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By: Various | |
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![]() This publication of the Mount Rushmore National Memorial Society of the Black Hills presents the history and description of one of the most iconic colossal sculptures of the world. Originally conceived by Doane Robinson of South Dakota, the memorial was designed by renowned sculptor, Gutzon Borglum who also gave oversight of the construction along with his son Lincoln. It depicts four U.S. Presidents – Abraham Lincoln, George Washington, Thomas Jefferson, and Theodore Roosevelt. - Summary by Larry Wilson |
By: Gilbert Seldes (1893-1970) | |
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![]() “... But, beside those great men, there is a certain number of artists who have a distinct faculty of their own by which they convey to us a peculiar quality of pleasure which we cannot get elsewhere; and these, too, have their place in general culture, and must be interpreted to it by those who have felt their charm strongly, and are often the objects of a special diligence and a consideration wholly affectionate, just because there is not about them the stress of a great name and authority.” - Summary by Walter Pater |
By: Julia Darrow Cowles (1862-1919) | |
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![]() In preparing this book the author has sought to awaken a keener perception and a higher appreciation of the artistic and ethical value of story-telling; to simplify some of its problems; to emphasize the true delight which the story-teller may share with her hearers; and to present fresh material which answers to the test of being good in substance as well as in literary form. - Summary by From the preface | |
By: Frederick Wedmore (1844-1921) | |
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![]() Frederick Wedmore presents short vignettes of influential artists of the 19th century who were noted for their mastery of etching: Seymour Haden, Jules Jacquemart, J. A. M. Whistler, and Alphonse Legros. - Summary by Larry Wilson |
By: Margaretta Archambault (1856-1956) | |
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![]() This book was curated by the State Federation of Pennsylvania Women for tourists' use on a journey to Pennsylvania. Each of Pennsylvania's 67 counties has its own chapter, discussing beautiful art and buildings that may be found there . These chapters were each written by a knowledgeable person from that county. While details are often sparse, the guide is an excellent starting point for individuals who wish to learn more about local history of Pennsylvania. Note: While the book was compiled in 1917, the first world war prevented its publication until 1924... |
By: Theodore Dreiser (1871-1945) | |
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![]() Theodore Dreiser was highly acclaimed for his novels and other writing. This non-fiction work takes place in many areas of New York City in the early 20th Century. Dreiser writes of lives packed into cramped tenements, of the likely end, but perhaps not, of an affair, of those who guided ships through turbulent waters, and of life in a home for retired seamen. We're taken to the new subways where track workers risked deadly accidents as they struggled to earn a living. Animal slaughter, the glory and heartbreak of song-writing, the shabby "sandwich man", deadly jealousy in Little Italy, and much more is vividly brought to life by this brilliant author. |
By: Thomas Carr Howe (1904-1994) | |
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![]() "From May 1945 until February 1946, I served as a Monuments, Fine Arts and Archives Officer in Germany. During the first four months of this assignment, I was engaged in field work which included the recovery of looted works of art from such out-of-the-way places as a monastery in Czechoslovakia, a salt mine in Austria, and a castle in Bavaria. Later, as Deputy Chief of the Monuments, Fine Arts and Archives Section, Office of Military Government, U. S. Zone, I participated in the restitution of recovered art treasures to the countries of rightful ownership... |
By: Irving Pichel (1891-1954) | |
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![]() As people live in a house, Or work, day after day, in a store or factory or public building, they become used to inconveniences, bad arrangement, and lack of proper facilities. They complain for a time, perhaps, and then forget. And after a while, when the house has become home, or the large building has gathered tradition, a sort of admiration settles upon it. What is really plain ugly or wrong or bad appears quaint and full of "atmosphere." And is imitated. Style and tradition embalm the very features that make the building a bad building... |