On an island off the coast of Chile, Captain Amaso Delano, sailing an American sealer, sees the San Dominick, a Spanish slave ship, in obvious distress. Capt. Delano boards the San Dominick, providing needed supplies, and tries to learn from her aloof and disturbed captain, Benito Cereno, the story of how this ship came to be where she is. Dealing with racism, the slave trade, madness, the tension between representation and reality, and featuring at least one unreliable narrator, Melville's novella has both captivated and frustrated critics for decades.

Omoo: A Narrative of Adventures in the South Seas is Herman Melville's sequel to Typee, and, as such, was also autobiographical. After leaving Nuku Hiva, the main character ships aboard a whaling vessel which makes its way to Tahiti, after which there is a mutiny and the majority of the crew are imprisoned on Tahiti. The book follows the actions of the narrator as he explores Tahiti and remarks on their customs and way of life.Many sources incorrectly assert that Omoo is based on Melville's stay in the Marquesas. The novel is, in fact, exclusively based on his experiences in the Society Islands.

The Confidence-Man: His Masquerade was the last major novel by Herman Melville, the American writer and author of Moby-Dick. Published on April 1, 1857 (presumably the exact day of the novel's setting), The Confidence-Man was Melville's tenth major work in eleven years. The novel portrays a Canterbury Tales-style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism...

This is a tale based on Melville's experiences aboard the USS United States from 1843 to 1844. It comments on the harsh and brutal realities of service in the US Navy at that time, but beyond this the narrator has created for the reader graphic symbols for class distinction, segregation and slavery aboard this microcosm of the world, the USS Neversink. (Introduction by James K. White)

The Encantadas or Enchanted Isles is a novella by American author Herman Melville. First published in Putnam's Magazine in 1854, it consists of ten philosophical "Sketches" on the Encantadas, or Galápagos Islands. It was collected in The Piazza Tales in 1856. The Encantadas was to become the most critically successful of that collection. All of the stories are replete with symbolism reinforcing the cruelty of life on the Encantadas. (Introduction excerpted from Wikipedia)

Two poets in a London park at sunset, debating on the attributes of poetry and whether it's really a metaphor for anarchy. A group that meets in secret, planning to overthrow the world order. Disguises and deceptions, ideals and ideology. A medley of themes and genres makes this a great read for anyone who's a fan of Chesterton and his iconic Father Brown. The Man Who Was Thursday includes Chesterton's favorite theme of Christianity with touches of delightful humor to enliven the twists and turns that abound throughout the book...

Robbery, murder and treason. Strange happenings in quiet English villages. A book critic who happens to find a corpse with its head crushed, an Irish freedom fighter framed for a crime, the disappearance of a valuable coin, a strange dispute over a property claim and a host of other intriguing situations make up the contents of G K Chesterton's collection of short stories The Man Who Knew Too Much. For fans of Chesterton's immortal clerical sleuth, Father Brown, these stories are equally delightful and intricately wrought...

A Chief of Police hosts a dinner party for an American millionaire wishing to will his entire fortune to the Church of France. Jewels that have been stolen and recovered so many times that they're known colloquially by thieves as The Flying Stars. A murder committed by an invisible man. These and many others are the mysteries that are presented to the lovable, bumbling, stumpy Man of God, Father Brown. The Innocence of Father Brown, by G.K. Chesterton is a collection of eleven stories which marks the debut of this most unusual detective...

The Wisdom of Father Brown explores many characters and fascinating themes such as the following. An eminent criminologist is persuaded by the mild yet persistent Father Brown to sort out a family matter. Also, a Tuscan poet fancies himself as the King of Thieves. A famous French philosopher and atheist holds the key to a new invention called “Noiseless Powder.” A corpse is discovered in a dark passage backstage at London's Adelphi Theater. Finally there is Psychometric testing of criminals in Chicago...

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.“But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information...

A collection of six wonderfully quirky detective stories, featuring the ‘mystic’ former judge Basil Grant. Each story reveals a practitioner of an entirely new profession, and member of the Club of Queer Trades.

Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”...

Most Eugenists are Euphemists. I mean merely that short words startle them, while long words soothe them. And they are utterly incapable of translating the one into the other, however obviously they mean the same thing. Say to them “The persuasive and even coercive powers of the citizen should enable him to make sure that the burden of longevity in the previous generation does not become disproportionate and intolerable, especially to the females”; say this to them and they will sway slightly to and fro like babies sent to sleep in cradles. Say to them “Murder your mother,” and they sit up quite suddenly. Yet the two sentences, in cold logic, are exactly the same.”

These nine files are miscellaneous short essays or stories from G. K. Chesterton. They were chosen for not only their brevity but also for being shining exemplars of Chesterton’s wit and whimsy. A fun but powerful introduction into the mind of the man that is G. K. Chesterton.

An English epic poem that follows the exploits of Alfred the Great in his defense of Christian civilization in England from the heathen nihilism of the North. Following a string of defeats at the hands of the invading Danes, a vision from heaven in the river island of Athelney fills Alfred with joy and hope. Though it gives no promise of victory in the coming struggle, it inspires him to rally his chieftains for a last stand against the invading hordes. His adventures lead throughout the country...

Gilbert Keith Chesterton was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the “prince of paradox.” He wrote in an off-hand, whimsical prose studded with startling formulations. Chesterton wrote about 4000 essays on various subjects, and “Ararms and Discursions is one of his collections.

While the novel is humorous (one instance has the King sitting on top of an omnibus and speaking to it as to a horse: “Forward, my beauty, my Arab,” he said, patting the omnibus encouragingly, “fleetest of all thy bounding tribe”), it is also an adventure story: Chesterton is not afraid to let blood be drawn in his battles, fought with sword and halberd in the London streets, and Wayne thinks up a few ingenious strategies; and, finally, the novel is philosophical, considering the value of one man’s actions and the virtue of respect for one’s enemies.

“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” (Gilbert Keith Chesterton)

“On the road to Cairo one may see twenty groups exactly like that of the Holy Family in the pictures of the Flight into Egypt; with only one difference. The man is riding on the ass.” “The real mistake of the Muslims is something much more modern in its application than any particular passing persecution of Christians as such. It lay in the very fact that they did think they had a simpler and saner sort of Christianity, as do many modern Christians. They thought it could be made universal merely by being made uninteresting...

“Second, when telling such lies as may seem necessary to your international standing, do not tell the lies to the people who know the truth. Do not tell the Eskimos that snow is bright green; nor tell the negroes in Africa that the sun never shines in that Dark Continent. Rather tell the Eskimos that the sun never shines in Africa; and then, turning to the tropical Africans, see if they will believe that snow is green. Similarly, the course indicated for you is to slander the Russians to the English and the English to the Russians; and there are hundreds of good old reliable slanders which can still be used against both of them...

The Ball and the Cross is G. K. Chesterton's third novel. In the introduction Martin Gardner notes that it is a "mixture of fantasy, farce and theology." Gardner continues: "Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic.... James Turnbull is a short, red-haired, gray-eyed Scottish Lowlander and a devout but naive atheist.... The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus...

The flying blast struck London just where it scales the northern heights, terrace above terrace, as precipitous as Edinburgh. It was round about this place that some poet, probably drunk, looked up astonished at all those streets gone skywards, and (thinking vaguely of glaciers and roped mountaineers) gave it the name of Swiss Cottage, which it has never been able to shake off. At some stage of those heights a terrace of tall gray houses, mostly empty and almost as desolate as the Grampians, curved...

A collection of reprinted articles on a wide-range of subject, all in the unique style of G. K. Chesterton. Using wit, paradox, and good humor he “defends” a series of seeming harmless things that need no defense, and in so doing he exposes many of the broken assumptions and dogmatic notions of secular humanism and other trends of his age and of ours.

“Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people’s weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell.”

“None of us think enough of these things on which the eye rests. But don’t let us let the eye rest. Why should the eye be so lazy? Let us exercise the eye until it learns to see startling facts that run across the landscape as plain as a painted fence. Let us be ocular athletes. Let us learn to write essays on a stray cat or a coloured cloud. I have attempted some such thing in what follows; but anyone else may do it better, if anyone else will only try. ” (Gilbert Keith Chesterton)

Another delightful and sharply pointed excursion into the topics of the day, and of our day as well, with Gilbert Keith Chesterton. Here he uses his wit and mastery of paradox to bring into focus a number of historical persons who in many ways typify the people who presently shape our world and who in their own right have already shaped Western civilization. These reprinted magazine articles are filled with his good natured wit and devastating ability to use reductio ad absurdum to destroy the popular myths that drive our society at full-speed into, and expose the utter nonsense that underlies, secular humanism. You will come away with yet another new collection of wonderful quotes.

“Now I have said again and again (and I shall continue to say again and again on all the most inappropriate occasions) that we must hit Capitalism, and hit it hard, for the plain and definite reason that it is growing stronger. Most of the excuses which serve the capitalists as masks are, of course, the excuses of hypocrites. They lie when they claim philanthropy; they no more feel any particular love of men than Albu felt an affection for Chinamen. They lie when they say they have reached their position through their own organising ability...

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit. Nevertheless the essays were not in intention so aimless as they appear in fact...

Gilbert Keith Chesterton was among the world’s most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using “personal types” as illustration. It would...

The Flying Inn is a novel first published in 1914 by G.K. Chesterton. It is set in a future England where a bizarre form of "Progressive" Islam has triumphed and largely dominates the political and social life of the country. Because of this, alcohol sales are effectively prohibited. The plot centers around the adventures of Humphrey Pump and Captain Patrick Dalroy, who roam the country in their cart with a barrel of rum in an attempt to evade Prohibition, exploiting loopholes in the law to temporarily prevent the police taking action against them.

“For the Irish Question has never been discussed in England. Men have discussed Home Rule; but those who advocated it most warmly, and as I think wisely, did not even know what the Irish meant by Home. Men have talked about Unionism; but they have never even dared to propose Union. A Unionist ought to mean a man who is not even conscious of the boundary of the two countries; who can walk across the frontier of fairyland, and not even notice the walking haystack. As a fact, the Unionist always shoots at the haystack; though he never hits it...

Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?