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The Atlantic Monthly, Volume 12, No. 72, October, 1863   By:

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The Atlantic Monthly, Volume 12, No. 72, October, 1863 is a collection of essays, stories, and poems from a variety of talented authors. The topics cover a wide range of subjects, from politics to literature to everyday life.

One standout piece is a thought-provoking essay on the state of the nation during the Civil War, offering a unique perspective on the events of the time. Another highlight is a touching short story that explores the complexities of family relationships and human emotion.

The poetry included in this volume is also exceptional, with each piece showcasing the author's talent for wordplay and imagery.

Overall, The Atlantic Monthly, Volume 12, No. 72, October, 1863 is a captivating read that offers a glimpse into the minds of some of the most skilled writers of the era. Whether you enjoy thought-provoking essays, emotional stories, or beautifully crafted poetry, this volume has something for everyone.

First Page:

[Transcriber's Note: Footnotes moved to end of document.]

THE

ATLANTIC MONTHLY.

A MAGAZINE OF LITERATURE, ART, AND POLITICS.

VOL. XII. OCTOBER, 1863. NO. LXXII.

Entered according to Act of Congress, in the year 1868, by TICKNOR AND FIELDS, in the Clerk's Office of the District Court of the District of Massachusetts.

CHARLES LAMB'S UNCOLLECTED WRITINGS.[1]

SECOND PAPER.

Readers of Lamb's "Life and Letters" remember that before "Mr. H." was written, before Kemble had rejected "John Woodvil," Godwin's tragedy of "Antonio" had been produced at Drury Lane Theatre, and that Elia was present at the performance thereof. But perhaps they do not know (at least, not many of them) that Elia's essay on "The Artificial Comedy of the Last Century," as originally published in the "London Magazine," contained a full and circumstantial account of the cold and stately manner in which John Kemble performed the part of Antonio in Godwin's unfortunate play. For some reason or other, Lamb did not reprint this part of the article. Admirers of Charles Lamb and admirers of the drama will be pleased for 'tis a very characteristic bit of writing with what Elia says of

JOHN KEMBLE AND GODWIN'S TRAGEDY OF "ANTONIO... Continue reading book >>


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