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The Mirror of Literature, Amusement, and Instruction Volume 13, No. 374, June 6, 1829   By:

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In this volume of The Mirror of Literature, Amusement, and Instruction, readers are treated to a captivating collection of diverse literary topics that offer both entertainment and enlightenment. From insightful essays on historical events to engaging stories that transport readers to different worlds, this publication truly lives up to its name.

The contributors offer a range of perspectives that keep readers engaged and eager to turn the page. Whether delving into the latest scientific discoveries or exploring the nuances of human emotions, each piece is well-crafted and thought-provoking.

One particularly noteworthy aspect of this volume is its attention to detail and thorough research. The writers demonstrate a deep understanding of their subject matter, providing readers with a rich tapestry of information that enriches the reading experience.

Overall, The Mirror of Literature, Amusement, and Instruction Volume 13, No. 374, June 6, 1829 is a delightful read that is sure to appeal to a wide range of readers. With its diverse content and engaging writing style, this publication is a must-read for anyone seeking both entertainment and edification.

First Page:

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. 13, No. 374.] SATURDAY, JUNE 6, 1829. [PRICE 2 d .

HOLLAND HOUSE, KENSINGTON

[Illustration: Holland House, Kensington.]

Since the time of William III., who was the first royal tenant of the palace, Kensington has been a place of considerable interest, as the residence and resort of many celebrated men. The palace, however, possesses little historical attraction; but, among the mansions of the parish, Holland House merits especial notice.

Holland House takes its name from Henry Rich, Earl of Holland, and was built by his father in law, Sir Walter Cope, in the year 1607, of the architecture of which period it affords an excellent specimen. Its general form is that of an half H. The Earl of Holland greatly improved the house. The stone piers at the entrance of the court (over which are the arms of Rich, quartering Bouldry and impaling Cope) were designed by Inigo Jones. The internal decorations were by Francis Cleyne. One chamber, called the Gilt Room, which still remains in its original state, exhibits a very favourable specimen of the artist's abilities; the wainscot is in compartments, ornamented with cross crosslets and fleurs de lis charges, in the arms of Rich and Cope, whose coats are introduced, entire, at the corner of the room, with a punning motto, alluding to the name of Rich, Ditior est qui se ... Continue reading book >>


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