Punch, or the London Charivari, Vol. 104, April 29, 1893 By: Various
Punch, or the London Charivari, Vol. 104, April 29, 1893 is a timeless collection of satirical illustrations, cartoons, poems, and articles that provide a humorous and insightful look at the political and social issues of the late 19th century. The magazine's clever wit and biting commentary offer a fascinating glimpse into the mindset and culture of the time, making it a valuable historical document as well as an entertaining read. The contributors demonstrate a keen understanding of human nature and a sharp eye for hypocrisy, using humor to expose the absurdities and injustices of Victorian society. Whether lampooning politicians, poking fun at cultural norms, or offering sardonic commentary on current events, the writers and artists of Punch display a remarkable talent for blending comedy with keen social observation. While the language and references may be dated, the wit and intelligence of Punch, or the London Charivari, Vol. 104, April 29, 1893 remain as engaging and relevant today as they were over a century ago. This collection is a must-read for fans of satire, history, or simply those who appreciate a good laugh. Highly recommended for anyone interested in exploring the world of Victorian humor and commentary. First Page: PUNCH, OR THE LONDON CHARIVARI VOLUME 104, APRIL 29TH 1893 edited by Sir Francis Burnand [Illustration: WHAT OUR ARTIST (THE VERY SHY ONE) HAS TO PUT UP WITH. Affable Stranger. "ULLO, MISTER, THERE YOU ARE! I SAY, THAT WAS A RACY BIT YOU GAVE US LAST WEEK, ABOUT THE 'CAT AND THE FIDDLE'! QUITE IN YOUR OLD FORM, EH!" [ Digs him in the ribs with his Umbrella. Our Artist. "YOU'RE VERY KIND, BUT A I A I FEAR I HAVEN'T THE PLEASURE OF YOUR ACQUAINTANCE A " Affable Stranger. "HOITY TOITY ME! HOW PROUD WE ARE THIS MORNING!" [ Gives him another dig, and exit. ] STRAY THOUGHTS ON PLAY WRITING. From the Common place Book of The O'Wilde. The play? Oh, the play be zephyr'd! The play is not the thing. In other words, the play is nothing. Point is to prepare immense assortment of entirely irrelevant epigrams. "Epigram, my dear Duke, is the refuge of the dullard, who imagines that he obtains truth by inverting a truism." That sounds well; must lay it by for use. Take "Virtue," for instance. "Virtue" offers a fine field for paradox, brought strictly up to date. Must jot down stray thoughts. (Good idea in the expression "Stray Thoughts." Will think over it, and work it up either for impromptu or future play.) Here are a few examples: (1) Be virtuous, and you will be a County Councillor... Continue reading book >>

Punch, or the London Charivari, Vol. 104, April 29, 1893 By: Various

Punch, or the London Charivari, Vol. 104, April 29, 1893 is a timeless collection of satirical illustrations, cartoons, poems, and articles that provide a humorous and insightful look at the political and social issues of the late 19th century. The magazine's clever wit and biting commentary offer a fascinating glimpse into the mindset and culture of the time, making it a valuable historical document as well as an entertaining read.

The contributors demonstrate a keen understanding of human nature and a sharp eye for hypocrisy, using humor to expose the absurdities and injustices of Victorian society. Whether lampooning politicians, poking fun at cultural norms, or offering sardonic commentary on current events, the writers and artists of Punch display a remarkable talent for blending comedy with keen social observation.

While the language and references may be dated, the wit and intelligence of Punch, or the London Charivari, Vol. 104, April 29, 1893 remain as engaging and relevant today as they were over a century ago. This collection is a must-read for fans of satire, history, or simply those who appreciate a good laugh. Highly recommended for anyone interested in exploring the world of Victorian humor and commentary.

First Page:

PUNCH, OR THE LONDON CHARIVARI

VOLUME 104, APRIL 29TH 1893

edited by Sir Francis Burnand

[Illustration: WHAT OUR ARTIST (THE VERY SHY ONE) HAS TO PUT UP WITH.

Affable Stranger. "ULLO, MISTER, THERE YOU ARE! I SAY, THAT WAS A RACY BIT YOU GAVE US LAST WEEK, ABOUT THE 'CAT AND THE FIDDLE'! QUITE IN YOUR OLD FORM, EH!"

[ Digs him in the ribs with his Umbrella.

Our Artist. "YOU'RE VERY KIND, BUT A I A I FEAR I HAVEN'T THE PLEASURE OF YOUR ACQUAINTANCE A "

Affable Stranger. "HOITY TOITY ME! HOW PROUD WE ARE THIS MORNING!" [ Gives him another dig, and exit. ]

STRAY THOUGHTS ON PLAY WRITING.

From the Common place Book of The O'Wilde. The play? Oh, the play be zephyr'd! The play is not the thing. In other words, the play is nothing. Point is to prepare immense assortment of entirely irrelevant epigrams. "Epigram, my dear Duke, is the refuge of the dullard, who imagines that he obtains truth by inverting a truism." That sounds well; must lay it by for use. Take "Virtue," for instance. "Virtue" offers a fine field for paradox, brought strictly up to date. Must jot down stray thoughts. (Good idea in the expression "Stray Thoughts." Will think over it, and work it up either for impromptu or future play.) Here are a few examples:

(1) Be virtuous, and you will be a County Councillor... Continue reading book >>

Genres for this book
Essay/Short nonfiction
Non-fiction

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