Best Remembered Poems...

A tale of two people, and their search for answers to unknown questions. Adam and Robin find themselves inexplicably alone after an apparent natural cataclysm, and are compelled to learn how to survive, how to endure, but most importantly to themselves, how to enjoy, understand their new roles in life, and understand each other. (Introduction by Roger Melin)

Philo Gubb, not being content with his job as wallpaper-hanger, has higher aspirations: to become a detective, just like Sherlock Holmes. To that end, he enrolls in a correspondence course, where he gets lessons through the mail as well as the necessary disguises for a detective. Philo Gubb, not being really clever or intuitive, or even looking good in those disguises, gets involved in one case after the other - and sooner or later happens to stumble on and solve the crime... Each of these stories...

Saving for the baby's education: how can a young family be disciplined so as to regularly put money in the pig (bank)? Why, put a tariff on all items coming into the house, just like the U.S. Government does/did for items coming into the country! But the devil is in the details; what about taxing items brought in by visitors? Is the housemaid herself a taxable item? What items really are 'necessaries' versus luxuries? When visitors arrive these guests stoop to either 'smuggling' in their luggage items to avoid having to pay up to 30% of the value, or wear only what they came dressed in...

Monsieur Lecoq is a captivating mystery, historical and love story : Around 11 o'clock, on the evening of Shrove Sunday 18.., close to the old Barrière d'Italie, frightful cries, coming from Mother Chupin's drinking-shop, are heard by a party of detectives led by Inspector Gévrol. The squad runs up to it. A triple murder has just been committed. The murderer is caught on the premises. Despite Gévrol's opinion that four scoundrels encountered each other in this vile den, that they began to quarrel, that one of them had a revolver and killed the others, Lecoq, a young police agent, suspects a great mystery...

Monsieur Lecoq is a captivating mystery, historical and love story: Around 11 o'clock, on the evening of Shrove Sunday 18.., close to the old Barrière d'Italie, frightful cries, coming from Mother Chupin's drinking-shop, are heard by a party of detectives led by Inspector Gévrol. The squad runs up to it. A triple murder has just been committed. The murderer is caught on the premises. Despite Gévrol's opinion that four scoundrels encountered each other in this vile den, that they began to quarrel, that one of them had a revolver and killed the others, Lecoq, a young police agent, suspects a great mystery...

Émile François Zola (French pronunciation: [emil zɔˈla]) (2 April 1840 – 29 September 1902) was an influential French writer, the most important exemplar of the literary school of naturalism. More than half of Zola’s novels were part of a set of twenty novels about a family under the Second Empire collectively known as Les Rougon-Macquart. L’Assommoir (1877) is the seventh novel in the series. Usually considered one of Zola’s masterpieces, the novel—a harsh and uncompromising study of alcoholism and poverty in the working-class districts of Paris—was a huge commercial success and established Zola’s fame and reputation throughout France and the world.

An unsatisfied wife kills her weak husband in order to carry on a sordid affair with another man. However, her selfish plans are spoiled when her husband continues to haunt her. This is often said to be Zola's first great novel.

A well-to-do French farm family is destroyed by a flood. The story, thrilling to the very end, is told from the point of view of the family’s 70-year-old patriarch. The story speaks of the helplessness of mankind in the face of the forces of nature.

This epic about French coal miners and the burgeoning labor movement is considered one of Zola's finest novels. - Summary by Matt Pierard

Renowned poet Emily Dickinson (1830 – 1886) wrote many many poems. This collection, “Poems: Series One”, presents the first installment of the complete poetic works of Miss Emily Dickinson. It is broken into four parts: Life, Love, Nature, and Time and Eternity. The verses of Emily Dickinson belong emphatically to what Emerson long since called “the Poetry of the Portfolio,”–something produced absolutely without the thought of publication, and solely by way of expression of the writer’s own mind. The poetry found here is then entirely honest, and indicative of the authors true feelings.

"The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties."