A collection of Tennyson's poetry : 1 The Brook - 00:16 2 Song from "Maud" - 1:20 3 A Farewell - 2:34 4 Song from “Maud” - 3:26 5 Break, Break, Break - 4:53 6 From “Locksley Hall”- 5:43 7 Song from “Maud” - 6:43 8 Song from “The Princess” - 7:43 9 Lillian - 8:37 10 Ring out, Wild Bells - 9:52 11 From “The Princess” - 11:27 12 Song From “The Princess” - 12:43 13 From “Enoch Arden” - 13:58 14 From “Enoch Arden” - 15:36 15 The Charge of the Light Brigade- 16:56 16 From “The May Queen” - 18:51 17 Song from “The Princess” - 19:36 18 From “Harold” - 20:14 19 From “The Revenge” - 21:28 (From Sam Stinsson)

Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan’s harem for a steamy assignation. Unbelievably, Byron’s publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic)...

These are the last four Cantos of his mock epic that Byron completed in the year before his death at the age of 36 in Messolonghi, Greece, where he had gone to fight for the nationalists against the Ottoman Empire. Juan, now in England, is invited to spend the autumn with a hunting party at the ancient country seat of Lord Henry and Lady Adeline Amundeville. There, he meets the most intriguing of the Byronic heroines, Aurora Raby, and is visited by a ghost with ample breasts (!). That is the narrative outline but hardly the focus of the last Cantos...

This powerful poem narrates the fateful return of Count Lara to the British Isles after spending years abroad traveling the orient.Returning to his patrimony with a retinue consisting of one foreign-born page, Count Lara resumes the management of his landed estates. Lara's first efforts are crowned with success: only to be undermined by the jealousy and envy of his his peers. After a successful duel to defend his honour, the count becomes inexorably caught up in local blood-feuds; which quickly escalate to open warfare between his own followers and the private armies of his enemies...

Manfred is a dramatic poem in three acts by Lord Byron, and possibly a self confessional work. A noble, Manfred, is haunted by the memory of some unspeakable crime. In seeking for forgetfulness and oblivion, he wanders between his castle and the mountains. He has several encounters with the people who try to assist him, as well as spirits that rule nature and human destiny. The poem explores themes of morality, religion, guilt and the human condition.

"The Giaour" is a poem by Lord Byron first published in 1813 and the first in the series of his Oriental romances. "The Giaour" proved to be a great success when published, consolidating Byron's reputation critically and commercially.

Written late in his career, Byron's narrative poem The Island tells the famous story of the mutiny on board the Bounty, and follows the mutineers as they flee to a South Sea island, "their guilt-won Paradise."

In this moving poem, Byron recounts the final, desperate resistance of the Venetians on the day the Ottoman army stormed Acrocorinth: revealing the closing scenes of the conflict through the eyes of Lanciotto - a Venetian renegade fighting for the Ottomans - and Francesca - the beautiful maiden daughter of the governor of the Venetian garrison: Minotti.

Flower Fables is Louisa May Alcott’s first book, penned at 16 for Ralph Waldo Emerson’s daughter, Ellen.

Librivox volunteers bring you 16 readings of A Song from the Suds, by Louisa May Alcott, author of novels like Little Women. This was the fortnightly poem for June 7-21, 2015.

Librivox volunteers bring you eleven readings of My Doves, by Louisa May Alcott. This was the fortnightly poem for December 21, 2014 - January 4, 2015

While L. M. Montgomery is better known for her novels, such as Anne of Green Gables and Emily of New Moon, she also wrote hundreds of poems. Her love of beauty, nature, and the sea is evident in this, the only volume of her poetry published during her lifetime.

Montgomery's poem on winter is an analogy for life, symbolizing the three life stages of youth, adulthood and old age.

Librivox volunteers bring you 11 readings of Harbour Dawn by L. M. Montgomery. This was the fortnightly poem for November 23 - December 7, 2014.

Charlemagne's nephew Orlando (AKA Roland) is driven insane by the infidelity of his beloved Angelica. Angelica's relationship with him and others loosely unifies multiple story lines to produce a rich tapestry of romance, fictionalized history, and pure fantasy. This romance-epic is a sequel to the less distinguished and unfinished romance Orlando Innamorato, by Mattteo Maria Boiardo.

The Lusiads (Os Lusíadas) is a Portuguese epic poem, written in the 16th century by Luis Vaz de Camões. The poem tells the tale of the Portuguese discoveries in the 15th and 16th centuries, specially the voyage to India by Vasco da Gama. Modelled after the classic epic tradition, Camões' Lusiads are considered not only the first literary text in Modern Portuguese, but also a national epic of the same level as Vergil's Aeneid. In the 19th century, Sir Richard Francis Burton translated Camões' Lusiads, in what he considered "the most pleasing literary labour of his life".

Lydia Maria Child, an American abolitionist, compiled this collection of short stories and poems by former slaves and noted activists as an inspiration to freed slaves. In her dedication to the freedmen, she urges those who can read to read these stories aloud to others to share the strength, courage and accomplishments of colored men and women. In that spirit, this recording aims to gives that voice a permanent record. As in the original text, the names of the colored authors are marked with an "x".

Librivox volunteers bring you ten readings of September by Madison Cawein. This was the weekly poetry project for the week of September 21st, 2014.

Madison Julius Cawein was born in Louisville, Kentucky. After graduating from high school, Cawein worked in a pool hall in Louisville as a cashier in Waddill's New-market, which also served as a gambling house. He worked there for six years, saving his pay so he could return home to write. His output was thirty-six books and 1,500 poems. His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". Note: In Greek mythology, Hippocrene was the name of a spring on Mt...

Madison Cawein was a poet from Louisville, Kentucky. His output was thirty-six books and 1,500 poems. His writing earned the nickname the "Keats of Kentucky". This Weekly poem was published in his book "Shapes and Shadows". (1898)

Maria W. Stewart was America's first black woman political writer. Between 1831 and 1833, she gave four speeches on the topics of slavery and women's rights. Meditations From The Pen of Mrs. Maria W. Stewart—published in 1879 shortly before her death—is a collection of those speeches as well as her memoir, some meditations and prayers. They are political, poetical and sermon all at the same time; but in the mileu in which she lectured, they were a critically important part of the abolitionist movement years before the contributions of others such as Frederick Douglass and Sojourner Truth...

In 1921, American poet H.D. collected and published a selection of previously published poems by Marianne Moore. Although this angered Moore, as it was entirely unauthorized, she later accepted the edition as well made and used it as the basis for her own 1924 publication of Obersvations. Moore’s unique poetry matches the experimentation underway during the American Modernist movement. Much of it incorporates seemingly out-of-place quotations into complex free verse that often uses Nature as a subject matter...

This is a collection of poems by Marietta Holley, better known as Josiah Allen's Wife.

Mark Lemon had a natural talent for journalism and the stage, and, at twenty-six, retired from less congenial business to devote himself to the writing of plays. More than sixty of his melodramas, operettas and comedies were produced in London, whilst at the same time he was contributing to a wide variety of magazines and newspapers, and was founding editor of both Punch and The Field.

This is a small volume of poems by Canadian women's rights activist and educator Mary Adams.

Mary Hannay Foott was an Australian poet and editor who is best remembered for the poem Where the pelican builds.

LibriVox volunteers bring you 13 recordings of He'd Nothing but His Violin by Mary Kyle Dallas. This was the Weekly Poetry project for March 10, 2013.According to an article in the New York Times, Mary Kyle Dallas was born in Philadelphia, PA and married Jacob A. Dallis when she was twenty. She wrote for the New York Ledger for over fifteen years.A few comments from our readers."What a lovely delicate little piece." (AlanW)"Here is my version of this sweet melodious poem. This one definitely rings a bell with me, as my wife and I were entertainers also (and even still do it occasionally) but not quite under such meager circumstances as this couple." (LenXZ1)

Mary Mollineux (born Mary Southworth) was probably the daughter of Catholic parents who converted to Quakerism, differed from many of her Quaker contemporaries because of an early education in Latin, Greek, science, and arithmetic.

“Balder Dead” is a beautiful epic poem by Matthew Arnold. It draws from Norse mythology to retell the story of the the death of Odin’s son, Balder, instigated by the treacherous jealousy of Loki.

Tristram & Iseult is a narrative poem containing strong romantic and tragic themes: and was first published in 1852 by Matthew Arnold. This poem draws upon the Tristram and Iseult legends: which were popular with contemporary readers.The poem opens with Tristram upon his deathbed. The monologue of the dying man is shot through with sharp pangs of regret: centering upon his induced passion for Iseult of Ireland - inflamed by his unwittingly imbibing an irresistible love-potion.Before his decease, Tristram's lawful wife - Iseult of Ireland - arrives in time to share his deathbed...

Matthew Arnold was an English poet and cultural critic who worked as an inspector of schools. Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He is sometimes called the third great Victorian poet, along with Alfred, Lord Tennyson and Robert Browning. This week's poem is the first part of Arnold's Lyric Poem 'Switzerland'.

LibriVox readers bring you 16 recordings of "To a Faded Rose" by Maurice Switzer. This was the Weekly Poetry selection for June 16, 2013.

Michael Field was a pseudonym used for the poetry and verse drama of Katharine Harris Bradley (27 October 1846 – 26 September 1914) and her niece and ward Edith Emma Cooper (12 January 1862 – 13 December 1913). As Field they wrote around 40 works together, and a long journal Works and Days. Their intention was to keep the pen-name secret, but it became public knowledge, not long after they had confided in their friend Robert Browning.

Michael Field was a pseudonym used for the poetry and verse drama of Katharine Harris Bradley (27 October 1846 – 26 September 1914) and her niece and ward Edith Emma Cooper (12 January 1862 – 13 December 1913). As Field they wrote around 40 works together, and a long journal Works and Days. Their intention was to keep the pen-name secret, but it became public knowledge, not long after they had confided in their friend Robert Browning.

Nathaniel Parker Willis is also known as N. P. Willis. He was an American author, poet and editor who worked with several notable American writers including Edgar Allan Poe and Henry Wadsworth Longfellow. He became the highest-paid magazine writer of his day.

Nathaniel Parker Willis, also known as N. P. Willis, was an American author, poet and editor who worked with several notable American writers including Edgar Allan Poe and Henry Wadsworth Longfellow. He became the highest-paid magazine writer of his day. For a time, he was the employer of former slave and future writer Harriet Jacobs.

“Hymns to the Night” is the last published work of Georg Philipp Friedrich Freiherr von Hardenberg (1772-1801), the German philosopher and early Romantic poet whose pen name was simply “Novalis”. The work alternates poetry and prose, exploring a personal mythology of darkness and light, but it is also a free-associative chronicle of a young man rationalizing the untimely death of his fiancé. This version (1897) was translated by influential fantasy author and novelist George MacDonald, who cited it as a great – and early – inspiration.

The Kitten's Garden of Verses is a book of short poetry, modeled after Robert Louis Stevenson's A Child's Garden of Verses. Of course, the poems in this book are intended for kittens rather than children!

This is a small collection of whimsical poems by the American physician and author Oliver Wendell Holmes, Sr. "The Deacon's Masterpiece" describes the "logical" outcome of building an object (in this case, a two-wheeled carriage called a shay) that has no weak points. The economic term "one hoss shay," referring to a certain model of depreciation, derives its name from this poem. "How the Old Horse Won the Bet" is a lighthearted look at a horse race. Finally, "The Broomstick Train" is a wonderfully Halloween-y explanation of how an electric tram really works.

The Rubáiyát of Omar Khayyám (Persian: رباعیات عمر خیام) is the title that Edward Fitz-Gerald gave to his translation of a selection of poems, originally written in Persian and of which there are about a thousand, attributed to Omar Khayyám (1048–1131), a Persian poet, mathematician and astronomer. A Persian ruba'i is a two-line stanza with two parts (or hemis-techs) per line, hence the word "Rubáiyát" (derived from the Arabic root word for "four"), meaning "quatrains".

The Rubáiyát of Omar Khayyám (Persian: رباعیات عمر خیام) is the title that Edward FitzGerald gave to his translation of a selection of poems, originally written in Persian and of which there are about a thousand, attributed to Omar Khayyám (1048–1131), a Persian poet, mathematician and astronomer. A Persian ruba'i is a two-line stanza with two parts (or hemistechs) per line, hence the word "Rubáiyát" (derived from the Arabic root word for "four"), meaning "quatrains". (Introduction by Wikipedia) The three translations by women comprise this collection of recordings of the Rubaiyat of Omar Khayyam.

Omar Khayyám (1048–1131) was a Persian poet, mathematician and astronomer. In the Western world he is most famous for his many rubáiyát (quatrains), a four line rhyming stanza, which were popularized in an extensively reworked collection in English by Edward Fitzgerald, the first edition of which appeared in 1859. However, Fitzgerald was neither the first nor the most scholarly of the translators of Omar Khayyam’s rubáiyát. As well as translating the poems of Hafez and Rumi, Edward Henry Whinfield (1836-1922) also produced a much more extensive English version of the rubáiyát...

Richard le Gallienne was an English poet and critic, who, although unfamiliar with the Persian language, had a profound interest in the Rubaiyat of Omar Khayyam. In 1897 he published a collection of 211 quatrains, which was based on earlier English translations, in particular the prose version by Justin Huntly McCarthy. A expanded edition, containing fifty additional quatrains was published in 1901, and this has been used for the present recording.

The translation of the Rubaiyat of Omar Khayyam by Edward Fitzgerald has remained the most celebrated rendering in English of the Persian poet's work. While several other scholars produced their own translations of the Rubaiyat, yet others contented themselves by just paraphrasing the work of Fitzgerald. This recording features three reworkings of previously published translations. Arthur Guiterman and Ruel William Whitney based their renderings on the Fifth Edition of Fitzgerald's translation and Richard Le Gallienne, a distinguished poet in his own right, compiled his version from a variety of sources, in particular the prose translation by Justin Huntly McCarthy...

In 1906, Eben Francis Thompson,scholar and poet, published a limited edition of his translation of the Quatrains of Omar Khayyam. This edition contains 878 quatrains, and represents the most extensive translation of Omar's rubai in any language.In the Introduction, Nathan Haskell Dole writes: Mr Thompson has put into English verse this whole body of Persian poetry. It is a marvel of close translation, accurate and satisfactory. He has succeeded in doing exactly what he set out to do - to add nothing and to take nothing away, but to put into the typical quatrain, as determined by Fitzgerald and others, exactly what Omar and his unknown imitators said.

One of the earliest versions of Omar Khayyám's quatrains by an American translator is John Leslie Garner's collection, published in 1888. It contains 152 quatrains, which the translator calls "Strophes." The collection is divided into eleven books, introduced by quotations from Bourne's "Anacreon," Leconte de Lisle, Giordano Bruno, Goethe, Alfred de Musset, Paul Bourget, Marcus Antoninus, St. James, Sully-Prudhomme, Edmund Waller, and Escriva.In his preface Garner says : "The collection might have been made much larger, but it was deemed inadvisable, as Omar's themes are not many, and the ever-recurring Wine, Rose, and Nightingale are somewhat cloying to Occidental senses...

”The Fisherman and his Soul” is a fairy tale first published in November of 1891 in Wilde’s “A House of Pomegranates”. It tells of a fisherman who nets and falls in love with a mermaid. But to be with her he must shed his soul, which goes off to have adventures of its own. Will forbidden love endure?

In 1895, Oscar Wilde was sentenced to 2 years of hard labor for acts of ‘gross indecency’. During his time at Reading Gaol, he witnessed a rare hanging, and in the three years between his release and his untimely death in 1900, was inspired to write the following poem, a meditation on the death penalty and the importance of forgiveness, even for (and especially for) something as heinous as murdering one’s spouse; for even the murderer, Wilde argues, is human and suffers more so for being the cause of his own pain, for ‘having killed the thing he loved’; for everyone is the cause of someone else’s suffering and suffers at the hands of another...

A House of Pomegranates (1891) is a collection of fairy tales, written by Oscar Wilde, that was published as a second collection for The Happy Prince and Other Tales (1888). Wilde once said that this collection was "intended neither for the British child nor the British public."

The English Romantic Period in literature featured a towering group of excellent poets: Wordsworth, Coleridge, Byron, Shelley and Keats. If we add in forerunners Burns and Blake, we have perhaps an unmatchable collection of writers for any era. Of these, Percy Bysshe Shelley was one of the brightest and best, coupling a giant intellect with a highly emotional and impetuous nature. He was always a champion of liberty, but was largely ignored when he tried to promote political and social reform. He...

The Masque of Anarchy was Shelley's response to the Peterloo massacre at St Peter's Fields, Manchester, where 18 died and hundreds were injured, after Hussars charged into a rally for parliamentary reform. Written in Italy in 1819, the poem was not published until 1832, ten years after Shelley's death. This reading is from the first published edition with the addition of three words that were inserted in full only in later additions ('Eldon' in Stanza IV and 'Bible' and 'Sidmouth' in Stanza VI). The poem is preceded by Leigh Hunt's preface to the 1932 edition and followed by Harry Buxton Forman's 1887 lecture on the poem to the Shelley Society.