The story ostensibly concerns a young literary critic who greatly admires the writer Hugh Vereker. A meeting with Vereker, however, shows him that he — and all other critics — have in fact missed the great point of Vereker’s work, and the critic (and his editor) thereupon devote themselves to trying to unravel the mystery. James’s story, however, almost certainly has an autobiographical side to it, perhaps itself criticizing those critics who couldn’t see, or wouldn’t see, the figures lost in the carpet of his own writing.

The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind.

This short novel is a black comedy about fame, manipulation, pretension, and surviving it all. The narrator, a reprehensible and seedy journalist, sets out to interview a minor author, and in his own quest for glory, turns the author into the celebrity of the day. The sudden and untimely death of the author, with his latest work unfinished, presents a troubling dilemma for the narrator, which he resolves with no more conscience than he had when he began his quest. (Introduction by Christine Dufour)

The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of the Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years...

Published in 1901, The Sacred Fount delves into the interior observations and obsessions of one Englishman during a weekend gathering in the country. Regarding himself as a master of human psychology, the narrator watches the goings-on of the other guests and weaves theories about the interpersonal implications of what he witnesses, leaving the not infrequently perplexed reader the task of sorting out whether his conclusions are facts or fancies. (Introduction by S. Kovalchik)

“Levity” is not a word often applied to Henry James, but this story has about it an attractively lighthearted quality. It tells of Peter Baron, a poor, young struggling writer of adequate, if not transcendent, talent, who lives in a dreary London boarding house inhabited also by a mysteriously clairvoyant and beautiful young widow, with her small boy. When Baron buys himself a second-hand writing desk to stimulate the creative juices, he finds carefully hidden within it a cache of letters that appear to compromise a recently deceased statesman...

This bittersweet tragicomedy centers on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

This novella explores the relationship between Frank Saltram, a charismatic speaker who is also a freeloader; Ruth Anvoy, a young American who visits her widowed aunt, Lady Coxon, an American who married a Brit; and George Gravener, a British intellectual with a future in politics who becomes engaged to Ms. Anvoy. The story revolves around the dispersal of The Coxon Fund, a sum of money left by Ms. Anvoy’s father with the stipulation that is be given to a great man to publish and pursue moral truth.

Published as a serial in 1875, Roderick Hudson is James's first important novel. The theme of Americans in Europe, so important in much of James's work, is already central to the story. Hudson is a young law student in Northampton, Massachusetts, who shows such surprising ability as a sculptor that the rich Rowland Mallett, visiting a cousin in Northampton, decides to stake him to several years of study in Rome, then a center of expatriate American society. The story has to do not only with Roderick's growth as an artist and the problems it brings, but also as a man susceptible to his new environment, and indeed his occasional rivalries with his American friend and patron...

Another Jamesian look at Americans in Paris. What happens when a reporter for an American scandal sheet (The Reverberator) is looking for a good story, though one which might interfere with the marriage plans of a young American woman in the City of Light? This book has been described as "a delicious Parisian bonbon," and its generally good humor stands in contrast with some of the writer's other work.

Celebrated playwright Nicholas Martin didn’t read the small print in his Hollywood options contract. Now he’s facing five years of servitude to a conceited director named Raoul St. Cyr, who’s taken a thoughtful play about Portuguese fishermen and added dancing mermaids. When it seems the plot has changed to include a robot from the future Nicholas looses all hope, but this robot may be just what he needs to win his freedom. – The Ego Machine was first published in the May, 1952 issue of Space Science Fiction magazine.

The Snow-Burner is what the Native Americans called Reivers, and it was a rough and tumble life in the land where Reivers chose to live up to his name. The name was attributed to Reivers upon his proof after arriving in the north country because of his ability to defeat all perceived enemies in whatever means was necessary; whether by brute force and tough action, or by sheer cunning which he had gained living in the city in his earlier days. When assigned to oversee a group of foreigners in a work camp, he treated them with utter cruelty...

Dulcibel is a young, pretty and kind-hearted fictional character charged with Witchcraft during the infamous Salem Witch trials. During this time there is a group of "afflicted girls" who accuse Dulcibel and many others of Witchcraft, and during their trials show "undoubtable" proof that these people really are Witches. Will Master Raymond, Dulcibel's lover, be able to to secure Dulcibel's release from jail? Or will Dulcibel's fate be the gallows like so many other accused Witches of her time?

This is the story of Miriam, an orphan Christian woman living in Rome in the first century. She falls in love with a Roman officer, but knows that her Jewish childhood playmate loves her too and will do anything in order to get her love in return.

The Dawn and the Day, or, The Buddha and the Christ, Part 1 is a text similar to the epic poetry of Homer or, more accurately, classic Hindu texts, such as the Baghavad-Gita.

You know the story of the Three Wise Men of the East, and how they travelled from far away to offer their gifts at the manger-cradle in Bethlehem. But have you ever heard the story of the Other Wise Man, who also saw the star in its rising, and set out to follow it, yet did not arrive with his brethren in the presence of the young child Jesus? Of the great desire of this fourth pilgrim, and how it was denied, yet accomplished in the denial; of his many wanderings and the probations of his soul;...

This is a folk tale of how the first tree came into being. It tells of a hero Winfried with his young companion stepping boldly into the pagan right of the passing into winter. He preaches the gospel of Christ and His birth on that night; then from the heavens came a miracle that resulted in the salvation of the people. To celebrate, they brought new life or the Christmas tree into their homes.