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The Mirror of Literature, Amusement, and Instruction Volume 19, No. 529, January 14, 1832   By:

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The Mirror of Literature, Amusement, and Instruction Volume 19, No. 529, January 14, 1832 is a fascinating collection of essays, stories, and anecdotes that provides a snapshot of the cultural and literary landscape of the early 19th century. The diverse range of topics covered in this volume, from historical events to contemporary social issues, offers readers a glimpse into the concerns and interests of the time.

The writing is engaging and thought-provoking, with a blend of humor, wit, and wisdom that keeps the reader engaged from beginning to end. The essays are well-researched and informative, shedding light on various aspects of society, culture, and politics during this period.

One of the highlights of this volume is the variety of content it offers. From reviews of popular books and plays to discussions of scientific discoveries and political developments, there is something for everyone in this publication. The inclusion of poetry and short stories also adds depth and richness to the collection, showcasing the talents of different writers and poets of the time.

Overall, The Mirror of Literature, Amusement, and Instruction Volume 19, No. 529, January 14, 1832 is a captivating read that provides a valuable insight into the intellectual and cultural life of the early 19th century. Readers with an interest in history, literature, and society will find this volume to be a delightful and enlightening read.

First Page:

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. XIX. NO. 529.] SATURDAY, JANUARY 14, 1832. [PRICE 2 d .

FISHMONGER'S HALL

[Illustration: FISHMONGERS' HALL.]

[Illustration: ARMS OF THE COMPANY.]

These Cuts may be welcome illustrations of the olden magnificence of the City of London. The first represents the river or back front of the Hall of the Fishmongers' Company: the second cut, the arms of the Company, is added by way of an illustrative pendent. These insignia are placed over the entrance to the Hall in Lower Thames street; they are sculptured in bold relief, and are not meanly executed. The Hall, or the greater part of it, has been taken down to make room for the New London Bridge approaches; the frame work of the door, and the arms still remain stat portus umbra .

The Hall merits further notice; not so much for its architectural pretensions as for its being the commencement of a plan which it could be wished had been completed. The reader may probably remember that after the Great Fire of London, the King (Charles II.) desired WREN, in addition to his designs for St. Paul's, to make an accurate survey and drawing of the whole area and confines of the waste metropolis; and "day, succeeding day, amidst ashes and ruins, did this indefatigable man labour to fulfil his task... Continue reading book >>


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