This sequel to Dumas' “Marguerite de Valois” begins four years after the sudden death of King Charles IX and succession of his brother Henry III. The reign of King Henry III was plagued with rebellion and political intrigue due to the War of the Three Henries, where his regency was challenged by King Henry of Navarre (leader of the Huguenots) and Henry I, Duke of Guise (leader of the Catholic League). Dumas weaves two main storylines through this turbulent backdrop: one of the love ignited between le Comte de Bussy and la Dame de Monsoreau, and another of the friendship between King Henry III and his truly unique jester, Chicot (Jean-Antoine d'Anglerais).

The Life, Adventures & Piracies of the Famous Captain Singleton is a "bipartite adventure story whose first half covers a traversal of Africa, and whose second half taps into the contemporary fascination with piracy. It has been commended for its depiction of the homosexual relationship between the eponymous hero and his religious mentor, the Quaker, William Walters.".

An American diplomat's family moves into an ancient stately mansion. They're warned by the owner that it is haunted by a most horrifying and gruesome spirit who had once cruelly murdered his own wife. The story progresses with creaking floor boards, mysterious passages, dark attics, clanking chains, and weird howling. Yet, the reader is totally unprepared for Oscar Wilde's brand of tongue in cheek humor as he takes all the ingredients of a traditional ghost story and turns it on its head, and creates a hilarious parody instead of a morbid saga! The Canterville Ghost was the first of Oscar Wilde's short stories to be published...

This story opens at a fashionable dinner party in Sir Robert Chiltern's home in the heart of London's stylish Grosvenor Square. One of Lady Chiltern's old school-friends, Mrs. Cheveley, a woman with a dubious past, accosts Sir Robert and threatens to expose a financial crime that he had once participated in, unless he agrees to finance a fraudulent construction project that she's promoting. Lady Chiltern is astounded when her husband who had been the severest critic of this project suddenly begins to speak in its favor...

The Happy Prince and Other Tales (also sometimes called The Happy Prince and Other Stories) is an 1888 collection of stories for children by Oscar Wilde. It is most famous for The Happy Prince, the short tale of a metal statue who befriends a migratory bird. Together, they bring happiness to others, in life as well as in death. The stories included in this collection are:The Happy PrinceThe Nightingale and the RoseThe Selfish GiantThe Devoted FriendThe Remarkable RocketThe stories convey an appreciation for the exotic, the sensual and for masculine beauty.

Lady Windermere’s Fan: A Play About a Good Woman is a four act comedy by Oscar Wilde, published in 1893. As in some of his other comedies, Wilde satirizes the morals of Victorian society, and attitudes between the sexes. The action centres around a fan given to Lady Windermere as a present by her husband, and the ball held that evening to celebrate her 21st birthday.

”The Fisherman and his Soul” is a fairy tale first published in November of 1891 in Wilde’s “A House of Pomegranates”. It tells of a fisherman who nets and falls in love with a mermaid. But to be with her he must shed his soul, which goes off to have adventures of its own. Will forbidden love endure?

“(T)he past is what man should not have been. The present is what man ought not to be. The future is what artists are.”Published originally as “The Soul of Man Under Socialism,” this is not so much a work of sober political analysis; rather it can be summed up as a rhapsodic manifesto on behalf of the Individual. Socialism having deployed technology to liberate the whole of humanity from soul-destroying labour, the State obligingly withers away to allow the free development of a joyful, anarchic hedonism...

Two short fragments: an unfinished and a lost play. A Florentine Tragedy, left in a taxi (not a handbag), is Wilde’s most successful attempt at tragedy – intense and domestic, with surprising depth of characterisation. It was adapted into an opera by the Austrian composer Alexander Zemlinsky in 1917. La Sainte Courtisane, or The Woman Covered in Jewels explores one of Wilde’s great idées fixes: the paradox of religious hedonism, pagan piety. Both plays, Wildean to their core, revel in the profound sadness that is the fruit of the conflict between fidelity and forbidden love...

A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.

Guido Ferranti, a young man, travels to Padua with his friend Ascanio after receiving a mysterious letter from a stranger, claiming to know the true secret of Guido's birth. His plan of revenge goes awry, however, when he falls in love with his enemy's beautiful wife, the Duchess of Padua.

Lord Arthur Savile's Crime and Other Stories is a collection of short semi-comic mystery stories. This collection exemplifies Wilde's sharp wit and dark humour. Stories in this collection include Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret, The Model Millionaire, and The Portrait Of Mr W H.

Vera; or, The Nihilists is a play by Oscar Wilde. It is a melodramatic tragedy set in Russia and is loosely based on the story of Vera Zasulich. It was the first play that Wilde wrote. It was produced in the United Kingdom in 1880, and in New York in 1882, but it was not a success and folded in both cities. It is nowadays rarely revived.

The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism...

This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink. (Introduction by James K. White)

Two poets in a London park at sunset, debating on the attributes of poetry and whether it's really a metaphor for anarchy. A group that meets in secret, planning to overthrow the world order. Disguises and deceptions, ideals and ideology. A medley of themes and genres makes this a great read for anyone who's a fan of Chesterton and his iconic Father Brown. The Man Who Was Thursday includes Chesterton's favorite theme of Christianity with touches of delightful humor to enliven the twists and turns that abound throughout the book...

A Chief of Police hosts a dinner party for an American millionaire wishing to will his entire fortune to the Church of France. Jewels that have been stolen and recovered so many times that they're known colloquially by thieves as The Flying Stars. A murder committed by an invisible man. These and many others are the mysteries that are presented to the lovable, bumbling, stumpy Man of God, Father Brown. The Innocence of Father Brown, by G.K. Chesterton is a collection of eleven stories which marks the debut of this most unusual detective...

A collection of six wonderfully quirky detective stories, featuring the ‘mystic’ former judge Basil Grant. Each story reveals a practitioner of an entirely new profession, and member of the Club of Queer Trades.

Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them “The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females”; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them “Murder your mother,” and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same.”

An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country...

Gilbert Keith Chesterton was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the “prince of paradox.” He wrote in an off-hand, whimsical prose studded with startling formulations. Chesterton wrote about 4000 essays on various subjects, and “Ararms and Discursions is one of his collections.

While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: “Forward, my beauty, my Arab,” he said, patting the omnibus encouragingly, “fleetest of all thy bounding tribe”), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man’s actions and the virtue of respect for one’s enemies.

Chesterton and Shaw were famous friends and enjoyed their arguments and discussions. Although rarely in agreement, they both maintained good-will towards and respect for each other. However, in his writing, Chesterton expressed himself very plainly on where they differed and why. In Heretics he writes of Shaw: “After belabouring a great many people for a great many years for being unprogressive, Mr. Shaw has discovered, with characteristic sense, that it is very doubtful whether any existing human being with two legs can be progressive at all...

The flying blast struck London just where it scales the northern heights, terrace above terrace, as precipitous as Edinburgh. It was round about this place that some poet, probably drunk, looked up astonished at all those streets gone skywards, and (thinking vaguely of glaciers and roped mountaineers) gave it the name of Swiss Cottage, which it has never been able to shake off. At some stage of those heights a terrace of tall gray houses, mostly empty and almost as desolate as the Grampians, curved...

“None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. ” (Gilbert Keith Chesterton)

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit. Nevertheless the essays were not in intention so aimless as they appear in fact...

Gilbert Keith Chesterton was among the world’s most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using “personal types” as illustration. It would...

Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?

There is an old anecdote, probably apocryphal, which describes how a feminine admirer wrote to Browning asking him for the meaning of one of his darker poems, and received the following reply: “When that poem was written, two people knew what it meant–God and Robert Browning. And now God only knows what it means.

Louisa May Alcott, more famously known for her Little Women series, takes a familiar nursery rhyme and creates a whole novel out of it in one of her last books Jack and Jill: A Village Story. Though she continued to publish under the penname AM Barnard, this book probably marked the end of a particular writing phase in 1880. Jack and Jill is set in the fictional Harmony Village. On a December afternoon, the youngsters of the village are out enjoying the bracing cold and snow. The bright winter shines down as they have fun skating and sledding...

Polly Milton, a 14-year-old country girl, visits her friend Fanny Shaw and her wealthy family in the city for the first time. Poor Polly is overwhelmed by the splendor at the Shaws’ and their urbanized, fashionable lifestyles, fancy clothes and some other habits she considers weird and, mostly, unlikable. However, Polly’s warmth, support and kindness eventually win her the hearts of all the family members. Six years later, Polly comes back to the city to become a music teacher.

Here are tales of love and war, modesty and frivolity, laughter and tears. Louisa May Alcott wrote many, many short stories. This collection shares but 7 of them.