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Paris from the Earliest Period to the Present Day; Volume 1 By: William Walton (1843-1915) |
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FROM THE EARLIEST PERIOD TO THE PRESENT DAY VOLUME I [Illustration] [Illustration: THE SEINE AT BOUGIVAL PHOTOGRAVURE, AFTER THE PAINTING BY JULIUS L. STEWART]
IL FLOTTE SANS ÊTRE SUBMERGÉ [Illustration] PARIS FROM THE EARLIEST PERIOD TO THE PRESENT DAY [Illustration: WILLIAM WALTON] VOLUME I PHILADELPHIA GEORGE BARRIE & SON, PUBLISHERS COPYRIGHT, 1899, BY GEORGE BARRIE & SON
CONTENTS
VOLUME I
INTRODUCTION
CHAPTER I GALLO ROMAN AND PRE MEDIÆVAL PERIODS
CHAPTER II THE COURT AND THE UPPER CLASSES
CHAPTER III THE BOURGEOIS AND THE LOWER CLASSES
INTRODUCTION [Illustration: THE MARTYR; MEROVINGIAN PERIOD. By F. Bac, from a
tapestry.]
If the capital of the French nation, situated on the river Seine, were
simply the most beautiful, the wittiest, wickedest, and most artistic of
towns, if as has been so often asserted (and not exclusively by the
citizens thereof) the most commonplace and the most brilliant of human
manifestations alike take on new qualities, texture, and interest the
moment they become Parisien, then, indeed, would this city be entitled
to be considered only with that mild offence which is the proper
intellectual attitude before all so claimed earthly superlatives. But
Paris is by no means to be so disposed of. The very peccability of her
wit is demonstrated by the extravagant claims which it permits itself.
No God given institution proclaims itself as such, at least, noisily.
It is the shadings to this brilliant picture, the exceeding width and
depth and blackness of the sun spots on this luminary of civilization,
which relieve us from any easy toleration and compel us to the liveliest
attention. One of her many qualities is that of representing and, too
often, of acting for the whole country, indeed, la centralisation is
one of the four great evils (the others being the abuse of alcool , la
pornographic , and the stationary birth rate) which are recognized by
its own citizens as menacing the nation. So that, in a general way, for
both good and bad, Paris reads France. Well, the heights and depths which we are called upon to contemplate are
not unendurable, but they are certainly in many respects unexcelled.
"France," says one of her most eloquent and dignified historians, "has
justly been termed the soldier of God;" "Other continents have monkeys,"
says a learned German philosopher; "Europe has the French." Any
community or locality which offers, or is considered by intelligent
observers to offer, such a range as this, is certainly worthy of high
renown and deep research, and it is not too much to say that Paris
justifies her fame. Within her walls the human mind has displayed its
loftiest development, and the human passions their most insane excesses;
her art and her literature have erected beacon lights for all the ages
to come, and have but too frequently fallen into the depths of more than
swinish filth; her science of government has ranged from the Code
Napoléon to the statutes of Belial himself; her civilization has
attained an elegance of refinement unknown to the Greeks, and her cigars
and lucifer matches are a disgrace to Christendom! Happily, as in several other human institutions, there is more of good
than of bad. The so called "seamy side" of cities is not like that of
flour bags, equal in extent and importance to the fair outer surface
that meets the eye. Much as has been published of the depravity of
Paris, it is not that, but the splendid activity of her material and
intellectual civilization, the serious confronting of the heavy problems
of humanity, the intelligent accumulation of the treasures of the mind
and the hand, legislation, literature, art, science, that impress the
intelligent visitor. Moreover, it is the annals of unhappy nations only
that are said to be interesting, and it is impossible that a quick human
interest should not attach to the contemplation of this capital which
has attacked so many problems, maintained so many struggles, and endured
such crushing reverses... Continue reading book >>
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