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The Devil's Elixir Vol. I (of 2)   By: (1776-1822)

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The Devil's Elixir Vol. I (of 2) by E.T.A. Hoffmann is a captivating and suspenseful novel that follows the story of a young monk named Medardus who becomes entangled in a web of deceit and manipulation. As he grapples with his own inner demons and the temptations of the devil's elixir, Medardus is forced to confront his own mortality and the dark forces at work in the world around him.

Hoffmann's writing is rich and atmospheric, drawing the reader into a world where good and evil collide in a battle for the soul of humanity. The characters are complex and well-developed, with motivations that are both relatable and chilling. The plot twists and turns, keeping the reader on the edge of their seat as they unravel the mysteries that lie at the heart of the story.

Overall, The Devil's Elixir Vol. I is a gripping and thought-provoking read that delves into themes of morality, redemption, and the power of choice. Hoffmann's prose is both evocative and haunting, leaving a lasting impression on the reader long after they have finished the book. I highly recommend this novel to anyone looking for a dark and engrossing tale that will challenge their perceptions of good and evil.

First Page:

THE DEVIL'S ELIXIR.

FROM THE GERMAN OF E. T. A. HOFFMANN.

In diesem Jahre wandelte auch her Deuvel offentlich auf den Strassen von Berlin.

Haftit Microc. Berol. p. 1043.

In that yeare, the Deville was alsoe seene walking publiclie on the streetes of Berline.

VOL. I.

WILLIAM BLACKWOOD, EDINBURGH: AND T. CADELL, LONDON.

1829.

THE DEVIL'S ELIXIR.

CHAPTER I.

My life, from my fourth to my sixteenth year, was spent at a lonely farm house, on the banks of the river Saale, near the Cistertian Monastery of Kreuzberg. The house, though not large, had once been the residence of a baronial family, that was now extinct, and of whose representatives strange stories were narrated. Of course, therefore, their castle was gloomy; of course, also, said to be haunted, and its immediate environs were in keeping with the character of the principal mansion.

There was, for example, a garden in the old style, with steps and terrace walks, now ruined and neglected; thick hedges of yew and cypress, with trees cut into fantastic shapes, which the present owner had not found leisure, or perhaps had not permission, to destroy. The surrounding country, however, at some distance, was very beautiful, presenting a fine diversity of hill and dale, rock, wood, and water... Continue reading book >>


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