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Romance Novels |
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By: Margaret M. (Margaret Murray) Robertson (1821-1897) | |
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By: Clara Louise Burnham (1854-1927) | |
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By: Mary Cholmondeley (1859-1925) | |
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By: Will Lillibridge (1878-1909) | |
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![]() Unhappy wife leaves marriage of convenience for another man, the couple running away to the Dakota prairie to set up housekeeping. All seems romantically well... until the ex shows up. Surprisingly modern (if a little theatrical) novella from the early 1900's. From the posthumous collection of Lillibridge short stories, A Breath of Prairie, 1911. |
By: August von Kotzebue (1761-1819) | |
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![]() Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience... |
By: Anne Douglas Sedgwick (1873-1935) | |
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By: Sarojini Naidu (1879-1949) | |
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![]() Sarojini Naidu was a remarkable woman. Known as the Nightingale of India, she started writing at the age of thirteen and throughout her life composed several volumes of poetry, writing many poems which are still famous to this day. As well as being a poet, Naidu was an activist and politician, campaigning for Indian independence and became the first Indian woman to attain the post of President of the Indian National Congress. This volume contains the beautiful 'Indian Love-Song', as well as many other moving verses... |
By: Henry Russell Miller (1880-1955) | |
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By: Charles Garvice (-1920) | |
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By: Ross Beeckman | |
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By: W. J. (William James) Dawson (1854-1928) | |
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By: Seth Curtis Beach (1837-1932) | |
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By: Henry Theophilus Finck (1854-1926) | |
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By: Mary Keith Medbery Mackaye (1845-1924) | |
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![]() Pride and Prejudice, a comedy of manners and marriage, is the most famous of Jane Austen's novels. In this dramatic adaption by Mary Keith Medbery Macakaye some liberties are taken with the storyline and characters, but it is still a fun listen or read. Perhaps a good introduction for someone not ready to tackle the complete novel ~ and for the reader familiar with the work, a laugh can be had at the changes that were made in order to adapt it to the stage |
By: William Withering (1741-1799) | |
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By: Ruth Comfort Mitchell (1882-1954) | |
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By: Leroy Scott (1875-1929) | |
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By: Eugene Walter (1874-1941) | |
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By: David Carpenter Knight | |
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By: Molly Elliot Seawell (1860-1916) | |
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![]() This is a novel about the lives of the members of the Temple family and their connections in Tidewater, Virginia, in the Reconstruction era. The widow Judith Temple and her sister in law Jacqueline live quietly on the Temple plantation, when the widower George Throckmorton returns to Tidewater. He had joined the Union Army in the war, and led with distinction. The lives of the girls are turned upside-down.. |
By: Stella Benson (1892-1933) | |
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![]() Some books have plots that drive relentlessly toward a conclusion. Others, like "This Is The End", just meander. It is the story of a Family halfheartedly searching for a missing relation who does not want to be found, while just off-stage, World War I is raging on the continent. It is a story about ordinary people trying to live ordinary lives in extraordinary times. The things they do are less important than the ways in which they do them: often comic, occasionally tragic, but always touching and true to life. It reminds us that Poetry and Romance can be found anywhere, hidden beneath the surface of the most commonplace things. |
By: Richard Lovell Edgeworth (1744-1817) | |
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By: Jesse Lynch Williams (1871-1929) | |
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![]() Why Marry? is a comedy, which "tells the truth about marriage". We find a family in the throes of proving the morality of marriage to a New Age Woman. Can the family defend marriage to this self-supporting girl? Will she be convinced that marriage is the ultimate sacredness of a relationship or will she hold to her perception that marriage is the basis of separating two lovers."Why Marry?" won the first Pulitzer Prize for Drama. |
By: Stephen McKenna (1888-1967) | |
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By: Cosmo Hamilton (1879-1942) | |
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By: Saint John of Damascus (676?-749) | |
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By: Julia Magruder (1854-1907) | |
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By: Susan Edmonstoune Ferrier | |
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![]() “Love!–A word by superstition thought a God; by use turned to an humour; by self-will made a flattering madness.” – Alexander and Campaspe. Lady Juliana, the indulged and coddled seventeen (”And a half, papa”) year old daughter of the Earl of Cortland, is betrothed by her father to a wealthy old Duke who can give her every luxury. She instead runs away and marries her very handsome but penniless lover. Very soon, they are forced to travel to Scotland to live with his quirky family in a rundown “castle” in the barren wilderness. Can this marriage survive?(Summary by P.Cunningham) |
By: Jessie Fothergill (1851-1891) | |
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![]() May Wedderburn is a quiet provincial girl, living in small and seemingly boring Skernford. Underneath the dull exterior, there is mystery, suspicion and fear in this little town, surrounding the austere local wealthy landowner who is very interested in marrying poor May. It looks as though she will have to marry him whether she likes it or not until an unsuspected alliance is formed between her and a respected old lady. They both escape to Germany where music and excitement await them. |
By: Thomas Shaw (1843-1918) | |
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By: Munson Aldrich Havens (1873-1942) | |
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