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Turandot: The Chinese Sphinx   By: (1759-1805)

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Turandot: The Chinese Sphinx by Friedrich Schiller is a compelling and thought-provoking tale that delves into the depths of human desire, power, and love. Set against the backdrop of ancient China, Schiller weaves a mesmerizing narrative that captivates readers from start to finish.

The story revolves around the enigmatic Princess Turandot, a cold and ruthless ruler who sets a series of riddles for her suitors. Failure to solve the riddles results in their execution. However, when a brave Prince enters the picture, determined to conquer her heart, the true complexity of Turandot's character is revealed.

Schiller's writing is nothing short of brilliant and evocative. His vivid descriptions transport readers into a world of grandeur, with stunning landscapes and ostentatious palaces. The author's attention to detail is commendable, enabling readers to visualize even the minutest aspects of this ancient civilization.

The characters in Turandot are multi-dimensional and wonderfully developed. Turandot herself is a fascinating paradox. On the surface, she is perceived as a heartless and cold individual, resolute in her determination not to submit to any man. However, Schiller gradually peels back the layers of her persona, revealing her vulnerabilities and the traumatic experiences that shaped her.

The Prince, on the other hand, is portrayed as the epitome of bravery, ardor, and relentless pursuit of love. His unwavering dedication to conquer Turandot's heart serves as a stark contrast to her own guarded nature. Their interactions are filled with tension, passion, and enthralling psychological games.

Schiller successfully explores profound themes throughout the novel, examining the nature of power, the boundaries of love, and the consequences of unchecked ambition. The underlying message about the importance of empathy and understanding resonates strongly, beckoning readers to question their own desires, prejudices, and actions.

One aspect that stands out is Schiller's masterful use of language. The prose, though translated, retains a poetic quality that enhances the reading experience. Each word is carefully chosen, contributing to the overall atmospheric ambiance of the story.

Turandot: The Chinese Sphinx is a compelling literary work that transcends time and culture. Schiller's ability to craft a gripping tale infused with profound philosophical insights is truly commendable. Whether readers are familiar with the opera that shares the same name or not, this novel stands on its own as a remarkable piece of literature that will linger in the mind long after the final page is turned.

First Page:

TURANDOT:

THE CHINESE SPHINX.

A DRAMATIC ODDITY

FREELY TRANSLATED FROM SCHILLER,

AND CORDIALLY INSCRIBED TO

LADY PERCY FLORENCE SHELLEY

BY

SABILLA NOVELLO.

LONDON: S. FRENCH, 89, STRAND.

1872.

Price One Shilling.

Personages.

ALTOUM, Khan of the Celestial Empire.

PANTALOON, his Prime Minister.

TARTAGLIA, Lord Chancellor.

TRUFFALDIN, Keeper of the Hareem.

BRIGHELLA, Captain of the Imperial Black Guards.

KALAF, Prince of Tartary.

BARAK, his former Tutor.

ISHMAEL.

DOCTORS of THE DIVAN.

Courtiers, Guards, Priests, Slaves of the Hareem.

TURANDOT, Heiress to the Celestial throne: generally known as "The Chinese Sphinx."

SKIRINA, her attendant, wife to Barak.

ADELMA, Princess of Keicobad, slave to Turandot.

Female slaves of the Hareem.

SCENE. Peking and its environs.

TURANDOT: THE CHINESE SPHINX.

ACT I.

SCENE. Outskirts of Peking. L. View of town gate, above which are reared long poles, bearing turbaned and shorn heads, symmetrically disposed so as to form a kind of architectural ornament. R. Small suburban dwellings, from one of which issues PRINCE KALAF, dressed in a fantastic Tartar warrior's costume.

KALAF.

The Gods be thanked, at last by patient seeking, I've found a lodging in this crowded Peking... Continue reading book >>




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