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夢溪筆談, Volume 17-21   By: (1031-1095)

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Kuo Shen's work in Volume 17-21 of 夢溪筆談 provides a fascinating glimpse into the world of ancient Chinese culture and philosophy. The author's insights into various topics ranging from ethics and morality to art and literature are thought-provoking and eye-opening. Shen's writing style is engaging and accessible, making it easy for readers to delve into the rich content of the text.

One of the highlights of the book is the depth of historical and cultural knowledge that Shen brings to each discussion. The reader gains a deeper understanding of the complexities of ancient Chinese society and the ways in which these ideas have shaped modern thought.

Overall, 夢溪筆談, Volume 17-21 is a valuable resource for anyone interested in Chinese history, philosophy, and culture. Shen's meticulous research and keen insight make this collection a must-read for scholars and casual readers alike.

First Page:

【卷十七 書畫】

藏書畫者,多取空名。偶傳為鐘、王、顧、陸之筆,見者爭售,此所謂「

耳鑒」。又有觀畫而以手摸之,相傳以謂色不隱指者為佳畫,此又在耳鑒

之下,謂之「揣骨聽聲」。歐陽公嘗得一古畫牡丹叢,其下有一貓,未知

其精粗。丞相正肅吳公與歐公姻家,一見曰:「此正午牡丹也。何以明之

?其花披哆而色燥,此日中時花也;貓眼黑睛如線,此正午貓眼也。有帶

露花,則房斂而色澤。貓眼早暮則睛圓,日漸中狹長,正午則如一線耳。

」此亦善求古人心意也。 相國寺舊畫壁... Continue reading book >>


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