Punch, or the London Charivari, Volume 101, September 12, 1891 By: Various
In this collection of satirical cartoons and witty commentary, Punch, or the London Charivari, Volume 101, September 12, 1891 presents a snapshot of British society in the late 19th century. The illustrations are cleverly drawn and the writing is sharp and humorous, providing a unique look at the political and social issues of the time. The contributors to this volume display a keen understanding of human nature and a knack for exposing hypocrisy and absurdity. From poking fun at politicians and celebrities to critiquing societal norms and conventions, the content is both entertaining and thought-provoking. Overall, Punch, or the London Charivari, Volume 101, September 12, 1891 is a delightful read for anyone interested in history, politics, or just looking for a good laugh. It's a reminder that satire has always been a powerful tool for social commentary, even over a century ago. First Page: PUNCH, OR THE LONDON CHARIVARI. VOL. 101. September 12, 1891. SOME CIRCULAR NOTES. CHAPTER IV. REIMS SOLEMNITY RELIEF EN VOITURE POLITENESS CALLING CALVES CAVES STARTING COCHER DUET. Seen the Cathedral. Grand. As I am not making notes for a Guide book, shall say nothing about it. "Don't mention it." I shan't. Much struck by the calm air of repose about Reims. So silent is it, that DAUBINET's irrepressible singing in the solemn court yard of the Hotel comes quite as a relief. It is an evidence of life. This Hotel's exceptional quietude suggests the idea of its being conducted like a prison on the silent system, with, of course, dumbwaiters to assist in the peculiarly clean and tidy salle à manger . "Petzikoff! Blass the Prince of WAILES!" sings out DAUBINET, whose Mark Tapley like spirits would probably be only exhilarated by a lonely night in the Catacombs. Then he shakes hands with me violently. In France he insists upon shaking hands on every possible occasion with anybody, in order to convey to his own countrymen the idea of what a thorough Briton he is. " Vous avez eu votre café? Eh bien alors allons! pour passer chez mon ami VESQUIER," says DAUBINET, at the same time signalling a meandering fly driver who, having pulled up near the Cathedral, is sitting lazily on his box perusing a newspaper... Continue reading book >>

Punch, or the London Charivari, Volume 101, September 12, 1891 By: Various

In this collection of satirical cartoons and witty commentary, Punch, or the London Charivari, Volume 101, September 12, 1891 presents a snapshot of British society in the late 19th century. The illustrations are cleverly drawn and the writing is sharp and humorous, providing a unique look at the political and social issues of the time.

The contributors to this volume display a keen understanding of human nature and a knack for exposing hypocrisy and absurdity. From poking fun at politicians and celebrities to critiquing societal norms and conventions, the content is both entertaining and thought-provoking.

Overall, Punch, or the London Charivari, Volume 101, September 12, 1891 is a delightful read for anyone interested in history, politics, or just looking for a good laugh. It's a reminder that satire has always been a powerful tool for social commentary, even over a century ago.

First Page:

PUNCH,

OR THE LONDON CHARIVARI.

VOL. 101.

September 12, 1891.

SOME CIRCULAR NOTES.

CHAPTER IV.

REIMS SOLEMNITY RELIEF EN VOITURE POLITENESS CALLING CALVES CAVES STARTING COCHER DUET.

Seen the Cathedral. Grand. As I am not making notes for a Guide book, shall say nothing about it. "Don't mention it." I shan't. Much struck by the calm air of repose about Reims. So silent is it, that DAUBINET's irrepressible singing in the solemn court yard of the Hotel comes quite as a relief. It is an evidence of life. This Hotel's exceptional quietude suggests the idea of its being conducted like a prison on the silent system, with, of course, dumbwaiters to assist in the peculiarly clean and tidy salle à manger .

"Petzikoff! Blass the Prince of WAILES!" sings out DAUBINET, whose Mark Tapley like spirits would probably be only exhilarated by a lonely night in the Catacombs. Then he shakes hands with me violently. In France he insists upon shaking hands on every possible occasion with anybody, in order to convey to his own countrymen the idea of what a thorough Briton he is.

" Vous avez eu votre café? Eh bien alors allons! pour passer chez mon ami VESQUIER," says DAUBINET, at the same time signalling a meandering fly driver who, having pulled up near the Cathedral, is sitting lazily on his box perusing a newspaper... Continue reading book >>

Genres for this book
Essay/Short nonfiction
Non-fiction

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